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Sharmeen Obaid Chinoy is like a rivulet flowing endlessly in the middle of a drought-ridden Sahara, or like a triumphant roar of parrots popping across a sky when all you’ve known are crows. In short, she’s a marvel for Pakistan. A journalist turned filmmaker, Sharmeen is the winner of both a prestigious Academy Award and an Emmy, a first for Pakistan, for her heartwrenching documentary Saving Face in 2012. Since then, it’s been a rollercoaster ride for her. Iman Zia catches up with the trailblazer, who’s currently promoting her first feature film Song Of Lahore that premiered at the Tribeca Film Festival 2015, New York City and is Golden Globe nominated and has been shortlisted for the Academy Awards 2016.

First and foremost, congratulations on A Girl in the River: The Price Of Forgiveness being shortlisted for the Documentary Short Subject Category. How does it feel to be nominated once again?

I was exhilarated to hear that A Girl in the River: The Price of Forgiveness was shortlisted for the Oscars! The film resonates with me deeply. It’s a film about the kinds of choices we women have in the world and how our lives are impacted by the decisions taken by others.

What inspired you to become a filmmaker? Who is your favourite director?

I became a documentary filmmaker because I wanted to make socially conscious films. I deeply admire James Longley’s film Iraq In Fragments. Shot, directed and edited beautifully, this film tells the story of Iraq during the conflict in a unique and awe inspiring manner. It humanises a conflict by telling an alternative story than the one that we have grown used to; one in which things are more complex than the basic good guy bad guy binary. I was impressed by the honesty and integrity in the film, and was inspired by the treatment of the Iraq war in it.

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“Never take no for an answer and if a door hasn’t opened up for you it’s because you haven’t knocked hard enough on it”

We’ve been noticing a quiet revival in Pakistani cinema, what with films like Moor, and Manto. Where do you see Pakistani Cinema in the next ten years?  

The Pakistani film industry is slowly beginning to stand on its own two feet again. Filmmakers are experimenting with style and form and we are slowly starting to carve out a place for ourselves in the international sphere. I can only see Pakistani cinema rising from here on!

You’re an extraordinary documentary maker focusing on social issues. are there any other genres you’d love to venture into?

I released an animated feature film, 3 Bahadur, for Pakistani children earlier this year and am developing a number of other animated films.

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Being a voice to those suffering in the dark is incredibly admirable. That’s your mission after all, to help the voiceless. As a society we often choose not to act against taboos and problems that stare us right in the face. How important do you feel it is to raise social awareness in Pakistan?

Conversations in Pakistan, whether they are occurring in the drawing room or in the parliament, are almost exclusively about politics. We have to own up to our shortcomings as a nation and we have to have these uncomfortable conversations – only then can we begin to make a change.

Could you tell us a little about your upcoming projects: A Girl in the River: The Price Of Forgiveness and Song Of Lahore?

More than a thousand women are killed in the name of “honour” in Pakistan every year. The vast majority of victims are women attacked by family members. A Girl in the River: The Price of Forgiveness follows the story of eighteen-year-old Saba, a rare survivor who falls in love and lives to tell the tale.

Song of Lahore was my first feature length documentary. It recently opened in cinemas in the U.S. It documents the struggle of musicians in Pakistan to keep their traditions alive in the face of rising opposition to music and the arts in this country. We follow the journey of Sachal Studios from obscurity in their native Lahore to a triumphant performance in New York with Wynton Marsalis and the Jazz at Lincoln Centre Orchestra.

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“I feel extremely honoured to be able to provide the silenced with a voice and make their stories heard by others throughout the world”

How powerful a tool do you see cinema as, especially in a country veiled by so many social issues like Pakistan? How important do you see filmmaking as remoulding peoples’ perceptions?

I’ve always been interested in topics about human rights and women’s issues that many people find controversial. I choose film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that’s what I hope my films do by highlighting the issue.

What philosophical quote/mantra do you live by?

Never take no for an answer and if a door hasn’t opened up for you it’s because you haven’t knocked hard enough on it.

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You’ve witnessed so much; sheer brutality and pain when filming. How do you take your mind off such devastation? How do you keep a tab on emotions?

