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“Radiance Redefined: Alina Ashfaq & Yahya’s Wedding is a celebration of timeless love and impeccable style! Explore every breathtaking look from this stunning affair in our exclusive editorial.”

Walima

Dress: Zain Hashmi
Jewelry: Mahfooz Jewelrs Cavalry
Photography: Yarrow Weddings
Makeup: Uzma Ashfaq Bridal Studio

Barat

Photo credits: Yratta media
Makeup: Uzma Ashfaq Bridal Studio
Outfit: Ranosheirloom
Jewellery: Gold by Reama Malik

Dua

Outfit: Zara Shahjahan
Pictures: Yratta media

Inspired by the fierce and passionate love of Mastani, this collection embodies the essence of nostalgic and deep devotion. Each piece is a reflection of her unwavering dedication, evoking memories of eternal bonds and unrelenting passion.

Muse @fahmeen_ansariofficial
Makeup @Hussainbabarofficial
Photography @Nusairrahman.photography
Stylist @mehran.qauseqazah
Jewelry @tesoro.pk

In conversation with Good Times Magazine, Rida Fatima shares her journey of turning dreams into reality with bespoke event designs, floral artistry, and unforgettable celebrations.

What inspired you to start Seasons Events Co.?

Seasons Events Co. was born out of a passion for creating memorable experiences and bringing people together. We wanted to offer a service that combined creativity, attention to detail, and the ability to execute flawless events.

What makes your event planning business unique compared to others in the industry?

Our ability to manage all types of events-from corporate gatherings to intimate celebrations sets us apart. We deliver experience that reflect our clients’ unique visions and exceed their expectations.

How do you ensure each event reflects the vision and personality of your clients?

We prioritize collaboration with our clients, starting with an in-depth consultation to understand their preferences, goals, and style. Throughout the planning process, we maintain open communication to incorporate their input into every detail.

What was the most challenging part of starting your business, and how did you overcome it?

One of the biggest challenges was establishing a reputation in a competitive industry. We overcame it by delivering exceptional services, focusing on client satisfaction, and leveraging word-of-mouth recommendations to build trust and credibility.

How has social media, particularly Instagram, contributed to the growth of your business?

Instagram has been a game-changer, allowing us to showcase our work visually and connect with potential clients. It’s an excellent platform for sharing event highlights, receiving client testimonials, and staying relevant in the industry.

How do you stay updated with the latest trends in event design and decor?

We regularly attend industry conferences, follow influential designers and planners, and draw inspiration from global events. Networking with professionals and keeping an eye on emerging trends ensures that our designs remain fresh and innovative.

Could you walk us through your process of planning an event, from the first meeting to execution?

Consultation: Understanding the client’s vision, budget, and preferences.

Planning: Developing a detailed plan, including venue selection, design concepts, and logistics.

Coordination: Managing vendors, timelines.

Execution: Ensuring every aspect runs smoothly on the day of the event.

Follow-up: Gathering feedback to ensure continuous improvement.

What are your long-term goals for Seasons Events Co.?

We aim to become a global leader in event management, known for delivering unique and unforgettable experiences. Expanding our international footprint and embracing innovative technology in event planning are key goals.

What advice would you give to someone aspiring to enter the event planning industry?

Start with internships or entry-level roles to gain hands-on experience. Building a strong network, staying organised, and maintaining a client-focused approach are essential for success in this dynamic industry.

The following curated list is a snapshot of the Pakistani wedding industry, that has withstood the test of time, emerged economically victorious form the financial impacts of a pandemic, and continues to evolve, with heart and innovation. While the breadth of this vast enterprise “the industry” cannot be addressed as a monolith, the following is an observational piece; celebrating those that are creatively and influentially at the top of their games. With so much to choose from, and artists left right and center that can rival the best of the best globally, the editorial desk had its work cut out picking only two of each. The following honorees, are based off of both critical, and popular acclaim, while also keeping in mind what has been done by them in recent times to advance the wedding market’s potential forward.

Saaish

In the editor’s note, i use the word catalyst. I feel no one on this list singlehandedly embodies the term more than Altish Yousaf. The origins of her styling journey predate the creative bridal styling agency Saaish, as her own looks for her wedding catalysed a new era of what the template for a Pakistani bride was. From pushing the envelope in presentation in ways never seen before, Saaish has presented the local bride with a global facing aesthetic, curated with the attention that only a true connoisseur of fashion could.

With a global connection, and an eye for the best, Altish Yousaf’s Saaish has truly mastered the “fresh”.

Pictroizzah

Izzah Shaheen Malik; the magician. Few have had the audacity to explore avenues that Pictroizzah has tapped; from opening doors to the international market and developing a taste for the upscale Pakistani photographer aesthetic, having her work featured in ELLE, shooting a crossborder campaign with Abhinav Mishra to making absolutely enchanting visuals for her brides, Izzah is a focused artist, and an intuitive business women who has opened possibilities many only aspire to.

With a sense of marketing, aesthetic, and an unmatched love for Craft, Pictroizzah is more than the photographer who covered Mahira Khan’s wedding, she is an aboslute visionary, spearheading women in business and aesthetic like few have.

Photo Credits @Izzahshaheenakbar

Shoaib Khan

Shoaib Khan; the artist. So much can be said of Shoaib’s talents, but succinctly; everyone’s happier that Shoaib Khan now does bridal makeup. From being an industry leader in the fashion market, to a viral sensation for his unbelievable makeovers on himself, Shoaib has pretty much experimented the extent of his craft in full view of the public, and is now perhaps one of the finest makeup artists that the country has to offer. His bridal work however, has brought the demanding finesse of the fashion market to the Brides of today.

With a mastery of his craft, and the unapologetic and kind nature of his persona, It would be safe to say that in his hands, many brides have had their best selves come forth on their big days.

Rano’s Heirlooms

There’s an aura about Rano’s heirlooms that sets it apart; a sense of individuality that feels both modern and timeless, reminiscent of bridalwear from the bygone, but catapulted into the modern day by its sensibility of colour and presentation. Some colors on the Rano’s palette have become such a mainstay of their brand identity and pushed forth general bridal sensibilities that it is no surprise it has become so sought after. Rano’s heirlooms, as the name suggests, is a consolidation of the old, with knack for the new.

Photo Credits @ranosheirloomsofficial

Lajwanti

Lajwanti has had a resurgence. It has divulged itself into having a more international appeal, and an aesthetic that is familiar to the desi palette. Spearheaded into this era by its young creative director Dania. The couture house has not only consolidated itself as a checkpoint of craftsmanship through its recent campaigns, but has delivered on the promise of evolution, in the age of saturation.

Farhat Ali

It is no surprise that cross border influences often navigate choices of brides, Farhat Ali Jewllers has taken that inspiration and embedded the overarching Indian Influence, into its generational craftsmanship. The word on the street has been positive for the family owned business for both their service, and exclusivity. While some may navigate the market through tactical marketing, Farhat has managed to consolidate itself as being simple, beautiful, and reliable.

Picture credits: Bisma Akbar

Sara Idrees

Hanif JEwellers

The Jewellers that have been on top of eveolcing trends, and associating themselves with the finest, with sparkle being a metaphorical extension of their name, have cemented themselves as reliable, generational tastemakers. From their marketing standing out in the local market, to innovating in luxury markets like what other counterparts may stay wary of, Hanif Jewellers is definitely here to stay as the flagbearers of what Pakistani JEwellery craftsmanship can possibly achieve.

Photo Creidts @hanifjewellers

Ayra Events

Sana Bhatti; the enchantress. Ayra Events, to even the most passing observer on instagram feels like an otherworldly space, punctuated with perfect harmonies, painstaking detail, and an attention to the finest. The labour of love on display not only feels like it was pulled out of a Bollywood movie and put in front of you, but one curated as an extension of the individual that it’s all about; the bride.

With curated spaces that could rival any of the biggest weddings of the world, It is a no brainer to not have this industry innovator on this list.

Photocredits @Ayraevents

GlamGency

The go getter, trendsetter; Zahra Sarfarz. In the short span of a couple of years, Zahra Sarfaraz’s brainchild has dressed the who’s who of film, fashion, weddings and beyond. A skillset set often exclusively associated with the fashion market was brought to the desi bride with Zahra Sarfaraz’s outward looking sensibilities, popularising the field of bridal styling itself, and structuring it in a manner previously unobserved. GlamGency has not only conquered the Pakistani Weddingscape with its creativity but has almost birthed it a new, defining a niche that wants to be curated to the smallest detail.

Zahra Sarfaraz is out there, styling one killer look after the other, and exploring the horizons of the wedding market with sense of style that feels rooted in our homegrown, earthy and palatable aesthetic.

Photocredits @zahrasarfaraz

Whimsical Parties

The desi wedding sensibility thrives on grandeur, and Sundas Mustafa the brain behind the brand has seemingly perfected it. Every season, larger than life sets that seem to outdo the prior have become a hallmark of this decore house. The sense of shear opulence that coincides with our local aesthetic is only shadowed by the towering presence of the creativity behind it.

Whimsical Parties, from its humble beginnings has grown into the benchmark of possibility, towering over an industry that looks at their curations with awe. Desis are extra, Whimsical Parties gets it, and for that it is an honor to have her in this list.

Photo credits: Opm Shoots

Sara idrees

Sehrish Amir

Treading that very fine line between desi bride aesthetic, and absolute craftsmanship, Sehrish Amir is seemingly a powerhouse that has cracked the code. The Makeup Studio by Sehrish has seemingly become the go to for any bride that wants the best of the best. With her journey of enamoring an entire industry by pushing out one killer look after the other, she doesn’t seem to catching a breath anytime soon.

The sense of individuality in each look that Sehrish crafts for her brides, observably comes from a place of love for womanhood. With a new Saloon space on the horizon, Sehrish is soon approaching the status of an icon amongst her peers.

Photo Credits: Sara Idrees

Outfits: Bunto Kazmi

Yratta Media

Saad Yratta; the Original. No one quite has the expanse of a portfolio like this legendary creative. Yratta Media in its stint has reinvented the face of what a wedding visual could be. From in depth metaphors, to breathtaking visuals that seem almost too surreal to be from a wedding setting, no one does it quite like them. From having shot for the Indian Couture House Tarun Tahillian, to directing some of the most memorable visuals in present pop culture, Yratta seems to be pushing the boundaries every time. Yratta has innovated from a place of artistry that seems to propel them from the realm of being just wedding photographers, but artists deeply invested in the emotion and narrative of their subject, furnished by their almost unreal cinematography.

Yratta Media keeps finding ways to perpetuate newer perspectives to what to many may seem like a saturated market, but this element of surprise is truly what sets them apart.

