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You want to scare a Pakistani man? Say the magic word: feminism.

Credit: Nazuk Iftikhar Rao from Aurat March 2020

Over the years, this innocuous word that stands for the equality of all human beings has been equated with moral depravity and the decline of society. We see this more prominently in patriarchal societies, where women rising up to demand their rights is seen as vulgar, propagandist and even calamitous (women in jeans are the reason why earthquakes happen right?).

However, I’m not here to reiterate common knowledge. It is not news anymore that the word feminism and its basic meaning has been turned into something filthy—a plague that all ‘good’ women should avoid. We all know that we live in a society entrenched in myopic views and we are all aware of the slew of hatred and abuse that women receive on a daily basis. Whether they’re organising the Aurat March, or reporting harassment at the workplace, their demands are contorted and twisted. In the case of sexual crimes, the victim, mostly the female, is slut-shamed and victim-blamed. This isn’t the worst of it though—the worst are the supposed allies, the performative woke men and the ones with who carry the mantle of #notallmen.

Barely a second after a woman, fed up of the system that’s continuously stacked against her, decides to voice her opinion of men, relay an incident that she’s experienced or bash a man for his atrocious behaviour, a barrage of #notallmen is offered up. This is where the problem lies. Cisgender, masculine men are the most privileged of our society, yet are immediately threatened when someone exposes one of their lot. They run to defend the entire group of them, but for what? Many it seems, want to provide hope for the victims; that there is a world of decent people out there. But, how does this help a person who’s been through the worst at the hands of a man? What men should be doing is stop feeling so insecure and own up to the gross failings of other cisgender men; they should hold them accountable and actively encourage a relearning of their behaviour towards women. Sadly, the majority of the #notallmen crowd is a long way from that sort of reformation.

I, therefore, would like to focus more on the ones who are woke because it’s cool, the performative allies, whose allyship remains on the surface at best. Additionally, there are many who label themselves as feminists, but are always looking towards others to guide them along. So if your feminism as a man is a bit suspect, here’s a refresher on how to fix it, in no particular order (I’d like to thank writer, comedienne and radio jockey Sabah Bano Malik for her input):

  1. Educate Yourself: the burden to explain what feminism is about, the problems women face and the road to a reformed society isn’t on the affected party. Don’t expect them to sit you down and expend emotional labour to explain to you what you need to be doing. Do a simple Google search. There are plenty of resources out there that will inform you of the issues at hand.
  2. Listen: when women are talking, it is imperative that you listen to them without judgement. Believe them when they tell you about their problems or the abuse they’ve experienced and then listen to them when they tell you what needs to be fixed. Do not, for the love of God, try to minimise their trauma or lived reality and do not offer any other variation of #notallmen.
  3. Use your Privilege: It’s not enough to simply show up to feminist rallies and tweet your opinion on the matter, feminism starts from home. Look around you, see what’s happening with domestic staff and their rights, see if you’re being given extra love due to being a son, observe your friends and call out their misogynist behaviour and educate them. If you can’t use your privilege to create opportunities and a safe environment for the oppressed, then your feminism is futile.
  4. Follow their Lead: Never mansplain. If you think you’re in fact more informed or educated about a certain topic, then find a courteous way to highlight that. Do not talk down to women when they’re discussing solutions to problems they face. If they say x is a problem, then it is a problem—even if you weren’t previously aware of it. Let the ones affected by the patriarchy define what change they want to see.
  5. You’re Not Always Required: There will be times when a feminist discussion or forum will be held where you, even a well-meaning individual, will be excluded because you’re not a woman. Do not complain, do not fuss and remember: it’s not about you. Women need spaces where they can feel safe. So don’t impose on such gatherings.

A few other things to keep in mind are:

 

l               Do not expect a badge or medal for your efforts, or even a reward

l               Be intersectional in your feminism (look it up)

l               Being a feminist to get a girl’s attention makes you the opposite

l               It’s not about you

l               Constantly analyse your own behaviour

 

I spoke to friend, journalist and fashion stylist Haiya Bokhari and she stated that the first thing men should do is to learn empathy. She says, “It’s difficult to empathise with anyone else if you’re suppressing your own emotions. Before men can embark on a journey of becoming allies, they must be able to look inside and have difficult conversations with themselves.” This is incredibly true. Men need to realise that the patriarchy is also damaging to us and our own development. Learning to be in touch with our own emotions isn’t weakness; toxic masculinity and fragile egos must go.