During filming, there have been many times when I have felt overwhelmed by the atrocities around me but I find hope in my subjects. I am inspired by their resilience it instils me with a sense of purpose. I feel extremely honoured to be able to provide the silenced with a voice and make their stories heard by others throughout the world.

“Love is not all: it is not meat nor drink” Rishi Kapoor & Neetu Singh

A pragmatist knows that a love story does not end at the altar with a happily ever after. The loved up couple encounters many roadblocks, trials, fights, disagreements, heartbreak and testing times, along with the joy, love, jubilation, success and contentment they encounter along their life’s journey together. As long as the good moments outnumber the bad, all is well and they continue to be together. Rishi Kapoor and Neetu Singh (parents of heartthrob Ranbir Kapoor) had amazing on-screen chemistry in Bollywood films of the Seventies before they tied the knot and settled down to married life together. But along the way, due to career frustrations and the Kapoor family penchant for the good life, Rishi lost his way and nearly his wife as a result

The middle son of film maker, director and actor Raj Kapoor, Rishi, nicknamed Chintu by his older brother Randhir (father of Karisma and Kareena), started his acting career as a chubby schoolboy in Mera Naam Joker. Though considered an avant-garde movie at the time, the film bombed at the box office. Reeling from the financial loss and to relaunch his fair and handsome young son, Raj cast him as the male lead in Bobby (1973) opposite a nubile, mini skirt clad Dimple Kapadia. A rom-com with catchy songs, the movie was a tremendous success. The movie is about a teenage boyfriend/girlfriend from opposite side of the tracks, who defy their parents in their passionate love for each other and overcome all obstacles to be together at the end; a Seventies version of Romeo & Juliet with a happy ending and many masala (spicy) song and dance routines. What caught the audience’s imagination was the lead pair. They were refreshingly innocent-looking. Dimple, seemingly unaware of her sexy outfits, has a wide eyed innocent look in it that cannot be attributed to her acting, while Rishi is the chocolate boy hero, all spunk and excitable youthfulness. During the filming, the two became so close that Rishi asked Raj Kapoor if he could marry Dimple. Raj vociferously refused. Perhaps he thought his son was too young and still impressionable to tie the knot, but according to contemporary rumors, Dimple, who was raised in a tenement, could have been Raj’s love child with his mistress and love of his life film star Nargis (thus Rishi’s paternal half-sister), a farfetched story. Soon after, Dimple married the top star of that time Rajesh Khanna and left films at his behest. (They are the parents of Twinkle Khanna married to Akshay Kumar.) Rishi went on to become every teenage Indian girl’s crush in the Seventies.

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During the filming of Bobby, the two leads became so close that Rishi asked Raj Kapoor if he could marry Dimple. Raj vociferously refused…. according to contemporary rumors, Dimple, who was raised in a tenement, could have been Raj’s love child with his mistress and love of his life film star Nargis (thus Rishi’s paternal half-sister), a farfetched story

In an interview for Afsana Ahmed of the Hindustan Times, Rishi said, “It wasn’t easy to be pitted against Amitabh Bachchan and Vinod Khanna (both Seventies action stars). But I did it and enjoyed that phase, especially the first 25 years of my stay at the top,” says the actor who appeared as the hero in nearly 100 romantic movies. “In the first 25 years of my career I sang songs, wore jerseys and romanced heroines in the valleys. And as was predictable in Hindi films, I got slotted into the quintessential chocolate boy image.”