Photo Credits @Saadyratta

Lollywood of the golden era gave us a treasure trove of larger-than-life heroines and heroes whose influence lingers even today. From Noor Jehan’s haunting melodies to Sultan Rahi’s commanding presence, these films reflected societal dreams and ambitions. Cinemas and theaters became sanctuaries of art and culture, a place where glamour, storytelling, and community converged in the glow of the big screen. Mohsin Naveed Ranjha’s velvet collection titled “Roxy Cinema” is a love letter to this glittering legacy. Featuring the most glamorous embroideries, shimmering like starlight, and crafted in sumptuous hues worthy of the silver screen. Premiere this festive season at a celebration near you.

Muse: @thealiciakhan
Photographer: @asadbinjavedphoto
Styling: @zahrasarfraz @glamgencyy
Makeup: @fatimanasirofficial
Jewellery: @hamnaamirjewelry

How would you describe your signature design aesthetic, and how does this collection align with your overall vision?

We keep it raw, authentic, and true to what we personally love while staying aligned with our brand’s DNA.

What specific inspirations, whether historical, cultural, or artistic, influenced the design direction of this velvet collection?

A few years ago, we created a collection inspired by Lollywood’s golden era, which was a huge success. We loved it so much that we wanted to revisit it and celebrate Lollywood’s legacy and style.

Who is the ideal customer for this collection, and how did you consider their preferences and lifestyle in the design process?

Any woman who wants to look classic while embracing the roots of our heritage and culture.

Why did you choose velvet as the primary material for this collection, and what unique qualities of the fabric did you aim to highlight?

It’s a winter festive collection, and velvet is unparalleled for this season. It’s my personal favorite because of its richness, warmth, and elegance.

What specific embroidery and embellishment techniques were employed in creating these pieces, and how do they contribute to the overall luxury and elegance of the collection?

We used a mix of techniques, mainly tilla, marori, zari, nakshi, gota, and sitara work. These enhance the opulence and timeless appeal of the pieces.

How does your brand approach sustainability and ethical sourcing, and are there any specific initiatives or practices implemented in this collection?

Unfortunately, sustainability efforts in our country are minimal. Designers and brands are working independently without systemic support. This industry has great potential to generate revenue for Pakistan, but we need serious attention and action.

How do you perceive the future of the fashion industry, and what emerging trends or technologies do you anticipate will shape the landscape?

I’m concerned about the lack of infrastructure to promote our crafts locally and globally. Without support, smaller brands will struggle, and we risk losing this industry’s potential to boost Pakistan’s economy.

What are your long-term goals for your brand, and how do you envision its evolution in the coming years?

We’re going with the flow, striving to give our best. The goal is to put in 100% effort and enjoy the journey, wherever it takes us.

What advice would you offer to aspiring fashion designers who are passionate about pursuing a career in the industry?

“Mehnat ka koi alternate nahi” (There is no substitute for hard work).

What are the standout pieces in this collection, and what makes them unique and special?

The standout pieces reflect a perfect balance of heritage-inspired embroidery, luxurious textiles, and timeless silhouettes.

How do you envision this collection being styled, and what occasions or settings would be appropriate for these pieces?

These pieces are perfect for winter weddings, festive gatherings, and any event where you want to make a regal statement.

Can you provide any insights into the direction of your future collections, and whether we can expect to see more velvet pieces in the future?

We’ll continue to experiment with velvet and other luxurious materials, especially for winter collections.

What were the biggest challenges you encountered during the design and production process for this collection, and how did you overcome them?

In the past, challenges were more work-related. Now, external factors like smog, political instability, and electricity and gas shortages have made things more complicated.

Are there any upcoming collaborations or partnerships that you’re excited about, and how do they align with your brand’s vision?

Something big is coming in 2025—stay tuned!

What is the most rewarding aspect of being a fashion designer, and what drives your passion for creating beautiful garments?

I feel proud to play my role in preserving and promoting Pakistan’s craftsmanship globally. Supporting our hand embroidery artisans, dyers etc  and showcasing their unmatched skills drives my passion.

Unveiling our latest bridal collection, a tribute to the regal elegance of the Mughal era and the timeless charm of vintage fashion. Each piece tells a story woven with intricate hand-embroidery, sumptuous fabrics, and delicate embellishments, This collection brings together the opulence of the past with a modern sensibility, designed for the bride who cherishes heritage, grace, and an unforgettable aura. perfect for a truly majestic bridal experience.

When it comes to advertising in Pakistan, one name consistently stands out – Director/Producer Addeel Niazi. Known for pushing creative boundaries and crafting unforgettable television commercials, Niazi has once again raised the bar with his latest project: an ad film for the renowned real estate developer, Lake City. With the added star power of Pakistan’s most beloved celebrities, Fawad Khan and Mahira Khan, this commercial has captivated audiences both nationwide and abroad.

At the heart of this ad’s success is its irresistibly catchy song. Music has the power to stir emotions and linger in the minds of viewers long after the screen fades to black. Lake City’s new song is more than just catchy – it’s exceptional, a true masterpiece that adds depth and emotion to the brand’s message.

Elevating this creation even further are the magnetic presences of Fawad Khan and Mahira Khan, two of Pakistan’s most versatile and celebrated icons. Both actors command a devoted global following that transcends borders. In this ad film, they embody the Lake City brand with charm and authenticity, making the Lake City experience feel both relatable and warmly inviting. Their profound connection with the audience creates a compelling synergy with Niazi’s directorial brilliance.

Celebrity Allure Meets Brand Essence

What truly sets this TV commercial apart is its flawless blend of celebrity appeal with the brand’s identity. Fawad and Mahira’s captivating presence enhances the ad without overshadowing Lake City’s core message. The stunning shots of Lake City’s landscapes captivate the viewer, creating a visual symphony that resonates with the brand’s spirit. This balance of celebrity charm and brand image results in an unforgettable advertisement that genuinely captivates.

Addeel Niazi: The Creative Virtuoso

In the advertising world, Addeel Niazi has cemented his reputation as a creative virtuoso. His unique vision, masterful storytelling, and ability to seamlessly interweave compelling narratives with visually stunning aesthetics have set him apart as a luminary in the industry. Niazi’s portfolio is a testament to his extraordinary talent, featuring a series of impactful commercials that leave lasting impressions.

Similar to previous campaigns by Director Addeel Niazi and Executive Producer Beenish Niazi for Lake City, this recent commercial is an exceptional presence in real estate advertising. The seamless fusion of the Khans’ undeniable charm and Niazi’s artistic brilliance has created a commercial that is profoundly captivating. With direction that lingers in viewers’ minds, this TVC has the power to ignite the imagination of prospective buyers.

Transcending Traditional Advertising

What truly distinguishes this TVC is its ability to transcend Lake City beyond a conventional housing society. It’s more than an ad; it’s a symbol of aspiration, a portrayal of a desired lifestyle, and a manifestation of dreams. Through the harmonious blend of celebrity appeal, innovative direction, and an unforgettable melody, Lake City has transformed into an emblem of ambition.

In a world inundated with advertisements, this campaign stands out, leaving an enduring legacy for Lake City in the minds and hearts of its viewers. It has forever altered how audiences perceive real estate and the possibilities it holds. This ad film is a testament to the enchantment that can be conjured when celebrity allure, artistic direction, and a memorable melody converge.

What inspired you to pursue a career in ad filmmaking, and how did you get started? 

Although this question may seem easy to answer, it’s surprisingly difficult to pinpoint the exact moment it all began. I’m not sure when the canvas of real life started transforming into frames that transported me to new realms. If I had to summarize, I’d say it’s the power of visual storytelling that has captivated me since childhood. When I joined the advertising world, I realized that this visual storytelling could shape my story while keeping me behind the camera. My professional journey truly began nearly two decades ago with the start of my advertising career.

How do you keep up with trends while maintaining a unique voice in your ads?

To stay up-to-date with trends while maintaining a unique visual style, I stay informed on industry trends—and then deliberately choose not to follow them. 😀 Simple. I always keep myself aware of the latest developments in advertising, but rather than strictly adhering to trends, I use them as insights rather than a blueprint. This approach keeps my work relevant yet distinct, offering a unique perspective that stands out amidst mainstream approaches.

What challenges have you faced as an ad filmmaker, and how do you overcome them? 

In Pakistan, predicting brand’s demands, feedback, and even the brief is often very unpredictable. You need strong adaptability and mental flexibility to meet the market’s needs while keeping the visual and story elements creative. Challenges like limited budgets, ever-changing technical requirements, logistics, and lack of industry standards are common, but I overcome these obstacles through innovative storytelling, resourcefulness, and building strong industry connections. However, I believe things are changing a lot for the better now.

What do you think sets a successful ad campaign apart from others? 

A successful ad campaign stands apart through its concept, visual scenarios, and copy. A discerning perspective, coupled with innovative storytelling and a unique visual approach, is crucial to creating exceptional work. Always strive for perfection, as mediocrity can never create a masterpiece. Celebrity endorsement can be a factor, but it’s not the key to a successful campaign. The real focus should be on brand and consumer insights—understanding what the brand wants to convey and finding captivating ways to communicate it. Collaboration and shared understanding are essential, as the merging of diverse perspectives, talents, and expertise yields a dynamic outcome that resonates deeply with target audiences.

How do you approach the creative process for a new ad? 

By redefining the fine line between ‘what is created’ and ‘what is left to be created,’ we open up a new realm of creative possibilities. The creative process for a new ad is about challenging conventional limits and rethinking the process itself. The magic lies in exploring the gaps, the spaces yet to be filled, and the unanswered questions. It’s in these uncharted territories that the most innovative and impactful ideas emerge.

What are the key elements you focus on to make an ad memorable and impactful? 

Hard work and perfection. Hard work drives the dedication needed to understand the brand and its audience and to ensure every detail aligns with the overall vision. Perfection is about refining each element—from script to visuals to the final product—until it resonates and leaves a lasting impression.

Could you share how you conceptualize ideas that resonate with diverse audiences? 

I start by visualizing the ad as a filmmaker, then shift perspectives to see it through the audience’s eyes, imagining how they would receive each visual. Conceptualizing involves balancing my creative vision with the audience’s expectations, as well as focusing on artistic and technical needs, and the narrative itself.

Who are some of the filmmakers or creators who inspire your work?

Steven Spielberg for his range in narrative storytelling and Stanley Kubrick for his meticulous craftsmanship and visual flair.

How do you think the ad filmmaking industry has evolved over the past few years?

Ad filmmaking is evolving at a rapid pace, but only a few impactful ads stand out. These standout campaigns create a ripple effect, sparking competition and raising expectations for other filmmakers and agencies. Many campaigns follow traditional formulas, which can make much of the advertising landscape feel predictable and repetitive.

What trends do you see shaping the future of ad filmmaking?

The ad film industry is experiencing rapid transformation driven by technological innovations, changing consumer behaviors, and new tools. We’re likely to see a surge in immersive storytelling, with technologies like VR and AR transporting viewers into brand experiences. AI-powered tools in production and post-production will also become increasingly important as the industry evolves.

 

How do you ensure your work reflects cultural sensitivity and authenticity?