And as Sabah said to me, “Acknowledge that a divide exists, acknowledge that the world is different for women and girls and non cisgendered males. Acknowledge your privilege and don’t make excuses.”

Because the fact of the matter is, till the patriarchy survives and cisgendered men reap its benefits: #yesallmen

 

 

 

One of our favourite lifestyle photographers, Areesh Zubair, speaks to Mehek Raza Rizvi about his popular new “Duur se Portrait” series launched to document life in the Covid-19 lockdown and how he kept his creativity alive during this time

What inspired the “Duur Se Portrait” series?

I wanted to document people during the lockdown; it all started when a prominent photo-journalist proclaimed on his Insta live that it’s very important for photographers to document this time, as this period will be remembered in the annals of  history. I realised that we as photographers have a duty upon ourselves to archive it. My initial plan was to go out on the streets and photograph the general day-to-day life during the lockdown, however, I came across quite a few talented people that were already doing a great job of it. Hence, I thought I’d do something a bit more unique, so I came up with the idea of photographing people on their balconies. Initially I was only going to photograph my friends and family but now with time it’s morphed into something much bigger than I could’ve ever imagined.

After capturing people dressed up on their balconies, have you considered doing another series focusing on their more natural/realistic quarantine moods?

The idea behind the project was never to photograph folks who were all dressed up, I just wanted to photograph people in whatever way they were most comfortable.  Surprisingly, the series kind of gave people a reason to get up and ready for a change, especially during the early days when the lockdown was quite strict. I seldom give people a brief or reference points—I just simply ask them to come outside on their respective balconies in whichever way they’re most comfortable and from there onwards I photograph them.

In order to continue the series, o ne thing I’m certain of is that I’m looking to photograph people from more diverse backgrounds, certainly outside my friends, family and industry circles.

How do you see the creative industry altering during Covid-19?

Covid-19 isn’t going anywhere anytime soon—that’s a given. Our industry, like all others, needs to adapt to the current situation by developing SOPs and working with them. This is the best time to improvise and be as creative as possible.  We have access to some of the best technology at our fingertips; I’ve seen some brilliant shoots done via Facetime. It’s time to use our cell phone cameras more appropriately. I believe we need to make the most out of what we already have, as art created under limited circumstances is always special.

Has the current global uncertainty had an impact on your aesthetic and vision as a photographer?

Obviously! Like any other person it has had a serious impact on my work. Before this series, I didn’t really have much experience working with zoom lenses. Truth be told I don’t even have my own zoom lenses; it wasn’t exactly my style. But the lockdown compelled me to use them. For the project I borrowed the zoom lenses from my friends and colleagues. I’ll definitely be investing in my very own pair soon.

For most people, having a creative outlet is more important than ever now. We know you’ve conducted online classes in the past, so can we expect more in the future to help anyone seeking guidance free of cost?

Definitely! Having a creative outlet or any outlet for that matter is very important during these days. I did one photography workshop in the early days of the lockdown—it was free of cost. I’m always open to the idea of sharing and guiding as much as I can and now that you’ve asked I think it’s time for another workshop.

Other than that, I’m always available to offer my guidance or answer any photography related questions; my DMs are always open.

Have you discovered any other secret talents of yourself in quarantine?

That I am really bad at Ludo Star!

What’s something you’ve learnt from this crisis that you hope to keep with you long after it’s over?

That nothing can stop you from doing something that you really want. You just need to make sure that you’re doing it the correct way. The excuses we make every day are honestly speaking just lame. I just had an idea to start with—I didn’t even have the right equipment to get it off the ground. But look where it’s gotten me. I can’t complain.

We need to work together more, collaborate, help one another and find positivity in every possible situation.

 

 

 

 

 

 

Saba Qamar has become a force to be reckoned with in the entertainment industry. Through her poignant performances, she’s captured the hearts of millions and continues to be a voice for downtrodden women everywhere. Mehek Raza Rizvi speaks to the reigning queen about her upcoming projects and how she’s spending time in lockdown

“Fortunately, criticism has never been a source of fear for me. I enjoy criticism as much as I enjoy appreciation”

Through the characters you portray on screen and the content of your recent YouTube channel, you echo the sentiments of many women. How important a part can female role models like yourself play in making the world a kinder place?