Baby Sonia, as Neetu Singh was known as a child star, had been appearing in films since she was only 8 years old. With her mother financially dependent on her, Neetu was a pretty and voluptuous doe-eyed Sikh actress with waist length thick, long and lustrous hair. She played the part of the lively, ebullient, peppy girl in movies. Though she had met Rishi when she was only 14 and they became friendly, their first film together was Zehreela Insaan in 1974. Off-screen she was his confidante, the female friend that he confided in about his love woes with various girl friends and cry on her shoulder after his various breakups. She too must have had a crush on him since she gave him so much of her time and attention. Six years her senior, Rishi treated her in a fond yet off hand way; he would nonchalantly pull pranks on her, such as rubbing kajal (black eyeliner) on her face after she would finish getting dolled up by the makeup artist. Their on-screen chemistry was red hot with him jumping around excitedly and impishly and her looking at him with lovelorn eyes. The popular pair have appeared in a total of 12 films with each other. After the 1976 film Kabhi Kabhi, in which they played yet another young and in love couple, Rishi got so used to her company that when he left for an outdoor shooting stint in Europe for the film Barood, he missed her after only a couple of days. He said in an interview, “I remember I had an argument with my girlfriend at the time and I was very heartbroken. Trying to win her back, I had taken Neetu’s help in writing telegrams to her. As time passed, I began to realise that Neetu is the one for me and I began to miss her when I had gone to Europe for a shoot. Ironically, I sent her a telegram from Europe to Kashmir.” The telegram simply stated, “Yeh Sikhni badi yaad aati hai” (I’m missing this Sikh girl dreadfully). Overjoyed at his declaration of love, Neetu rushed to show it to Yash (famous filmmaker) and Pam Chopra.

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Rishi said, “as time passed, I began to realise that Neetu is the one for me and I began to miss her when I had gone to Europe for a shoot….I sent her a telegram from Europe to Kashmir.” The telegram simply stated, “Yeh Sikhni badi yaad aati hai” (I’m missing this Sikh girl dreadfully). Overjoyed at his declaration of love, Neetu rushed to show it to Yash and Pam Chopra. Rishi and Neetu started dating, but he cautioned her candidly but honestly, “I will only date you, but never marry you” 

They started dating, but Rishi cautioned her candidly but honestly, “I will only date you, but never marry you.” With the optimism of youth and too smitten to care, Neetu took him at his word.

Her mother Rajee, however, was not happy. She wanted her daughter to focus on her career as the sole breadwinner of the family and not get a bad reputation. In an interview, Neetu recalled, “My mom was so protective that I was not allowed to even go for coffee with my friends. Even if someone looked at me, she would bash him up. She was really dominating and people would get scared of her. She would get upset if my husband flirted with me. She told me, ‘You should not have affairs. If you go from one person to the other, he will also leave you and then you would again have to go to yet another. Your name will be spoilt and it will remain like that.’ That stayed in my mind. So whatever ups and downs I went through with my husband, I did not want to leave him and wanted to always hold on.” Rajee made sure Neetu was always chaperoned; she would send Neetu’s first cousin with them on all their dates, who would sympathetically get dropped off along the way to give the couple some alone time. Rishi also put an 8:00 p.m. curfew on Neetu by which time she would be packed up on set and at home by 8:30 p.m. waiting by the landline for his phone call. He, on the other hand, continued to carry on with starlets on the side, which he would deny to her, and she would take him at his word.

Neetu’s ambitious mother pushed her daughter to wear revealing clothes on screen and do more risqué dances. Rishi’s friends reportedly joked to him that his girl friend was showing excessive cleavage on-screen. Rishi replied, “It only seemed so because of the way Neetu’s body was built, and even if her shirt went all the way to her chin, some cleavage would show. Besides, Neetu Singh was the one genuine virgin in Filmistan.”

Neetu said, “I was oblivious of my star status and would even sit on the floor talking to junior artistes. I was not pretentious. He (Rishi) would write letters when I went outdoors and have them delivered to me by all his friends who were my co-stars. I would be teased and be considered his property. We had been dating for five years. At 21, I had signed a lot of big movies and was at the peak of my career and had lost weight and that is when he got insecure. He would initially say, ‘I am going around with you, but will not get married to you.’ But then one day he asked me, ‘Don’t you want to get married?’ I said, ‘To whom?’ He said ‘What do you think I am?’ I agreed. (The two were formally engaged in a hush-hush ceremony during a Kapoor family wedding in Delhi with his sister’s ring.) I had settled my mom financially and bought her a house. She did my wedding in a grand way and the whole of India was upset that Rishi Kapoor was getting married.”