By prioritizing originality. For me, originality means being unique, creative, and innovative.

Which ad campaign of yours are you most proud of, and why?

The recent TVC for Lake City, starring Mahira Khan and Fawad Khan, is a personal favorite. This project required shifting real estate advertising from a direct, amenity-focused approach to a 360-degree, thematic visual storytelling style. Our goal was to tell an elegant, charismatic story through each meticulously crafted frame, and the overwhelmingly positive response has been incredibly rewarding.

Another favorite is the Hanif Jewellers ad film, which featured a distinctive concept shot in nature. This project stood out for its attention to detail and elegance, requiring a delicate balance between artistry and precision.

Then there’s “Bachi Bari Khush Rahey Gi,” the famous ad film for Mughal Steel, and many others that are close to my heart.

What advice would you give to aspiring ad filmmakers? 

To aspiring ad filmmakers: There’s a world beyond YouTube references and stock videos—so no more chappa (copying). Never stop learning; keep exploring, and be persistent. The industry is competitive, but with hard work, passion, and originality, you can leave a lasting mark.

Are there any upcoming projects or collaborations you’re particularly excited about? 

I’m really excited about my upcoming project, ‘Akram: An Era’, a biopic on the life of cricket legend Wasim Akram. It’s a true honor to work on a project dedicated to my all-time favorite cricketer and a great friend. This opportunity feels incredibly special, and I’m looking forward to bringing his incredible journey to the screen.

What’s your favorite part of the filmmaking process?

That satisfying moment of saying, “Cut!”

One skill every ad filmmaker should master? 

Stop selling ad films—start selling solutions.

 

A dream brand or product you’d love to create an ad for?

When I start working on a project, it becomes my dream project. For me, the idea matters more than the brand. However, I would love to create something for Ferrari.

Your go-to source of inspiration when you’re facing a creative block?

Brainstorming with my creative team. When we gather, ideas start flowing, and different perspectives come into play. It’s a collaborative process where everyone shares thoughts without judgment, which often leads to breakthroughs.

A piece of advice you received that’s stayed with you?

“There’s always another way to tell the story—keep searching until your heart says, ‘This is what you need to do,’ regardless of budgets or impossibilities.”

Rooted in the timeless elegance of traditional craftsmanship, Naaz-e-Ulfat, draws you into a world where each stitch speaks of devotion and artistry. A collection that mirrors the delicate allure of romance through artisanal techniques that once adorned royal wardrobes.

Reviving heritage with a modern lens, Naaz-e-Ulfat showcases gotta work and intricate hammer work that echoes the rhythm of age-old ateliers. The luminous muqaish glistens like moonlight, while chatta patti storytelling intricately binds tradition and splendor.

The palette is a harmonious medley: pastels like lemon, tea pink and mint green evoke the serenity of spring, while bold shades of orange, gold and royal blue capture the vibrant warmth of celebration.

More than a collection, Naaz-e-Ulfat is a love letter to heritage, where timeless beauty, artistry and romance converge to honour life’s most cherished moments.

Featuring: @celina_arif @thesamanmalik
Styling: @yash645
Photography: @tajwarmunir
Makeup: @saad.samie
Jewellery: @farhatalijewellers

Fatima Ashar, the visionary behind the acclaimed fashion house Fatima Ashar Official, has carved a niche in couture that combines elegance with innovation. Known for her meticulous attention to detail and a keen eye for timeless fashion, Fatima’s creations embody sophistication and individuality. Her collections reflect a deep passion for high-quality craftsmanship and a modern interpretation of traditional aesthetics, making her one of the most sought-after designers in the industry. Fatima Ashar continues to inspire with every piece, bringing her artistic vision to life and setting new trends in luxury fashion.

Tell us about your journey into couture. What inspired you to specialize in bridal and formal wear?

I’ve always been drawn to heritage craftsmanship and traditional techniques and bridal couture felt like the perfect way to celebrate that artistry. Creating bespoke pieces for such significant moments allows me to blend tradition with modern design, making each bride’s experience uniquely special.

How would you describe the aesthetic and philosophy behind your designs? 

My designs are deeply rooted in the celebration of heritage craftsmanship, with a strong focus on floral patterns and animal motifs. I love bringing these elements to life through intricate hand-painted designs, blending tradition with modernity. My philosophy is to create pieces that tell a story, capturing the beauty of nature and art while preserving the elegance of timeless craftsmanship.

Your bridal collections are known for intricate craftsmanship. What makes your designs stand out from others in the industry?

What sets my bridal designs apart is the level of customization we offer. Each piece is tailored to reflect the bride’s unique vision, allowing her to be part of the design process. From intricate hand-work to personalized details, we create one-of-a-kind outfits that blend tradition and individuality, ensuring every bride feels truly special on her big day.

Walk us through your creative process. How do you go from an idea to a final couture piece? 

Inspiration can come from anywhere, a beautiful landscape, a color palette in nature or even something I come across while scrolling through social media. Once something catches my eye, I start by sketching out initial ideas and experimenting with patterns or motifs. From there, I collaborate with my team to select fabrics, colors and embellishments that bring the vision to life. Every step, from the first sketch to the final stitch, is carefully thought out to ensure the design feels cohesive and unique.

Do you have a favorite collection or a particular piece that holds special meaning for you? Why?

My latest collection, Naaz-e-Ulfat, holds a special place in my heart. It came after one of the toughest years of my life and I was able to channel all that emotion and energy into creating something truly beautiful. Each piece represents resilience, love and a deep connection to my craft, making this collection not only my favorite but also incredibly meaningful on a personal level.

Bridal wear trends are always evolving. What trends do you think will define the upcoming wedding season?

For me, trends are all about what my brides desire when curating a special outfit for their big day. Whatever makes them feel comfortable and beautiful is what I focus on. Whether it’s a specific color palette, unique cuts or intricate details, I work closely with each bride to bring her vision to life. Ultimately, it’s about creating something that reflects her individuality and makes her feel truly special.

How do you balance tradition and modernity in your designs, especially when creating bridal outfits?

I always prioritize traditional craftsmanship techniques like zardozi, marori, vasli work and even chattapatti in my designs. However, I love blending these with contemporary elements, especially in color palettes and cuts. Each collection allows brides to celebrate their heritage while expressing their personal style. It’s all about creating outfits that feel timeless yet fresh, making each bride’s experience truly special.

What role do fabrics and embellishments play in the identity of your brand? Any favorite materials you prefer to work with?

Fabrics and embellishments are at the heart of my brand’s identity. I work with a variety of materials but I often find myself drawn to raw silk, net and tissue for their beauty and versatility. Intricate handwork and fine detailing are essential to my designs, as they bring each piece to life and showcase the craftsmanship I value. Ultimately, it’s about using quality materials to create unique, luxurious pieces that resonate with brides.

Can you share a memorable experience from working with a bride? How do you ensure the bridal look reflects her personality?

Each bride is special to us since we offer full customizations. Every bride walks into our studio with a unique vision and leaves with the dress of her dreams. We guide them in choosing the right fabrics and shades, ensuring that every detail aligns with their preferences and personality. It’s incredibly rewarding to see each bride’s excitement as she tries her dream bridal, knowing we’ve helped her bring her vision to life.

What challenges do you face as a couture designer in Pakistan, and how do you overcome them?

As a couture designer in Pakistan, one of my biggest challenges is sourcing high-quality materials and skilled artisans familiar with traditional techniques. I overcome this by building strong relationships with reliable suppliers and constantly exploring new innovations in the industry, ensuring my designs remain relevant while honoring our heritage.

Your jewelry business, Kundun.co, complements your couture work beautifully. How do both ventures inspire each other?

My jewelry business, Kundun.co, lets me play with different gemstones and unique designs, adding a fresh layer to my creativity. While couture is all about fabric and silhouette, jewelry focuses on showcasing the beauty of stones and intricate details. This balance between the two inspires me daily, allowing me to create pieces that complement each other beautifully.

With increasing international exposure, do you have plans to expand your couture or jewelry brand globally? 

Absolutely! With the increasing international exposure from my exhibitions in Dubai, Doha and the USA, I’m excited to expand my couture and jewelry brands globally. I already have an international clientele that appreciates our craftsmanship, and I look forward to reaching even more customers who resonate with my aesthetic.

What advice would you give to aspiring designers wanting to enter the world of bridal and formal couture? 

My advice is to find your own personal aesthetic and stay true to it. It’s essential to experiment and evolve your style but maintaining a core identity will help you stand out in a competitive market. Focus on honing your craft, understanding fabrics and techniques and listening to your clients. Remember, the best designs come from a place of passion and authenticity, so let that shine through in every piece you create.

Lastly, what can we expect from your upcoming collections? Any exciting projects or collaborations on the horizon?

In my upcoming winter collection, you can expect a stunning selection of heritage pashmina shawls, including Shikargarh and Sui Jama, alongside elegant winter silhouettes perfect for layering. I’m excited to unveil this collection soon, and there’s a special showcase in the works that I can’t wait to share with everyone.

Alina and Fatima, two passionate fashion enthusiasts with rich backgrounds in Journalism, PR, and Marketing, are back with a second exceptional exhibit, perfectly timed for winter and the bustling wedding season of 2024. With a keen eye for curating an extraordinary shopping experience, they’re on a mission to bring an impressive selection of winter and bridal collections under one roof. Their dedication to showcasing diverse brands and trends makes this exhibit a must-visit for anyone seeking style and sophistication this season.

With your background and experience in the world of fashion, journalism and PR, what inspired you to shift into the world of fashion exhibitions, and how did Numaish come to life?

Alina: During a casual weekend hangout, Fatima shared her observation about the challenges faced by vendors at fashion exhibitions and how there’s apparent favoritism. That sparked an idea and I suggested her that we create our own platform, and the rest, as they say, is history.

I believe that my extensive understanding of fashion and consumer needs, combined with my networking skills played a pivotal role in the creation of Numaish.

Fatima: I was inclined towards designing clothes all my teenage life and after my masters degree in manufacturing management from Canada I decided to set up my own clothing unit. I participated in various fashion exhibitions in Lahore over the years and always found vendors dissatisfied about something or the other. Hence the idea of a fashion exhibition keeping in mind all the issues faced by vendors came into being therefore Numaish was born.

Numaish brings a variety of brands under one roof, creating a unique experience for both designers and customers. How do you curate the brands and ensure each exhibit stands out?

Alina: Our meticulous brand selection process ensures a diverse and exciting showcase, featuring brands that align with our event’s vision and offer unique value to shoppers. To help each brand stand out and make a lasting impression, we provide comprehensive support tailored to their specific needs. This includes expert guidance on booth setup and design, ensuring a visually appealing and functional space. We also offer strategic support in social media promotions and to help brands reach a wider audience and maximize their exposure at Numaish.