I believe that I’ve been blessed with the utmost responsibility of influencing. As an actor I hold the power of breathing life into stories; the characters I play not only leave a mark on screen, but they also leave a mark on the audience. Thus, it’s extremely important for me to carefully choose the message I’d want to convey to my audience and how I’d want to impact their lives. Playing my role in making this world a kinder, safer and better place is a priority for me.

Do you feel gender portrayal in Pakistani media has seen a shift in recent years?

I do believe that as an industry we’re breaking free from the world of gender stereotyping. The ethical value of the work I’m creating is far more important than any monetary value and I believe that’s what makes me stand where I do today. Ending gender stereotyping on screen is a cause close to my heart and I pray to continue working towards this cause.

Unlike most actors, even the biggest critics would find it challenging to typecast you due to your versatile body of work. Has this been a conscious effort from your end?

Definitely! There’s nothing that excites me more than a challenging and out-of-the-box script. That’s what keeps me going as an actor: the hope that I’ll get to live a new character every morning. I’ve grown both individually and professionally through the characters I’ve chosen to play over the years.

What led you to explore YouTube as a platform? Is digital media the way forward for mainstream actors too?

My underlying passion for writing and direction led me to explore YouTube as a channel. I’ve found it to be a medium which enables me to communicate with my audience through my creativity, and most importantly, my originality. People are finally getting to know Saba Qamar up close. I do believe that exploring digital media is integral in the world we live in today.

Your video titled “Isolation”, the first episode on your YouTube channel, resonated with many on  a personal level. How’re you dealing with these strange times?

This has been a period of reflection for me—these challenging circumstances have drawn me closer to myself and God. I took this time as an opportunity to reflect on all that I’ve neglected and to pay attention to the smaller things in life. I find myself to be healing as a creative and exploring new strengths every day.

“There’s nothing that excites me more than a challenging and out-of-the-box script. That’s what keeps me going as an actor: the hope that I’ll get to live a new character every morning”

Most people are keeping busy by exploring new talents—from cooking to painting and writing. What does a typical day in quarantine look like for you?

The talent I not only explored but revealed, was the talent of writing along with the talent of direction. A typical day in quarantine is filled with the warmth and presence of my family, far away from the noise of the world, where my soul and body heals from all the exhaustion, where I find time for my creativity, where I work and hold Zoom meetings with my team, where we keep each other motivated with new ideas.

While most fans find your sincere, unfiltered and genuine spirit refreshing, there are certain disapproving parties that can subject you to criticism. Is that ever a fear?

Fortunately, criticism has never been a source of fear for me. I enjoy criticism as much as I enjoy appreciation.

You’ve been part of the industry since 2004, experiencing countless highs along the way. What’re the biggest lessons you’ve learnt?

To stay consistent and persistent despite all odds and setbacks. It’s also extremely important to stay positive and take everything in a positive manner.

Tell us about your upcoming films “Kamli” and “Ghabrana nai hai”.

The characters I’ve played in both the films are poles apart from each other. In one my role is quiet and calm, whereas in the other I’m overly enthusiastic and vibrant. I can’t wait for the audience to watch both the films.

How would you like Saba Qamar to be remembered?

I’d want to be remembered as someone who was more than just a good actress. I’d want people to remember me for my soul, heart and faith—for the positive change I’ve tried to bring in this world through my work.

SHORT & SWEET

What’s the first thing you’ll do once this global pandemic is over?

Get on the next flight and explore a country I’ve never been to before.

What’s something you’re surprised you don’t miss in quarantine?

Going to the gym and working out.

What’re some things you’ve come to realise aren’t as necessary as you thought earlier?

My YouTube video ‘Isolation’ is an in-depth response to this question.

If you could only eat one thing in quarantine, what would it be?

Fruit

If you could only use one app during this time, which one would it be?

Instagram

Are you guilty of panic buying?

No

Are you an early riser or night owl?

Night owl

Texts or phone calls?

Phone calls

Do you have a nickname?