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Neetu admitted in an interview to being aware of Rishi’s extramarital dalliances, but deciding to turn a blind eye, “Even when we were dating, he remained a total flirt and would pretend he did not have other affairs when he was caught and always denied it. I knew that. But I was too innocent and if he said ‘nahi hai’ (it’s isn’t so) I would believe him. He knew in his mind that I was a simple person and felt yeh mujhe sambhal legi (she will sort me out) and that he could mould and dominate over me”

The Kapoor khandan (family), as it’s known in Bollywood circles, is patriarchal in nature, so Neetu rushed to finish her films and give up her career in lieu of a domestic life. Her trousseau was extremely lavish and theirs was the Bollywood wedding of the year 1980. Neetu was resplendent in a bedazzled bridal outfit and diamonds. Champagne flowed freely and all the Who’s Who of Bombay were in attendance. The couple started out living with their in-laws in a joint family system. The marriage was blessed with a daughter later that year Ridhima and Ranbir, in 1982. Ridhima became a fashion designer after growing up and married an industrialist. Ranbir is a current Bollywood hearththrob and considered the versatile actor of his generation.

After his marriage, Rishi was rumored to have affairs with starlets half his age, such as the tragic Divya Bharti (who jumped off a building in consequence of a fight with another boyfriend) and even popular girl next door actress, Juhi Chawla. Neetu admitted in an interview to being aware of Rishi’s extramarital dalliances, but deciding to turn a blind eye, “Even when we were dating, he remained a total flirt and would pretend he did not have other affairs when he was caught and always denied it. I knew that. But I was too innocent and if he said ‘nahi hai’ (it’s isn’t so) I would believe him. He knew in his mind that I was a simple person and felt yeh mujhe sambhal legi (she will sort me out) and that he could mould and dominate me.”

Moreover, in the late 1990’s, Rishi’s career was at an all time low. In his late forties, with his family’s tendency to gain weight, he had a paunch and becoming a romantic lead was just not realistic. Frustrated, he took to the bottle, another family trait. It was rumored in Bollywood that he had become an alcoholic.

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Neetu called the Police claiming that her husband would often get drunk and beat her up and that the frequency and intensity had increased….The next day, Neetu retracted her complaint. The domestic violence complaint was carried by the newspapers. It was even reported that Neetu moved out of the house and started a salon for a time

On November 1st 1997, at 3:45 a.m. Bandra police station received a call from Neetu Singh calling from their bungalow at 27, Krishna Raj road on Pali Hill, claiming that her husband would often get drunk and beat her up and that the frequency and intensity had increased. When they arrived to the house, however, Rishi told them that his wife was soundly asleep. The next day, Neetu retracted her complaint. The domestic violence complaint was carried by the newspapers. It was even reported that Neetu moved out of the house and started a salon for a time.

Later talking about that phase of their marriage, Rishi said, “Every relationship goes through such turmoil, but eventually comes out of it, ours was no different. I was being very difficult then but Neetu absorbed all the shock I have given her really well and held on to me. In another interview with Karan Johar, he said, “It has always been Neetu who has made all the effort, I have always been a difficult man.” Talking to Afsana Ahmed he said, “Being short-tempered has been my weakness. But everyone has different sensibilities, thoughts, opinions and mood swings. So there ought to be fights when two people live under the same roof.  Hota hai yaar! (It happens). Both Neetu and I are very strong headed individuals and we fight every month. We don’t talk to each other for months, it takes a long time to patch up.”

Neetu too said on Koffee With Karan, “There always comes a phase in a couple’s life when there would be friction, disagreements. Rishi and I also went through that stage. It was just one of those problems, which only the husband and wife would understand. Fortunately, we were able to sort out our differences. Today, everything is forgotten.”

Ranbir said, “Sometimes the fights would get really bad. I would be sitting on the steps, my head between my knees, till five or six in the morning, waiting for them to stop. My parents had a very troubled marriage for a long time, and I was caught in the middle because I was there. Mom tried to make sure it didn’t affect us”

Equally honest is Ranbir while discussing his troubled childhood. In an interview, he said, “My parents were often at each other’s throats and the ugly scenes between them were deeply affecting their two kids. Sometimes the fights would get really bad. I would be sitting on the steps, my head between my knees, till five or six in the morning, waiting for them to stop. My parents had a very troubled marriage for a long time, and I was caught in the middle because I was there. Mom tried to make sure it didn’t affect us. She did that by being open about it, which was good. But let’s just say I didn’t grow up with any rose-tinted illusions about love. I learned the hard way how complicated a relationship between a man and woman could be.” Disturbed, embittered, and too embarrassed to share his problem with others, Ranbir went into a shell. “I just bottled everything up. There was a reservoir of emotions building up inside, desperately looking for an outlet,” he said. ‘Perhaps it’s all coming out in my films now.’” (Ranbir has chosen to do a wide range of roles.)