Fatima: At Numaish, our goal is to create a dynamic platform that not only showcases a variety of brands but also delivers a memorable experience for both designers and customers. We curate brands through a careful selection process, ensuring a mix of established names and emerging talent to offer diversity. Each brand is evaluated based on its design innovation, quality of craftsmanship, and alignment with the latest trends in ladies’ clothing, accessories and household items. To ensure that every exhibit stands out, we work closely with each brand to highlight their unique selling points. Our aim is to create a balance where every brand has its own spotlight, providing customers with seamless shopping experience.

Fashion exhibitions require a lot of coordination and creativity. What are some of the biggest challenges you’ve faced while organizing Numaish events, and how have you overcome them?

Alina: The biggest challenge was managing budget constraints. Negotiating with vendors and exploring cost-saving strategies without compromising the event’s overall quality proved to be quite demanding. It required careful planning and a willingness to adapt to unforseen circumstances.

Fatima: Attracting a significant number of attendees and engaging the relevant audience for a fashion exhibit is not as straightforward as it might seem. It requires a strategic approach, effective marketing campaigns, and a deep understanding of the desired demographic.

Having worked in fashion and PR, how has your expertise in these fields helped shape the success of Numaish, particularly in building relationships with designers and brands?

Alina: While I’ve successfully (if I say so myself) managed numerous events throughout my 15+ year career, curating my own exhibit required twice the effort and dedication. However, with my industry experience and established reputation, I was able to cultivate trust and foster strong relationships with both participants and vendors.

Fatima: My background in management and experience at various exhibitions allowed me to identify the communication gap between organizers and brands as a major shortcoming. Being a designer and active participant, I prioritize open communication, actively seeking feedback from the designers and incorporating their insights into event planning.

What’s been the most rewarding aspect of running Numaish, and how do you see the platform evolving in the future, especially in Pakistan’s growing fashion industry?

Alina: For me, the most fulfilling aspect was witnessing the success of our vendors. When they achieve significant sales and express their appreciation for the seamless exhibition experience we provide, it reinforces our commitment to creating a supportive and thriving platform for local businesses. Our vision for Numaish is to establish it as an internationally recognized and respected platform.

Fatima: The most rewarding aspect of running Numaish has been the opportunity to create a platform that brings together talented designers and an eager audience, promoting creativity and innovation in Pakistan’s growing fashion industry. Seeing emerging brands get the exposure they deserve and the gratitude that they show towards us after a successful event is overwhelming.

Numaish offers a platform for both established and emerging brands. How do you balance supporting new designers while also featuring well-known names, and what’s your vision for promoting talent?

Alina: We focus on curating a diverse selection, providing guidance and support, creating dedicated showcase opportunities, fostering partnerships, and considering pricing accessibility. The vision for promoting talent is to create a platform that empowers emerging designers to grow and succeed.

Fatima: At Numaish, we balance supporting new designers and featuring established brands by allocating specific areas for emerging designers to ensure they have visibility without competing directly with well-known brands. We offer focused marketing support to emerging designers, boosting their exposure through social media and influencer campaigns. Exhibits are curated to feature a blend of established names and fresh talent, creating a diverse experience for visitors.

In your opinion, what makes a successful exhibit, and how do you tailor each event to reflect current trends while also providing a unique shopping experience?

Alina: The ultimate measure of an exhibit’s success lies in its ability to attract footfall and drive sales. When vendors thrive and express gratitude for the platform we provide, it validates our efforts. We have been analysing the buying patterns and interests of shoppers which allows us to tailor future exhibits to their preferences and ensure continued success.

Fatima: A successful exhibit requires a balanced mix of established and emerging brands to engage diverse customers. Creative and eye-catching displays that reflect each brand’s identity. A focus on current fashion trends, while also offering timeless designs. Well-organized layouts and customer support for a smooth, enjoyable experience.

The fashion industry is constantly evolving. How do you keep Numaish relevant and exciting for both brands and customers, especially in a competitive market?

Alina: We believe in quality over quantity. Our commitment to quality is reflected in our careful selection of brands. We curate a diverse yet cohesive lineup, ensuring that most relevant participants are invited to join Numaish. By avoiding overcrowding, we deliver a unique and memorable experience for our shoppers.

Fatima: Featuring a balanced blend of established and emerging designers to maintain variety and innovation. Utilising social media, influencers, and personalized campaigns to attract and retain the right audience. This approach keeps Numaish dynamic, ensuring ongoing appeal in a competitive market.

How do you think Numaish contributes to the fashion landscape in Pakistan, and what role do you see it playing in promoting local and international brands in the future?

Alina: Numaish has significantly contributed to the Pakistani fashion landscape by promoting local brands, fostering a sense of community, elevating standards, and inspiring emerging talent. In the future, we wish to see it expand its reach internationally, focus on sustainability, promote diversity, and leverage technology to become a global platform for promoting both local and international brands.

Fatima: Numaish contributes to Pakistan’s fashion landscape by providing a platform for local upcoming designers to gain exposure alongside established brands. Supporting these emerging designers, helping them establish themselves in the competitive market. For the future, Numaish aims to attract international brands, creating a global fashion hub in Pakistan. And also aim to take Pakistani brands to the global market.

As business partners, how do you divide responsibilities, and how has your partnership evolved as Numaish has grown in popularity and success?

Alina: I oversee PR, social media management, and marketing initiatives, while Fatima manages vendor relations and operational activities. Participant selection and strategic sponsorship planning is a collaborative effort. Despite certain challenges, our friendship and shared vision for Numaish has been the foundation of our successful partnership.

Fatima: Our responsibilities are divided according to our expertise with Alina’s background in PR and marketing she deals with those two aspects of the business and with my background in Management I deal with vendors and the management aspect of the business. As far as brand selection goes we both share that responsibility. As Numaish has grown, our partnership has evolved to include jointly planning growth strategies and new markets. Expanding our team to handle increased operational demands, allowing us to focus more on innovation and networking. This balanced approach has driven Numaish’s continued success.

A cancer survivor, Amina has transformed her personal battles into a mission to inspire and heal others. As an art teacher and the founder of a dedicated art therapy space for children, she uses the power of creativity to nurture young minds. Beyond the classroom, Amina is also a certified yoga and breathwork instructor, promoting mental and physical well-being through mindful practices. Her story is one of courage, compassion, and empowerment—an inspiring journey of a woman who continues to rebuild, create, and uplift others with unwavering grace.

Can you share the most defining moment of your cancer journey and how it shaped who you are today? 

My most defining moment in this painful journey was when the doctors told me that my treatment had doubled to 16 chemo cycles since my cancer was aggressive and was multiplying within hours. At this point all I had was faith. I had lost every other hope and vision at this point.

Being a single mother comes with its own set of challenges. How do you find strength to balance personal struggles and motherhood? 

Honestly, I am still learning and unlearning everyday. Motherhood,being sick and pursuing my goals are difficult to balance. Some days I’m strong and other days I’m in my safe space reading books. So there are my highs and lows but for me the balance is to embrace them both fully and listen to my mind and body at that time. this body and mind are with me till the end so everything else can wait.

What advice would you give to people facing life-altering hardships?

Id say to hang in there and again embraceit. We belive in divine decree so embrace the pain as yours too. And trust the process that you were choosen to change and grow.

How did art become a therapeutic tool for you, and what inspired you to open an art therapy studio for children? 

Art has been my life source since I was 6 years old. All my life I have formally or informally learned various art forms. Creative expression was my was to share my thoughts and ideas, so for me art was the only way ever. The inspirationtion for the studio was my world , my son Ebrahim. He was 5.5-6 when he was facing fighting parents at home. Right around that timeline I was diagnosed with cancer and was batteling a messy divorce and child coustody case. He was too young to even comprehend what was going on and became silent , he lost his childhood. So during my recovery from treatment I wanted to help him out and every child therapist I went too were a hospital setting which intemidated my kid even more. That’s when I wanted him to express himself through art like I always had. But being a boy child he wasn’t too interested. That’s when I decided to formally train myself as a therapist and as a yoga, meditation and breathwork practionier. And all this lead me to design courses for kids where art is a therapy process.

Could you share a memorable experience where art therapy made a difference in a child’s life? 

Oh !! so many. There is one very close to my heart where a 4.5 year old was suffering from anxiety. As much as it hurt me I was sure that childern are not built to feel these emotions since they are conducive to their environments. Allhumdullilah after 2.5 months of sessions he was able to name what he felt and why he felt so.

What are some of your favorite activities or techniques to help children express their emotions through art? 

I honestly can’t name one. For me the AHAA moment is my favourite where the child recognises themselves and their emotions as separate beings.

Solo traveling is often seen as challenging, especially for women. What drew you to it, and how has it impacted your life? 

Solo travelling was never in my cards, I mean I never even thought of it. Yes iv always loved travelling with family and loved ones. But my childhood friend was persistent for a good 1.5 years that I need to travel solo. I still don’t know what he saw in me but he was sure that ill come out as a more of myself than being defined by the society. So when life was hitting rock bottom that’s when I dared to go solo backpacking for a month internationally. And believe me iv never looked back. We are conditioned to believe that we need people or social setups to survive this life, which is untrue. Your are alone with your thoughts, emotions and feelings. People are there for a little part. So solo travelling made me love myself completely. My confidence, my stability in gait and talk, no rushing things are all beautiful results of my solo travels. And now more than ever I love my company so much that people wonder what is my energy source? Solo travelling is my drug where I reconnect and ground myself.

What message do you share most frequently as a motivational speaker, and how does your personal story resonate with your audience? 

Hold on to your faith and trust yourself. You are here for a purpose, it can be as small as moving a prick from a cat’s paw or as big as making a hospital. My personal story is a huge example of it. Although I’m sure I have multiple purposes to fulfill but I’m sure I’m here to help and give in every possible way I can.

Can you tell us about a place you traveled to that transformed your perspective on life?   

Gosh I can never forget this. So I was going for my first scuba dive in open waters and my instructor ,who id been learning from over a week now , was revising the kinds of fish and sea creatures id possibly encounter there. We gear up and start our decend, its a lot of over whelm at first to be so weightless and silent all of a sudden. About 5 meters down my panic kicks in and I signal him that I need to get out now. He held my arm really tight and with his othe hand knocked at my goggles and signled me to look at his eyes only. Then he signaled me to breath and asked me to turn. And my eyes burts open, I was infrom of a massive beautiful cave of corals and so many fish around me. I tried to touch the fish and corals and again I was signeled not to. I spent a good hour under water went about 10 plus meters and came back on the boat . The 2 lessons I learned and cried over were every soul needs reassurance from the other that’s litrally it. in any relationship reassurance is all that is needed. Thye tinniest fish in the sea has a boundary and a defense mechanacism then how on earth we humans tell our woman to not have any boundaries in the name of marriage?

How did yoga and breathwork become part of your healing journey, and how do they influence your daily life? 