My sister calls me ‘Sabi’, my elder brother calls me ‘Bubniya’ and my best friend calls me ‘SQ’

Out of all the characters you’ve played, which one do you relate to most?

Mashal in ‘Besharam’

A dialogue from one of your projects that describes you best?

‘Kabhi Kabhi Kadion Ko Apnay Kaid Khanay say Mohabbat ho jati hai. Mujhay Bhi Ho Gayi Hai’ (Sometimes prisoners fall in love with their prison; I too have fallen in love with mine)

Your favourite performance of yourself so far?

‘Baaghi’

 

Photography: Rizwan Baig; MUA: Shoaib Khan; Stylist: Zahra Sarfraz; PR & Coordination: Meshal Cheema

 

 

 

Pakistani couturier Nauman Arfeen has preferred to stay away from the spotlight and always let his work speak for itself. Last year, he garnered worldwide recognition for crafting a timeless teal sherwani for Prince William during his visit to Pakistan. Haider Rifaat was in conversation with him about his thoughts on the fashion industry, dressing royalty and more

You’ve created something special with your label ‘Naushemian’ that resonates with a lot of people. To what do you attribute your success?

It’s been a blessing and the result of the boundless support I’ve received fromthose around me. I was more interested in the field of medicine, but my father wanted someone to look after ‘Hat Villa’, his millinery business. I was the youngest in my family, so my father expected me to assume this role. It was a struggle for sure, but I was able to persevere and it culiminated in the launch of ‘Naushemian’. My first fashion show, Fashion Pakistan Week, was in 2009 where I presented my collection ‘Raven’; this was a turning point in my career. The designing of shoes followed and the rest, as they say, is history.

What drew you to fashion in the first place?

There was always a gap—a missing piece in men’s fashion that needed to be addressed. When I heard that Fashion Pakistan was on the lookout for new talent, I registered for a slot. Presenting my first collection was daunting, but I credit Rizwan Beyg and Raheel Rao, as their their critique and encouragement led me to be lauded on the ramp.

I recall making turbans for almost every label in the mid and late 90s. They ranged from Aitchison College turbans to traditional Rajasthani ones, so thinking about eastern wear all the time inspired me to launch ‘Naushemian’, which essentially translates to ‘bridegroom’ in Urdu.

What is a core component of your fashion ethos?

My embroidery and craftsmanship; they make me a different designer. Men’s sherwanis are my forte, but I have also ventured into womenswear and men’s western formal wear.

Have you ever experienced a creative block? 

I don’t believe true artists face creative blocks. Creativity is innate and inspiration can be found from myriad sources. I’m inspired by nature, the world around me and the people I meet.

Why has Pakistan’s fashion fraternity not been inclusive of all shapes and sizes? 

Maybe designers find it a hassle to cater to mass crowds and designing for a range of sizes. Not everyone can think on a macro scale. For me, fashion is for the masses. I don’t understand why garments are designed for a specific size or body type. I’m everyone’s designer. If you visit my atelier, I have four sizes that range from small to extra-large. I drive satisfaction from providing people with custom-made products that they want to wear.

What’re your thoughts on sacrificing personal creativity over trends? 

Fashion changes by the minute; it’s about how you perceive an attire and make it your own. Fashion is what makes you feel attractive and confident. So I believe it’s silly to follow trends. Sadly, many contemporary designers are working strenuously to follow trends, rather than creating them. True fashion should be that which is a true reflection of onself.

How is androgynous wear changing the way we look at style? 

Style is something we are comfortable and confident in carrying. Androgynous wear is harder for men to swallow than women. Then again, if you’re confident, you’re stylish.

What’ve you planned so far for the summer and fall 2020 collections? 

Our entire team is working to devise a collection. I have matching separates and soft pastel colours in mind for the summer season. They can work well for Eid festivities too. We’ll surely come out with dark, vibrant colors for this fall.

What’s a more creative substitute this season for overdone floral prints? 

Checks and stripes

Who do you cite as your fashion icons?

Tom Ford—I admire how he made a name for himself in fashion after having studied architecture. After finding success with Gucci, he went on to give the world one of the best brands there is.

What draws you to his work ethic? 

I met Tom once. His products are well thought out, beautifully designed and incredibly practical. These factors attract millions of people towards him, me included; I even love his fragrances. He is an all-rounder.