In the 2000s, Rishi moved on to do supporting, character roles and has even played villains. He is at a happier place in his life. He is proud of Ranbir’s success, stating, “Let me confess today that my chest swells when someone comes up to me and praises Ranbir. Success hit my head and I went crazy. And till I hit bad times, I didn’t realise what was happening. But when I look at Ranbir, I am amazed at the way he has handled his success. His discipline, modesty and down-to-earth values that he gets from his mother are very impressive. I had once told him to not let success go to his head and not let failure go to his heart. He has kept that in mind.”

In another interview to the Mumbai Mirror, Rishi talked about his strained relations with his son Ranbir, “I know I’ve screwed up my relationship with Ranbir even though my wife kept telling me about what I was doing. It’s now too late to change it; both of us will not be able to adjust to the change. We’re not friends; we don’t have a buddy-buddy relationship. It’s like there’s this glass wall, we can see each other, we can talk, but that’s it; we can’t reach out. That’s the only thing that makes me unhappy. That’s the way I was with my father also. Maybe I could have broken this…but then I feel we should maintain this father-son relationship. I can’t be on backslapping terms with my son. We have a drink together sometimes, sort out our issues. But he definitely has aankhon ki sharam, baap ki sharam (he is respectful). He never discusses his love life with me. He talks to his mother.

Neetu and I are proud parents. Ranbir has made us proud. But the best thing about him is he is understated. He is most unlike me. I was an absolute brat when I was his age. I simmered down later in my career. Ranbir has got his feet on the ground. That makes me happy.”

Neetu agreed that Ranbir and Rishi have different temperaments. “If Ranbir is north, my husband is south. They are of totally different nature. I don’t think Ranbir has even one thing that resembles my husband, except the voice.

However, all is not lost between father and son, Ranbir attributes his groundedness to his parents, who taught him the value of money, and not grow up with a starry sense of entitlement. At college in New York, he lived on a strict student budget and lived on McDonald’s. When he quit college and moved back to Mumbai to work as an assistant director, Rishi took away his car and he was forced to take a rickshaw to work and live within his salary, though he still lived at the family home. This taught the young actor to be self reliant and humble.

Speaking about their present and future plans, Rishi said, “Ab toh main pee bhi nahi raha hoon (I’m off alcohol). So my wife is happy. Yes, I’m in a terrible mood. I’m grouchy and at my worst when I’m not drinking. This is the worst period of my life. When I don’t drink, I get depressed. But I have to lose weight for Sudhir Mishra’s Mehrunissa with Amitabh Bachchan. I go for a walk, I do yoga and I’m on a diet…Ranbir doesn’t live with us anymore, which is also a very big setback to Neetu and me. (He has moved into an apartment overlooking the sea with girlfriend actress Katrina Kaif.) We’re building a new home where there will be a lot of place for him and his family. Till then, life goes on.”

Ho Mann Jahaan, a coming-of-age musical drama film set in Karachi, is slated for a New Year, January 1st release. the team, lead cast members: Mahira Khan, Shehryar Munawar, adeel husain and Sonya Jehan, as well triple threat, director/writer/producer Asim Raza chat with GT about what it was like working on this highly anticipated film

You are offered many roles, how do you choose which roles you want to do? What are your vetting criteria?

Mahira Khan: At the end of the day, when it comes down to picking a role/project, there are a few factors I consider — script, director, time lines, location of the project, etc. I have tried to do one project at a time, so at times that also forces me to let go of certain roles.

When reading a script, a scene could do it for me, or a quirk of a character. I also try my best not to do a similar role twice. Right after Bin Roye and even while shooting for it I was very eager to do a contemporary film. I’m glad Ho Mann Jahaan came my way.

I must ask this, what has been your experience of working with Shahrukh Khan? Any interesting stories?