Post cancer was a new aminah that didn’t know this new steroidal body. Yoga breathwork meditation helped me get to a point where I felt ok to exist. Everyday meditation is my staple. I need it to keep myself in check.

What’s the next chapter for you—personally, professionally, or as a mother? 

My next chapter is to flow only. Be so fully accepting of whatever comes my way. And make sure I raise a better man for someone’s daughter.

How do you envision the future of your art therapy studio, and what dreams do you have for the children you work with? 

I see art therapy as a staple in school cirriculms. And the childern who benefit from it need to help one more person in their surroundings is all I ask.

If you could give one piece of advice to your younger self, what would it be?

Love yourself. You are a complete magical universe who doesn’t need any validation externally. And keep forgiving yourself for any and all the mistakes you make. You are human and that is what humans do.

A prominent Pakistani human rights activist, widely recognized for her work in advocating women’s rights and empowerment

As the first chairperson of the Punjab Commission on the Status of Women (2014-2019), she spearheaded significant policy and legislative reforms aimed at eliminating discrimination and violence against women, embedding gender equality into government processes. Currently serving as the Federal Ombudsperson for Protection Against Harassment of Women at the Workplace, she brings her expertise in women’s rights to national leadership.

Viqar’s career spans both Pakistan and Canada, where she advised the Ontario Ministry of Community Safety on human rights. In Pakistan, she has collaborated with major governance, accountability, and inclusion programs, working with government bodies and international organizations, including the UN. A recognized educator, she has taught human rights and pro-women laws in various government academies and civil society organizations.

Among her notable contributions, she developed the Punjab Gender MIS, a specialized digital platform for gender-disaggregated data collection, essential for evidence-based policymaking. She has also pioneered initiatives like the Women in Leadership program, job portals for economic empowerment, and transitional housing for survivors of violence. Viqar has served on numerous boards in the non-profit, public, and corporate sectors, continuously advocating for women’s rights and leadership.

What inspired you to begin your work in women’s rights and human rights activism?

As far as I can remember, even as a child, I have felt and retaliated against injustice. If I was stopped from playing outside as a girl or when confronted with double standards for women and men at any other time, I used to question and often refuse to accept. I had similar issues with judging people differently based on their wealth and shunning people if they treated the rich with greater reverence, purely on the basis of their fortunes. It sometimes made me quite unpopular, but you are made that way and don’t need any other way to behave.

How did your experience at Shirkat Gah Women’s Resource Centre shape your approach to addressing issues like honourkillings and domestic violence?

My experience at Shirkat Gah brought me in touch with the grassroots on a daily basis, helping me understand the mindset and practice issues that necessitate advocacy for change. I worked on racism in Canada also, and that experience helped me connect issues of color, class and gender. This means that if you are rich, your experience as a woman will be vastly different from a poorer woman who will have other issues like denial of education and opportunities for growth. Domestic violence, however, cuts across classes. Both rich and poor women will likely experience domestic violence, but the shape or form that this violence takes may vary somewhat.

Can you share the process behind developing the gender management information system and the impact it had on policymaking?

Data tells the most compelling stories. People do not give much importance to testimonies of women coming from their lived experiences. They also often reject figures terming them unreliable when generated by NGOs. GMIS was developed to collect gender-disaggregated government or administrative data, which is collected on a more frequent basis than surveys and censuses. It was meant to convince the policymakers that outcomes for women were much worse than for men in terms of their economic and social empowerment. Fewer girls stay in schools, more girls drop out of or never go to school, only 3% of women own houses, and less than 15% have an account in any financial institution. GMIS helped convince people that the Constitutional commitment to gender equality was not being upheld. It created an urgency in terms of taking steps that will help achieve better results for women and girls.

What was your proudest achievement during your tenure at the Punjab Commission on the Status of Women (PCSW) ?

I look back with great satisfaction at all the steps we took for women and girls. The Punjab Women’s Helpline became a source of rapid redress for women complaining of discrimination or violence; the women’s leadership program provided an efficient model for promoting women’s leadership in the government and in non-government sectors; the identification and training of over 29000 Nikah Registrars and local government officials was an exciting opportunity to secure women’s rights through the Nikah Nama and its registration; the transitional homes project provided insights into the possibility and success of public-private partnership for support to women victims of domestic violence and the economic and social well-being survey gave information on women’s conditions in so many areas that we had so far not explored, including women’s decision making and male perception of how women are doing and how they should behave.

What key changes would you recommend to improve Pakistan’s policies towards women’s rights and equality?

Pakistan has adequate and comprehensive laws and policies for women’s rights and equality. We need to focus on implementation, which is the biggest challenge to achieving these objectives. Better monitoring of how laws and policies are being implemented is necessary to understand whether maternity leave is being given, whether women’s washrooms and daycare facilities are available, whether women are being inducted against at least the minimum quota of 15%, and whether women are also present in leadership positions. For example, the Protection Against Harassment of Women at the Workplace Act, 2010, and the Enforcement of Women’s Property Rights Act, 2020, both of which fall under the ambitof the Federal Ombudsperson Secretariat for Protection Against Harassment (FOSPAH) are key laws designed to safeguard women’s rights. The former aims to create a safe working environment free of harassment, while the latter ensures women can claim their inheritance rights without undue interference. Despite the existence of these laws, a significant portion of the population remains unaware of their rights and protections. Many women, especially in rural areas, do not know how to access legal recourse if they face workplace harassment or if their inheritance rights are denied. This is where FOSPAH steps in. FOSPAH is actively working to ensure that both these laws are not only implemented but also accessible to everyone. By handling workplace harassment complaints and property rights issues of women in Islamabad Capital Territory (ICT), conducting awareness campaigns, and working closely with organizations across Pakistan, we are trying to create safer work environments for women.

What are your immediate priorities as the Federal Ombudsperson for Protection against Harassment at Workplace?

My priority in this position is to strengthen efficiency and transparency in the organisation.  To achieve this objective, the team and the processes are being institutionalised to ensure  SOPs and policies are being followed in letter and spirit. For this, we need digitization of our work so that end-to-end accountability is possible. Creating awareness of the issue of harassment and denial of property rights of women is a very big priority. It is my mission to make sure that every woman knows she has legal protection and that she can seek justice without fear. Women need to be aware that they have the right to report discrimination and harassment without hesitation. They should know they can call the Federal Ombudsperson for Protection against Harassment at Workplace at 03444367367and get their right to inheritance and other property, which is denied by families and others. The law is there to protect them, and FOSPAH is here to ensure these laws are upheld.

How do you envision the role of this office in fostering safer workplaces for women across Pakistan?

FOSPAH plays an important role in creating nationwide awareness, effective monitoring of compliance with the laws on harassment and on property rights of women, a gender-sensitive environment for reporting violations of rights, and enabling women to speak up. Through these efforts, we aim to create safer, more inclusive workplaces where women feel empowered, respected, and protected. A key component of this mission is ensuring that every organization has a functioning internal inquiry committee, as mandated by law. These committees are crucial for addressing workplace harassment issues, protecting employees, and providing a safe space for grievances to be heard. FOSPAH regularly monitors organizations across Pakistan to ensure they comply with the code of conduct. We check if internal committees are established, if they are functioning effectively, and if the organizations are following through on their legal obligations. By holding organizations accountable and promoting a culture of responsibility, we are working to create long-lasting systemic change that prioritizes the safety and dignity of all employees, especially women.

What advice would you give to young activists and advocates striving to make a difference in women’s rights?

Stay the course and focus on the one person whose life you helped make easier. Human rights works can sometimes become frustrating but it must go on.

Looking forward, what are the areas of advocacy or reform that you would like to focus on in the next few years?

Increased women’s representation and leadership and better rights for women in marriage as well as after divorce. In Pakistan, there are no repercussions for men if they want to divorce a woman, even after a long marriage. I would like to work on reforms in the laws and practices to provide better protection in family laws. We also need to see many more women transitioning from education to employment that is dignified and not exploitative. Too many women are working under exploitative conditions, in non-formal and vulnerable employment. This needs to change through a better policy framework as well as mindset changes that will encourage women to get into formal employment. Ending harassment in public places and workplaces is an important strategy for achieving this goal.

In the heart of Rehar Nagar, where every corner hums with the echoes of a bygone era, @feelzalot steps into the frame, draped in the essence of old-school charm. Here, amidst the fading hues of tradition and the whispers of heritage, a canvas comes to life—where yesterday’s grace meets the artistry of today. This is a world where memories linger in every detail, waiting to be rediscovered.

Talent: @feelzalot
Concept: @hussainrehar
Photographer: @sajallsajjad
Video: @saraiqballl
Styling: @labgrownmeant_
Hair & Makeup: @sunil_mua

Over the years, he has garnered widespread attention and praise for his stunning couture pieces, which exude an enchanting old-world charm.

We hope you enjoy reading about his inspiring journey, from establishing himself as one of Pakistan’s finest fashion designers to opening his grand, reimagined studio in Lahore, Rehar Nagar.

What inspired you to become a fashion designer, and how did you develop your signature style known for its old-world charm and intricate craftsmanship?

My journey into fashion design was inspired by a deep love for art and storytelling. Growing up, I was always fascinated by traditional craftsmanship and the beauty of the past. There’s something magical about the way history, culture, and art blend together, and I wanted to preserve that in a contemporary form.

As I began designing, my signature style naturally evolved. I wanted to merge old-world charm with modern sensibilities. The intricacy you see in my work is a reflection of the detailed craftsmanship I admire from our heritage. Each piece I create tells a story, blending cultural elements with a modern edge, while still staying true to the elegance and grace of traditional artistry. I draw from everything around me—architecture, nature, history and then translate that into fabric, embellishments, and silhouettes.

Your new studio, Rehar Nagar, in Lahore is a reimagined space. Could you tell us about the vision behind it and how it reflects your design philosophy?

Rehar Nagar is a reimagined store, not just a typical retail space. The vision behind it was to create an immersive environment where customers can experience the brand’s essence firsthand. Every detail of the store reflects our commitment to blending old world charm with contemporary design, making it a space where people can engage with the stories behind each collection. It’s about offering more than just clothes, it’s about bringing the full Hussain Rehar experience to life.

How do you balance tradition with modernity in your bridal couture pieces? What role does heritage play in your designs?

In my bridal couture, I strike a balance by honouring traditional craftsmanship and cultural motifs while infusing modern cuts and innovative techniques. This blend allows the pieces to feel timeless yet relevant, giving brides a sense of both tradition and individuality. However, heritage is the heart of my designs. It provides a rich narrative that I reinterpret in a way that feels contemporary. By weaving cultural symbolism into each piece, I ensure that the designs carry a sense of history while still appealing to the modern bride who seeks something unique and elegant.

Your collections often leave people in awe with their craftsmanship. Can you take us through the process of creating one of your couture pieces, from conceptualization to final product?