Last year, you were the only male couturier from Pakistan to have designed for HRH Prince William while he toured the country. The teal-coloured sherwani was stellar. How were you approached for this and why did you specifically choose the colour teal? 

I’ve been stocking in London for a decade now. The royal team reached out for my designs there, got my contact details and closely reviewed my credibility. As you may know, royal managers handle things with precision. They initially required a classic blue sherwani with green buttons. I designed according to their demands and had an extra sherwani as an option as well, which they loved.

They strictly scrutinised my design and made sure no calligraphy was embroidered on the piece. On complete satisfaction, they opted for my garment for His Highness.  It was my personal vision to see the prince in teal for the occasion. Teal is an upcoming hue in fashion. The colour sends out a message of solidarity and peace.

What went through your mind when you saw HRH Prince William wearing your label?

It was a memorable moment for me as a Pakistani designer. I was honored to be selected as the only male couturier from my country to create a garment for the future king of England. This was the first time he’d worn another country’s traditional attire on tour and that was a tremendous feeling in itself. He overshadowed Duchess Kate on that day, if I may say so. That sherwani will remain a timeless piece for decades to come.

Did this achievement garner your label immense recognition across Pakistan and the world? 

Yes—not only this but an attire that had lost its identity globally returned ferociously as a new trend in fashion. Those who consider it a long buttoned jacket now know very well that it is a traditional sherwani.

Of all the public figures you have dressed, who has been the most special?

Although I’ve designed for many dignitaries, I believe that every client we cater to is a prince and princess. They are all not just my clients, but my family. I’ve witnessed happy tears in the eyes of mothers when they saw their sons wearing the complete ensemble at my stores. Such moments often humble you.

Who has mentored you in your craft? 

Time and experience have been my best mentors. I learn in my everyday life. I don’t follow people in our industry, because they’ve hardly guided me. Learning from time to time, however, has given me the confidence to reflect on what I’ve accomplished so far.

What important lessons has your profession taught you?

Many—the best would be to never show your cards. Showing off is a fool’s idea of glory so if you’ve noticed,m not a fan of sharing my ideas.

 

 

 

 

 

 

 

 

On selecting roles, discovering secret talents and family

The versatile actress has become a household name as she conquers our television screens with powerful performances one after the other. Mehek Raza Rizvi sits down for a candid chat with Saboor to find out more about her aspirations and life in quarantine

Outfit: Farah Sanjana at Vesimi

You seem to be indulging in old passions in quarantine, including cooking and painting. Are there any talents of yours people may be unaware of?

I make sure I keep my fans aware of my activities during quarantine, so any talents I may discover are shared with them. This is a nice time to explore one’s abilities and indulge in hobbies there wasn’t time for earlier.

Outfit: Farah Sanjana at Vesimi

Congratulations on Sajal’s wedding. How has you relationship with your sister evolved after she tied the knot?

Everyone knows Sajal and I’ve always been super close, but preparing for her wedding together has strengthened our bond even further. They don’t exaggerate when they say sisters are irreplaceable. Family is everything.

“WE NEED TO BREAK THE TABOO, BECAUSE DEPRESSION IS SOMETHING ANYONE CAN EXPERIENCE AND THE CONSEQUENCES CAN BE EXTREMELY DAMAGING IF NOT DEALT WITH CARE”

What are the pros and cons of having a sister in the same industry as yours?

The pros are evident: you have constant, unconditional support. We comfort each other during tough times, are each other’s number one fans and cheerleaders and always have free, honest advice to offer. On the contrary, I can’t think of a single con. There is no concept of competition amongst family.

Outfit: Semsem

You recently posted a note on depression on Instagram. How important is it for public figures to speak about mental health and why is the topic close to your heart?

I think mental health is an important issue everyone needs to take more seriously. There needs to be more conversation centered around it, particularly by individuals of influence to create awareness amongst the masses. We need to break the taboo, because depression is something anyone can experience and the consequences can be extremely detrimental if not dealt with care.

“THIS IS A NICE TIME TO EXPLORE ONE’S ABILITIES AND INDULGE IN OBBIES THERE WASN’T TIME FOR EARLIER”

You’ve proved your mettle as an actress by playing a wide number of characters. What kind of roles and genres excite you most?