MK: Lots, but I’ll save that for the time Raees is releasing. Needless to say, it was a pleasure and an amazing learning experience.

How has working in India been for you? 

MK: It’s been good. I was nervous initially as I wasn’t in my comfort zone, but the team was great! They made me feel so comfortable that I settled in easily.

Having worked in Pakistani as well as Indian films now, what are some key differences and similarities?

MK: Well, cinema is cinema. The team is key! If your team is good the experience is good no matter where in the world you’re working. The major difference was the scale of the industry. It is a bigger industry thus has bigger teams, etc. Other than that whether it’s here or there, everyone on set is working towards one goal, which is to make a good film.

How was the Ho Mann Jahaan on-set chemistry? Share some interesting anecdotes with us.

MK: It was crazy, manic, magical to say the least. We were like a joint family living in a house. There was lots of love, minor arguments, lots of breakups followed by makeups, hugs and laughter, lots of tears. Let me tell you something about this team — we cry a lot. We saw the teaser all of us, crying and hugging each other. Someone gets upset with someone, we cry. Adeel and I did a scene/song up in Chitral and when we came back to the monitor, Asim had tears in his eyes—of happiness. Emotions ran high on this set. Also the crew was so much fun, it was the smallest most efficient crew!

You have been working on back to back projects. What’s on your 2016 agenda on the personal front?

MK: Actually, I didn’t expect Bin Roye to take so long. Otherwise the idea is to work on one project at a time. Nor did I expect to work on Raees this year. So yeah, it’s been a busy one. I’m hoping that next year is a good one inshAllah; I’m nervous for the film releases, wishing for the best. At the moment, I’m not taking up any projects. In fact, I’ve been chilling since July at home 🙂

Where do you see yourself in five years? 

MK: Five years? Would the next five minutes do? I’ll probably be reading a story to Azlan in bed, his favourite one, The Amazing Spider-Man 🙂

How was the Ho Mann Jahaan on-set chemistry?

Sheheryar Munawar: Saying, it was amazing would be an understatement! We are all great friends and so we worked hard and partied harder.

You are offered many roles, how do you choose which roles you want to do?

SM: Frankly I don’t want to do television–it’s a personal decision that I have made. That automatically narrows down to a few film scripts that are on offer to me at this point. The idea is always to choose quality over quantity. When I look at a project holistically, the script has to be good, there has to be something for me in terms of experimenting with new characters, the overall production value should be high and of course the director is important.

You have garnered much popularity amongst young women as a sex symbol. How does that make you feel?

SM: I don’t know how should I feel, but it should make me slightly richer. Can somebody please pass on this observation to top beauty brands.

Any plans to go to Bollywood like Mahira and Fawad?

SM: My primary focus is to produce high quality work whether it’s in the front of the camera or behind, in Pakistan or internationally.

How was the Ho Mann Jahaan on-set chemistry?

Adeel Husain: We worked and lived as friends and colleagues. Our initial relationship dynamics have evolved through the process of the film and that’s a special thing. We’ve shared good experiences on this ride together and our time on set has left us with a sense of togetherness. It’s really about other actors making each others’ jobs easier.

You are offered many roles, how do you choose which roles you want to do? What are your vetting criteria?

AH: It’s instinctual. The combination of a good script in a competent director’s hand is what one has to look out for. Many other key details about a project also play at the decision of whether you can take it on or not, or should. I usually have a clear ‘yes’ or ‘no’ inside my head in the form of a feeling and just go with it.

This is your debut film. How has this been as opposed to acting for TV?

AH: Ho Mann Jahaan has been a unique and special experience and I definitely won’t be comparing it to anything else. The Vision Factory led by Asim is a hard working team. I’ve enjoyed the space that got created for me to do my work on a daily basis and have enjoyed the camaraderie within the cast and crew. In the end, we are pushing forward in film and should do the same in television by executing better stories.

Any plans to go to Bollywood like Mahira and Fawad?

AH: No plans. I’m very happy with the momentum here and my hands are full. I would like to continue to contribute to the development of more films, and, if lucky, one day work in Hollywood. Who knows what the future may bring?

What are your upcoming projects?

AH: For now, it’s Asim Raza’s Ho Mann Jahaan and Mehreen Jabbar’s Dobara Phir Se. This has been an exciting year for me.