Creating a couture piece is an intricate and deeply personal process. It begins with conceptualisation, where I gather inspiration from various sources be it art, architecture or nature. I sketch my ideas, focusing on the story I want to tell through the design. Once the concept is solidified, I select fabrics and materials that align with the vision. This is where craftsmanship truly comes into play; skilled artisans handcraft each element, from intricate embroideries to custom embellishments, ensuring that every detail reflects the quality and artistry we stand for. After the initial construction, we go through several fittings to perfect the silhouette and draping. This stage is crucial to ensure the piece not only looks stunning but also feels comfortable for the wearer. Finally, once all adjustments are made, the piece is finished with meticulous attention to detail, ready to embody the blend of tradition and modern elegance that defines my collections.

What is the significance of old-world charm in your work, and how do you incorporate it into designs that resonate with today’s fashion-forward brides?*

Old-world charm is vital in my work as it reflects rich history and craftsmanship. I incorporate it into my designs through traditional techniques and intricate embroidery, blending them with contemporary cuts and fabrics. This approach allows today’s fashion forward brides to celebrate their heritage while expressing their individuality, creating timeless pieces that feel both classic and modern.

Rehar Nagar is not just a studio but an experience. How do you ensure that each client who walks in feels immersed in your world of couture?

At Rehar Nagar, we create an immersive experience by focusing on the overall atmosphere and aesthetic of the space. The interior is designed to reflect the elegance and artistry, featuring visually stunning displays that showcase our collections. We encourage clients to explore at their own pace, allowing them to fully engage with the craftsmanship and details of each piece. By curating an inspiring environment, we aim to make every visit feel special and memorable, inviting clients into the unique world of Hussain Rehar couture.

Fashion is ever-evolving, but your designs maintain a timeless appeal. How do you stay innovative while staying true to the core of your artistic vision?

To stay innovative while maintaining a timeless appeal, I continuously draw inspiration from various sources art, culture, and nature while staying grounded in my core artistic vision. I experiment with new techniques, materials, and silhouettes, ensuring that my designs evolve with contemporary trends.

However, I remain committed to the craftsmanship and storytelling elements that define my work. This balance allows me to create pieces that feel fresh and modern while preserving the essence of what makes them timeless. By blending innovation with tradition, I aim to resonate with clients looking for both elegance and contemporary flair.

Your work is admired for its bold use of colour and texture. Where do you draw inspiration for these elements in your collections?

I draw inspiration for color and texture from a variety of sources, including nature, art, and cultural traditions. I often look at the vibrant hues found in landscapes, textiles, and architecture, allowing those elements to influence my palette.

Textures play a significant role as well; I explore different fabrics and techniques to create depth and interest in my designs. By blending rich colors with diverse textures, I aim to evoke emotions and create visual impact, ensuring that each collection tells a unique story.

What advice would you give to aspiring designers looking to make their mark in the world of couture, especially in the bridal segment?

To aspiring designers in the bridal segment, my advice would be to stay true to your unique vision while being open to learning and evolving. Invest time in mastering your craft, focusing on quality and craftsmanship, as these are essential in couture. Don’t shy away from experimenting with styles, fabrics, and techniques to find your signature aesthetic. And always listen to your clients and stay attuned to their needs, as this connection will help you create memorable experiences and designs that truly stand out.

The Legacy Collection is a milestone in Karma’s journey as it marks the 25th year of our existence. In this span of two and a half decades, we have lived a life with our patrons, our friends, our loved ones. We have evolved, laughed, cried, achieved, failed, grown, gained and lost together. We are the sum of those years and we have been there every step of your paths.

The Legacy Collection is an ode to ishq, to our classics, to the East, to our collective references in all its splendor. It is moonlit nights, the magic of first love, majestic monsoons, fragrant gaajras, stolen moments on a chaat, spiritual belonging and coming into our own.

We bring to you a collection of rich color, festive textile, classic Karma silohettes, gota, chaata paati, sparkle, grace and the dramatic in true Karma signature.

The Karma woman lies beyond the ordinary. She is resilient, elegant, self possessed and glamorous. She is classic, she is timeless, she is fierce and she is mystical and always beautiful.

After a hiatus from the world of luxury pret, Karma returns to celebrate their 25th year in the fashion industry and business with a proverbial bang. Maheen Kardar brings back the charm, color, sparkle and traditional with a twist ethos that has always been Karma’s mainstay. Bringing affordable sustainable fashion to the Karma women across the world, the Legacy Collection is reminiscent of old world glamor, festive grace and traditional

Creative Director: @maheenkardarofficial
Director of Photography: @naveed.amjad
Stylist: @khojiiiiMuses: @sarahzulfiqar_ @noor_rashidd
Hair & Make-up: @nabila_salon
Jewelry: @_kundan_jeweller @theshopmaya
Sets: @ayraevents

Ms. Zafar established Kashf Foundation after working for several years with the World Bank in Islamabad in the Water and Sanitation department. She was among the first Ashoka Fellows in Pakistan and has been a Schwab Foundation Social Entrepreneur since 2004. Her contributions to development and women’s empowerment have earned her numerous accolades, including the Tamgha-e-Imtiaz, one of Pakistan’s highest civilian honors, awarded by the President of Pakistan. She also received the Skoll Award for Social Entrepreneurship in 2007 and the Vital Voices Award for Economic Empowerment in 2010. Additionally, Ms. Zafar serves on the Prime Minister’s Taskforce on Austerity and Federal Government Restructuring, and is on the boards of several institutions including Finca Microfinance Bank, the Punjab Board of Investment and Trade, the Punjab Social Protection Board, and Kaarvaan Crafts. Ms. Zafar is a graduate of the Wharton School, University of Pennsylvania, and holds a Master’s degree in Development Economics from Yale University.

You’ve had a remarkable journey from studying at Yale and Wharton to founding Kashf Foundation. What inspired you to move from global academia to on-ground work in Pakistan’s microfinance sector, particularly for women?

My academic journey gave me a strong foundation in understanding economics and finance but it also exposed me to the idea of global human connectivity. At Yale and Wharton, I gained the analytical tools to see how business and finance impact ordinary lives but it was also a process of self-actualization. This journey gave me the confidence to apply these tools in a way that could make a tangible difference particularly in empowering women in Pakistan. The global exposure helped me realize that despite our different backgrounds, we all share the same human thread, and it became clear to me that my role was to empower women locally by addressing systemic economic inequalities

Kashf Foundation has pioneered Pakistan’s first gender bond, a significant step in linking women entrepreneurs to capital markets. Can you share the vision behind this initiative and the impact it has had on women’s financial inclusion?

The gender bond is one of the most transformative initiatives we’ve undertaken. The gender bond was truly groundbreaking. It marked the first time that capital markets were directly connected to low-income women entrepreneurs in Pakistan. Initially, it was difficult to convince investors but we demonstrated that women’s businesses have better credit ratings and strong potential. A story that stands out is Rehana Javaid, who expanded her cash bag stitching business by using funds from Kashf to grow her operations to serve major banks. Her success, along with many others, proves that when you give women access to resources, they thrive. This bond created a credible, investable class of women entrepreneurs in Pakistan.

With your background working with the World Bank in women-in-development projects, how did your experience shape the way you approached microfinance and women’s empowerment in Pakistan?

My time with the World Bank allowed me to travel across Pakistan, from the small villages of Balochistan to the Neelam Valley in AJK, and speak to women from all walks of life. Regardless of where they came from whether it was Sindh, KP or Punjab, their aspirations were the same: they wanted control, access and agency over their lives. That was the turning point for me. Everywhere I went, women spoke of the need for income generation as a path to decision-making power within their households. This realization shaped my approach at Kashf Foundation where empowering women economically became central as it’s clear that unless women are part of the economy, the country cannot progress.

Kashf’s holistic approach to financial inclusion goes beyond micro-lending. Can you tell us more about how this approach integrates financial literacy, business support, and community development for women entrepreneurs?

Our holistic approach is built on four key pillars: economic empowerment, capacity building, mindset change and reproductive health. Micro-lending is just one part of the equation. We equip women with financial literacy and business management skills but we also focus on changing mindsets, empowering women to believe they can lead and succeed. By addressing broader issues like women’s reproductive health and community engagement, we ensure that our interventions support not just individual women but their families and communities leading to sustainable long-term change. Take the story of Salma Kanwal, who began making dolls from home after receiving a loan from Kashf. With training in financial literacy and business management, she expanded her production to 1,000 dolls per week, employing other women in her community. Salma’s story illustrates how our programs do more than provide capital, we build confidence and support women’s roles as leaders in their families and communities

You have received prestigious awards such as Tamgha-i-Imtiaz and the Skoll Foundation’s Social Entrepreneurship Award. How have these recognitions influenced your work and motivated you to push the boundaries of women’s economic empowerment?

Awards are, of course, incredibly rewarding, especially when recognized in your own country. But these aren’t personal accolades, they represent the resilience and hard work of women in Pakistan who tirelessly improve the lives of their families. The Tamgha-i-Imtiaz holds special significance for me because it’s a recognition from my own people and that makes it one of the most meaningful honors in my journey. It raises the bar for all of us, acknowledging the powerful role women play in driving change.

As a member of the UN’s Advisors Group on Inclusive Financial Sectors and the World Economic Forum’s Global Agenda Council, how have your global perspectives informed your local strategies in Pakistan, particularly in bridging the gender gap?

My international participation provided not only recognition of the work we are doing in Pakistan but also the opportunity to see its broader impact on gender equality. Being exposed to how other countries tackle similar challenges allowed us to adopt best practices and contribute to a cross-fertilization of ideas. It also gave me the chance to impact global policies related to financial inclusion for women whether through the UN or other entities by bringing the voices of Pakistani women and women entrepreneurs to the global stage. As a Pakistani woman, this has strengthened my resolve to continue making a positive impact on gender equality locally and globally.

Women in Pakistan, especially in low-income areas, face multiple social, cultural, and economic barriers. How does Kashf Foundation address these challenges beyond financial support, and how do you encourage a cultural shift in these communities?

At Kashf, we focus not only on financial support but on tackling the underlying social and cultural barriers that hold women back. We provide financial literacy but we also conduct extensive gender trainings that address cultural mindsets. We use media campaigns, television dramas and theatre to spark conversations around taboo topics like child marriage and domestic violence. By engaging entire communities in these dialogues, we are slowly but surely helping to shift perceptions about women’s roles showing that empowered women can positively transform their families and communities.

Looking at the broader microfinance landscape, what do you see as the biggest challenges and opportunities for microfinance institutions in supporting women’s entrepreneurship in developing countries?

The biggest challenge is changing mindsets – both for the women themselves and for the society around them. Access to loans is just one part of the solution; the real challenge lies in giving women the confidence and the societal backing to start and sustain businesses. The opportunity, however, is immense. By leveraging technology, microfinance institutions can reach even more women in rural and underserved areas. Additionally, designing products that are tailored specifically to the needs of women entrepreneurs opens up enormous potential for growth and impact.

Your journey includes serving at some of the world’s top organizations and now leading a grassroots movement through Kashf Foundation. How do you balance the international and local aspects of your work, and what key lessons have you learned along the way?

My journey has been shaped by key lessons from global leaders like the Grameen Bank and SEWA. From Grameen, I learned the importance of trust, respect and the associative strength of women coming together which is central to Kashf’s work. At SEWA, I saw how critical it is to build women’s self-confidence and give them voice and agency within their households. We’ve integrated these learnings into Kashf by focusing not just on microfinance but also on training, financial education and leadership development, so women can truly take control of their lives. We’ve also drawn lessons from places like Bolivia, where we learned the value of designing tailored products for women in different trades and sectors, and our work on insurance emerged from studying global models on managing vulnerabilities. It’s these cross-border insights that have helped us create a comprehensive approach to women’s empowerment.

Kashf Foundation has expanded into diverse areas like climate finance, youth equity, and maternal health clinics. Can you tell us more about these initiatives and how they contribute to your overall mission of empowering women and communities in Pakistan?

Kashf is continuously evolving and our recent focus areas reflect the emerging challenges and opportunities in Pakistan. We’re working on climate finance to ensure that women and their communities are more resilient in the face of environmental challenges. Our youth equity programs aim to provide young people with the tools and opportunities they need to succeed. Additionally, we’re establishing maternal health clinics because we recognize the direct link between women’s health and poverty reduction. These initiatives align with our holistic model, ensuring that we address not just economic empowerment but the broader challenges women and communities face.

Kashf Foundation’s television series have been groundbreaking in addressing gender inequality and promoting strong female characters. What inspired you to venture into media production, and how do you see storytelling as a tool for social change?

Storytelling has the power to challenge societal norms and offer hope. Our drama serials, like Udaari and Rehaii, were the result of extensive research into issues like child marriage and domestic violence. We made sure that our storytelling was rooted in reality but without sensationalizing these topics. Our goal has always been to offer a message of hope by showing that change is possible. For instance, the Udaari storyline on child abuse not only reflected a harsh reality but also demonstrated how communities could come together to protect their children and challenge societal taboos.

Your dramas highlight women not as victims but as survivors, which is a powerful shift in narrative. How important is it for media to reshape the way women are portrayed in Pakistan, and what impact have you seen from these productions on societal views?

It’s crucial that we portray women as survivors because they are the backbone of their families and communities. We’ve seen significant societal impact from these dramas. By showing women overcoming adversity, we’re changing the narrative around what women are capable of. The feedback we receive tells us that these productions are starting important conversations, breaking taboos and shifting perceptions of women’s roles in society. These are not just dramas – they’re a reflection of real struggles and they inspire real change.

Tackling deeply ingrained taboos through entertainment is no small feat. What challenges did you face in producing content that questions traditional norms, and how have you managed to balance cultural sensitivity with the need for progressive storytelling?

Our biggest challenge has been balancing respect for cultural norms with the need for progress. We tackle issues like child marriage and domestic violence head-on, but we always show a way forward. Our productions don’t just point out problems; they highlight how communities can come together to find solutions. The real focus is on offering resolve and resolution. For example, in Rehaii, we didn’t just show the horrors of forced marriage; we showed how women can rise above these situations and reclaim their rights. This careful balance allows us to push boundaries while maintaining cultural sensitivity.

Introducing SHAH, a lively and vibrant brand that perfectly captures the essence of joyful living. Rooted in an unwavering love for bold design and playful elegance, SHAH brings a fresh approach to everyday fashion for women who embody light and energy.

It’s not just clothing and accessories-it’s a celebration of life, wrapped in undeniable style.

Sania Hasan began her career as the creative head at Motifz, a brand that has carved out its own niche market. Sania Hasan Couture offers designer bridal wear, Formals , and semi formals known for its intricate work, vibrant color palette, and a blend of Eastern and Western cuts.

It offers luxury and tradition intertwined. Sania Hasan Couture stands out as a story of timeless elegance and modern charm, bringing you the most innovative and exquisitely designed products.

We are proud to Present Eight Exquisite designs in the SHC Maharani Bridal Couture ’24 collection, capturing the essence of royal grace and contemporary allure. Each piece is meticulously crafted to blend timeless tradition with modern sophistication.

Photographer: Talha Bhatti @muhamadtalhabhatti
Makeup & styling: Ayan Amir @ayanamir.thestylist
Model: Mahnoor Cheema @mahnoorcheema

Step into a world of enchanting elegance as Shazia Ammar proudly presents the “Scheherazade” Bridal Collection 2024 by Ivy Couture Official.

Experience timeless bridal traditions with a modern twist.

Muse: Neha Taseer
PR: @rubiamoghees
Hair & Makeup: @bablooworld
Jewellery: @hanifjewellers @kundan.co
Decor: @whimsicalbloom.co
Shoot Coverage: @deeveesofficial

Shop No. 6, Ground Floor, Square One, 110 B3 & 91 B2 Gulberg III, Lahore,

Aima has a 12+ years of experience in the corporate sector and have worked with top companies in UAE & Pakistan but furniture and interiors has always been her passion inherited from her Late Father who had a deep love for wood work.

Today Takhleek is a brand known and recognised by people who understand quality and are looking for bespoke pieces tailored to their interior needs.

What inspires your designs?

Takhleek’s design philosophy emphasizes blending rich cultural heritage and local craftsmanship into modern furniture. By creating pieces that reflect heritage while fitting seamlessly into modern or contemporary interiors, we strive to create designs which are culturally resonant and relevant to today’s design sensibilities.

How do you approach selecting or designing furniture to fit within an overall interior design scheme?

We start by considering the overall style of the interior to ensure the furniture enhances and not conflicts with the existing design elements. Then we assess the space-its size, layout, and natural light. Understanding how the space will be used is crucial, as it guides the type and scale of furniture that will be most functional and visually appealing.

Can you walk us through your process for designing a room, from concept to completion?

Our design process is thorough and client-focused, by starting with a clear understanding of the client’s needs and budget, and then progressing through detailed stages like 2D layouts, mood boards, and 3D modelling. After the design phase we move onto preparing a detailed BOQ along with material selection and execution cost.

Do you offer customization services? If so, what aspects can be customized?

At Takhleek, customization is our specialty. We offer a range of customizable aspects, including size, shape, material, and polish finishing, all while considering ergonomics and aesthetics. Our skilled product designers create 3D furniture models, allowing clients to visualize the final product before it goes into manufacturing. Although this process is time-consuming, it helps us meet client expectations and distinguishes Takhleek from many other businesses.

What types of materials do you typically work with? and do you work with local suppliers? *

Takhleek takes pride in sourcing materials from local suppliers. We primarily use high-quality Sheesham wood from across Pakistan, which undergoes a rigorous seasoning process. Additionally, we incorporate red oak, mahogany, and ashwood based on design requirements. For our polish finishes, we use Renner products to ensure that the surfaces of our furniture are scratch-free and durable.

Do you have a showroom? And how can the client’s see your work and order from you?

We plan to open a showroom at the start of next year. Currently, we operate from our factory in Lahore and have a fully functional website that offers deliveries across Pakistan. Our social media pages are regularly updated with our latest product range. Clients can view our work by booking an appointment to visit the factory, and site visits can also be arranged.

How did your background in furniture design influence your approach to interior design? *

My experience as a furniture designer has significantly influenced my approach to interior design, allowing me to balance all elements in terms of aesthetics and functionality-whether it’s interiors, soft furnishings, or furniture. The meticulous attention to detail required in furniture manufacturing, especially in terms of finishing, has carried over into my interior design projects due to which I focus more intensely on ensuring that our interior finishing is of highest quality.

What are the biggest challenges you faced when transitioning from furniture design to interior design?

The biggest challenge I encountered during the transition from furniture design to interior design was finding the right team and skilled workers. Particularly, having a reliable and skilled execution team is crucial for the success of any project. It took me about five years to develop a proficient team in furniture manufacturing. However, labour challenges remain a significant hurdle in this field, requiring constant and vigilant supervision to ensure quality and durability.

Where do you see your brand in the next 5-10 years?

We aim to build a team that provides a comprehensive solution for all our clients’ furniture and interior needs. In the next 5-10 years, I envision Takhleek evolving into a lifestyle brand known for its luxury and unmatched export-quality standards. Additionally, I plan to explore international markets such as the US and Canada, where there is significant demand for high-quality, Pakistani-manufactured furniture.

Are there any upcoming projects or collections you’re excited about?

We recently completed a 3-bedroom apartment in Gulberg, Lahore, where we had complete freedom with the interior design, budget, and furniture choices. I thoroughly enjoyed working on this project. Currently, we are developing a new collection in collaboration with Architect Ali Raza for his farmhouse project on Bedian Road, Lahore. I’m particularly excited about this project as the architecture is inspired by a resort, and we’re designing custom pieces to complement this unique theme.

What trends or styles in furniture design are you currently excited about? and how do they integrate into your interior design projects?

I’m personally thrilled about the resurgence of Rattan in furniture design. Additionally, I’m working on a Japandi style interior project that features a neutral palette. This project involves creating customized statement pieces using Rattan and red oak, blending traditional and modern elements to achieve a unique and cohesive look.

What techniques or principles from furniture design do you find most useful while executing interior spaces?

Woodwork is a major component of interior design, and the detailed approach required in furniture design-such as precise wood joinery, accurate sizing, and thoughtful placement of elements-profoundly impacts interior execution. These skills are essential for ensuring that every element fits together harmoniously and meets both functional and aesthetic goals, ultimately achieving the desired results in interior spaces.

What kind of warranty or guarantee do you offer on your furniture? Do you provide after-sales services, such as maintenance or repairs?

We take full responsibility for our products. We ensure high-quality delivery and encourage clients to inspect their furniture upon delivery. In the event of any issues, we have a comprehensive repair, exchange, and after-sales service policy to address all client needs.

Fahad Hussayns print museum presents an exclusive range of printed formals on lawn inspired by Rilli and minimal prints embellished with signature Fahad Hussayn fine vintage embellishment for the festive season ahead.

Produced & conceived by Fahad Hussayn
Featuring: Dua Saud, Nayab Ali, Zakiya Majeed & Kaya Khan
Photographed by Syed Hussain Jamal (SHJ)
Makeup & hair: Jacob
Art direction: Mahina Reki & Khizer Durrani
Styling: Fahad Hussayn Academy
Jewels: menagerie.co

Farah Talib Aziz’s “Miray” collection is a captivating fusion of heritage and modernity. Exquisitely crafted bridal ensembles blend timeless elegance with contemporary silhouettes. Each piece is a testament to meticulous artistry, adorned with intricate details that whisper stories of the past. “Miray” empowers the modern bride to embrace her roots while making a bold statement, creating a truly unforgettable bridal look.