How do you find living in India with your husband Vivek Narain? Was it a difficult transition?

Sonya Jehan: Moving to India permanently was not my intention. I went for a project, but then I got married to Vivek, who I had met in London, after I graduated from college. I have now been there for 13 years, and it has been easy as lots of my college friends live in Delhi. I now also have a family of my own. There is not a huge difference between our traditions, so it was easy to blend into life there.

Tell us about your life there.

SJ: I live in New Delhi and my life there is not as glamourous as people may think it to be. I have two children: Noor will be 8 and Nirvan is 4 and a half. They take up a lot of my time. I wake up early with the kids, go to the gym, work and am normally in bed by 9 p.m.with a good book or movie. Weekends are a time for me to catch up with friends and enjoy what the city has to offer.

Earlier you had some issues with getting an Indian work visa. How did you sort that out?

SJ: Getting visas nowadays for anywhere in the world is complicated, and with my work being more freelance, it was challenging. However, it has been 13 years now. I have a work permit, which was granted to me on the basis that I have family in India.

You have worked with Hollywood actors in The Reluctant Fundamentalist, as well as Bollywood and Pakistani ones. What are some differences in the work style that you have encountered?

SJ: Every time I do a project, it’s a whole new different experience. The Ho Mann Jahaan team is like a family and I have known Asim for a long time. It’s my first film in Pakistan, so I am really looking forward to it. Bollywood is a lot more commercial. They don’t waste time. It’s intense. Hollywood I cannot comment on as I’ve not really done a film as such, but I did an opening scene for the Reluctant Fundamentalist and it was an enriching experience.

Which film have you most enjoyed working in to date?

SJ: Every film has brought its fresh set of joys and challenges. Taj Mahal was my first; it was very exciting and humbling, plus I had a huge role. Khoya Khoya Chand was a small budget and everyone had to pull their weight; it was a good laugh. My Name Is Khan was very commercial, yet it was daunting to work with Karan Johar. Shahrukh Khan and Kajol are lovely people and I enjoyed working with them both. And, ofcourse, Ho Mann Jahaan holds a lot of weight and is close to my heart. It is my first Pakistani film, plus I have returned to the big screen after a hiatus of four years following the birth of my son.

How was the Ho Mann Jehan on-set chemistry?

SJ: Fun and young! It was like working with a family. After shooting this movie, I feel like I have extended my family and circle of friends.

You have been directing commercials and music videos and this is your first feature film. Describe the transition. Asim Raza: Frankly speaking, all my training and experience in ad film-making has certainly helped me alot in preparing me for a feature film, but film is a whole other ball game altogether. There are overlaps when it comes to shooting a commercial and shooting a feature, but the whole process of making a feature film was a completely new experience for me and I must confess it took me a while to get a grip on it. Having said that, I must also confess that ad films and music videos gave me the confidence in who I am as a storyteller and where I stand today.

You are the script writer, director and one of the film’s producers. You must really believe in this project. You have also said that this story has autobiographical elements to it. Share with us why you feel so strongly that this story needed to be told.

AR: When I said that this story has realities in it I did not mean that it is my own story, but I do feel that I have seen all of this happening to either me or the people around me. I have always believed in real stories, so that people can connect and associate with them easily and see their reflections in the characters. Therefore, I wrote this keeping my people, surroundings and society in mind.

What was the on-set camaraderie like between cast and crew? What kind of atmosphere do you like on your sets, i.e. ultra focused and professional, relaxed and jovial or a combination?

AR: The camaraderie was the only reason why we could actually make this film happen. As I said earlier, film is something which can become almost impossible for beginners like me if you do not get the support from a strong team, and for Ho Mann Jahaan that surely was the case. I am most thankful to my team, who stood by me through thick and thin and made this project happen.

I like a combination of both. While I want my team to give complete focus to work, I also want them to make it the most fun moments of their lives and mine too.

What are your upcoming projects?

AR: Ho Mann Jahaan. Jokes aside I have not worked on anything else, neither commercials, nor music videos for the last 18 months. I wanted my complete focus on my film. INSHALLAH once it is out, then I will start to think what to do next.

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