Photography: Mehlum Sadriwala
Jewellery: Ali Javeri Jewelers
Carpets by: Abbas Carpets
Videography by: The wedding story films
Makeup: Zeeshan Farooqi
Styled by: GlamGency – Zahra Sarfraz

celebrating his win of the Filmfare (UAE) award. Saim delves into his inspiring journey through the entertainment industry and shares much more!

How has living in Dubai influenced your work in the entertainment industry?

I had my gears in the media industry over here before I  moved to Dubai as I have done my higher studies  here. As  I have permanently shifted so it has definitely influenced in the most positive way possible.

What challenges have you faced transitioning from Pakistan’s entertainment scene to Dubai’s?

The only challenge was to register myself among the media world in Dubai, which I did over time and got great results in the form of good work and recognition over here.

Can you describe how your cultural background from Pakistan informs your roles and presentations?

Well being a Pakistani I had to face a lot of challenges. We as a nation are very insecure and self-centred people, we are not ready to help others , but here when I started working with other  nationalities for work mostly I found myself in the right place with the right people. People here support each other and there is hardly any backstabbing.

What are some of the biggest differences you’ve noticed between the media industries in Pakistan and Dubai?

Oh so many! No lobby system and no barriers. Most importantly you are paid on time. The protocols I get on set here I have never got them back home. I was never even nominated in any awards in Pakistan clearly because of jealousy and insecurities of many people in the system but here I got one of the biggest Bollywood awards Filmfare Middle East where I was nominated not once but twice and won this year.

How do you balance maintaining your cultural identity while working in a diverse city like Dubai?

Well I am some one who strongly believes on “Jesa Deis Wesa Bhais” I am among the 1st Pakistani artist who received the Golden residency here 3 years ago and I am part of a lot of international projects. It is simply because of my positive attitude and loyalty with my work and craft which says a lot.

What do you find most rewarding about your work as an actor and presenter in Dubai?

I feel that I get to work with so many other nationalities here specially Bollywood which gives me great pleasure. From interviewing some big Bollywood celebrities here and also big stars from other countries, I always wanted to broaden my horizons and audience. I am the 1st Pakistani who did a Malaysian film and theatre in Malaysia and got massive recognition there too.

Are there any particular projects or roles that you’re especially proud of?

My work in Malaysia. I will always cherish it as an actor on the silver screen as well as on the Theatre stage. Dubai has given bigger and larger opportunities and platforms to perform and flourish . I am the 1st Pakistani to host the most prestigious awards, The Diafa and Emigala Middle East and also have been on the cover  of world class publications such as Khaleej times and many more. My recent accomplishment also includes my Samsung UAE & Gulf’s commercial where I play a lead character.

How has the audience’s reception been to your work in Dubai compared to Pakistan?

Well Pakistan has given me my 1st recognition, I am proudly working for the softer image of my country and Pakistanis. My audience is definitely not restricted just to Pakistani as I have now larger number of Indians and emaratis among my audience.

Can you share a memorable experience or story from your career that stands out?

From my first ever morning show as a host in Pakistan to dramas and than my theatre and film experience in Malaysia. Furthermore shining on some of the biggest platforms in Dubai and much more that are equally amazing and memorable for me in so many ways.

What advice would you give to aspiring actors or presenters from Pakistan who want to work in Dubai?

You must work hard and flourish your name and of your country. I felt so happy when Mahira khan spoke at the Emigala that how proud she is being a Karachiite. We all must broaden our horizons and work worldwide.

Faran Tahir’s career spans diverse roles, from Shakespeare’s Othello to a concerned Syrian father seeking refuge with his family, a playboy arms dealer, and the iconic Captain Nemo. As one of the few Pakistani actors in Hollywood, Faran is known for his humility, compassion, and drive. Transitioning from theater to the big screen, he shares insights into life in Hollywood, his early career journey, aspirations for the future, and his latest role in
the Pakistani film UmroAyyar.

HOW DID YOU FIND THE TRANSITION BETWEEN WORKING IN HOLLYWOOD AND PAKISTAN’S FILM INDUSTRY? WERE THERE ANY MAJOR DIFFERENCES IN YOUR EXPERIENCES?

Of course there are many distinct differences between working in Hollywood and working in Pakistan. Hollywood industry being way more established and having a much larger history has more resources and bigger budgets for these ventures. And to be able to work with those people who are the crème of the creme and learning from them was a wonderful opportunity. But at the same time working in Pakistan which is a very different industry, one has to honour the rules and regulations of any industry that you work in. Although Pakistan has fewer resources but I think the creativity in Pakistan is beyond imagination and because of that working with people and trying to find solutions together is a wonderful learning experience.

WHAT HAVE BEEN SOME OF THE CHALLENGES AND REWARDS OF WORKING IN BOTH INDUSTRIES?

Both industries have their own challenges. For me the biggest challenge of working in Hollywood was to keep trying to find roles that showed me in a diversified way. And I’m not stereotyped which can happen in an industry which has limited offerings for characters and people like me. On the other hand in Pakistan the challenge is always been structural things. USA is way more structured. To be able to make your way through and have enough focus on what you’re trying to do has always been a challenge for me.

WE HAVE HEARD YOU TALK BEFORE ABOUT BRIDGING THE GAP BETWEEN THE GLOBAL MARKET CONTENT AND DOMESTIC MARKET CONTENT NOW THAT YOU HAVE WORKED IN PAKISTAN, DO YOU HAVE ANY PLANS TO EXPAND YOUR INVOLVEMENT IN PAKISTANI ENTERTAINMENT?

Having working in Pakistan I was very encouraged by Pakistan film industry. I think it’s high time we share our stories with the global market. Keeping that in mind I’m setting up my own company. Which is a production house make Pakistan which is my home my base. And keep a foot in both industries and push the envelope and
see if we can do some meaningful work. I would like to keep both the careers alive at the same time.

TELL US ABOUT YOUR ROLE IN UMROAYYAR AND HOW WAS YOUR EXPERIENCE WORKING WITH THE CAST AND CREW?

My experience of working at UmroAyyar was nothing short of being absolutely wonderful. The cast and crew became a family. We were trying to do something that was new and original. And because of that there was such camaraderie between the crew. And I will take this with me a jewel of a memory for the rest of my life

CAN YOU SHARE A MEMORABLE EXPERIENCE OR ANECDOTE FROM WORKING ON A HOLLYWOOD PRODUCTION VERSUS A PAKISTANI PRODUCTION?

One of the funniest annectodes of my work life in Hollywood was when a director got up and decided to show me how to act like a Pakistani. It was hilarious, frustrating and maddening at the same time. On the Pakistani side, I was once asked to come and direct a high fantasy project and I was sure there would be a studio for me to do it. After getting to Pakistan, I was told that the studio that the studio had not even been constructed yet.
Which created a lot of problems. It was hilarious and very frustrating at the same time.

HOW DO YOU APPROACH ROLES DIFFERENTLY BASED ON CULTURAL DIFFERENCES BETWEEN HOLLYWOOD AND PAKISTANI CINEMA?

I think regardless of which cinema or industry you’re working in, each character is unique and therefore we
must stay honest to what the characters requirements are. I always approach a character from a unique perspective. Sometimes my Pakistani culture my heritage plays a big part in it. Sometimes it plays a small part in it. And yet it is always a part of of me. So when I work in Hollywood, that uniqueness of my Pakistani experience is a part of my rendition and my approach to the character. But when I work in Pakistan some of my experience
from the US also trickles into my characters.

WHAT DO YOU THINK EACH INDUSTRY CAN LEARN FROM THE OTHER IN TERMS OF FILMMAKING TECHNIQUES OR STORYTELLING?

I think both industries have a lot to offer to each other. Obviously because the west is more advanced in the technology I think Pakistani industry will benefit from learning the technique and ways that are now being used in global story telling. By the same token we Pakistanis have some unique stories which need to be shared with the world and I think it would be a wonderful addition to the world art scene if we can also bring our stories to the forefront.

HOW HAS YOUR BACKGROUND INFLUENCED YOUR ACTING STYLE AND THE ROLES YOU CHOOSE TO PLAY?

I have been very fortunate to have had a wonderful education and training in performing arts. Which always helps me in crafting my characters. On the technical side that is a wonderful blessing, on the artistic side I think my acting style has a lot to do with my heritage and my own experience. I always try to bring something new something different, something more human to every character that I play.

ARE THERE SPECIFIC GENRES OR TYPES OF ROLES YOU PREFER IN ONE INDUSTRY OVER THE OTHER?

I actually focus on story telling and therefore to me all roles are wonderful challenges as long as the story requires it. I don’t make no distinction between roles or industries. I always look for the best story that we can tell.

HOW DO YOU SEE THE FUTURE OF PAKISTANI CINEMA EVOLVING, ESPECIALLY IN RELATION TO ITS INTERNATIONAL PRESENCE?

I think Pakistan has a lot to offer. The problem that we have had so far is that we have only explored limited genres of story telling. In order to have a more global presence we would expand our exploration into other genres, other issues and other kind of movies. The strength of any industry is the variety of content that they product and I think we are at the right time and right moment to do those explorations in Pakistani cinema.

ARE THERE ANY PARTICULAR DIRECTORS OR ACTORS FROM EITHER INDUSTRY THAT YOU PARTICULARLY ADMIRE OR WOULD LIKE TO WORK WITH IN THE FUTURE?

There are some wonderful creators in this world and I make it a point to work with people who elevate my
craft. There are wonderful directors and actors across the world and I hope I can get the chance to work
with as many as I possibly can.

WHAT ADVICE WOULD YOU GIVE TO ASPIRING ACTORS LOOKING TO WORK IN BOTH HOLLYWOOD AND OTHER INTERNATIONAL FILM INDUSTRIES?

My advice to all aspiring actors is to always dream big but never shy away from the hard work that goes into achieving those dreams. If our Pakistani actors want to work outside it would be to our benefit if we keep the training and have all the skills and tools that we might require to work in an international industry.

offering films television documentaries events short films and commercials. We’re hoping that by doing so we can elevate pakistans industry and bring more of an international viewership to our content. We will be in operation in about three months and we’re hoping we can take this industry to the next level.

AFTER YOUR RECENT PROJECT, HOW DO YOU ENVISION WHAT TYPES OF CHARACTERS WOULD YOU LIKE TO EXPLORE IN PAKISTAN ENTERTAINMENT INDUSTRY?

Having worked in Pakistan I would like to explore more varied characters than what we have currently being offered on screen. I would like to focus more on issues and storylines that are different than just domestic issues. We can bring light to other issues and other kind of characters and people will identify with these kind of
characters and story lines.

WHAT WOULD BE YOUR PERFECT SCENARIO IF YOU COULD BALANCE YOUR INVOLVEMENT IN THE TWO INDUSTRIES?

I would really like to explore wonderful challenges in both industries and if I could have my choice I would much rather

Photography: MOHSIN KHAWAR

Makeup: PARAGON SALON

Location: ANDAZ RESTAURANT

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