Characters that have the potential to leave an impact on my audience excite me the most. I try to take up different roles so I can explore and better my craft with each project. My intention is to bring something different to the table every time I perform. I’m not too fussed about playing a protagonist or antagonist, to me what’s important is that anyone watching my performance should leave with some sort of positive message.  I believe engaging art forms like drama have the unique ability to shape society like no other.

Outfit: Semsem

Have you ever found it hard to detach from a complex/intense character?

I’m someone who gets very involved in and immersed into the roles I portray. In order to do justice to my job, it’s important for me to feel each emotion the character may be experiencing, so yes, sometimes it does get difficult to detach from a particularly intense scene.

“I BELIEVE ENGAGING ART FORMS LIKE DRAMA HAVE THE UNIQUE ABILITY TO SHAPE SOCIETY LIKE NO OTHER”

The fame and influence celebrities enjoy, puts immense responsibility on them to use it wisely. Do you ever feel burdened by the constant spotlight?

While the love we receive from fans is extremely heartwarming, it’s also true that being in the spotlight constantly can be taxing at times. At the end of the day, we’re as human as anyone else. From each word that comes out of our mouths, to every occurrence in our personal lives, any decision we make and even the food we eat and clothes we wear—everything is always being judged. As a celebrity it’s important to be careful about how you conduct yourself, because a small mistake can give people a false impression of who you are as a person.

Outfit: Bazza Alzouman

Tell us about your future projects.

There are a lot of interesting projects in the pipeline, but you’ll have to wait and find out the exact details.

SHORT & SWEET

What was the last photo you took?

Of a painting I made

What was the last lie you told?

Told someone I was “on my way” while I was still in my PJs

Last impulsive buy?

Outfit: Bazza Alzouman

Makeup

Your personal style in three words?

Trendy, stylish, minimal

“THEY DON’T EXAGGERATE WHEN THEY SAY SISTERS ARE IRREPLACEABLE. FAMILY IS EVERYTHING”

A habit you have that annoys your family?

Listening to very loud music

Favourite costar?

Kinza Hashmi

Best friends within the industry?

Sadia Ghaffar, Kinza Hashmi and Rubab Ali

Outfit: Bazza Alzouman

Theater, film or TV? 

TV, always

Alternate career choice? 

Painting

Favourite dialogue from a project of yours?

So hard to pick just one

 

Photography: Jaffer Hasan

Styling: The Emergency Room

Hair & Makeup: Adnan Ansari

Wardrobe: Siddhartha Bansal, Farah Sanjana & Ridhi Sanjana at Vesimi

 

 

 

She’s captured our hearts with her poignant portrayals of some very unique characters in her drama serials, but remains a humble individual at heart. This fortnight, Kinza Hashmi chats with Mehek Raza Rizvi about her roles, her life at home and what the future may hold

Do you ever worry about getting labelled or typecast when playing an intense negative character?

Being typecast or labelled never worries me, because I try making each role I play appear different from the last; this applies to playing a protagonist as well. I read the character in depth and design it with my team by working on my looks and delivering dialogues in a way that doesn’t feel similar to previous projects.

“The modern woman of today is independent and empowered, which is why we’re able to tackle any bigotry we may be subjected to”

As a woman, have you experienced any inherent prejudices in your line of work?

The modern woman of today is independent and empowered, which is why we’re able to tackle any bigotry we may be subjected to. This is true not just for the entertainment industry, but for women in every sphere of life. Chauvinism and prejudice of any kind is not a roadblock for us, nor can it make us doubt our competence.

 

You surprised fans by posting a cover of “Sajna” on your Instagram. Is there a chance you may take up singing professionally as well?

Singing is something I really enjoy. Whenever I’m with my friends or just generally in a good place, I sing—it makes my soul happy. I can’t say I’ve thought about taking it up professionally yet, but if an opportunity arises, I’d be open to it.

“I’ve never had to worry about being overshadowed. I think if you’re putting in your hundred percent, such issues are never a concern”

Despite being poles apart, most of your characters have one thing in common: they’re all multi-layered, complex women. Is this a conscious decision?

I don’t think all characters I’ve played are complex, but yes, I like portraying different shades of women through the roles I essay. This is why they’re always relatable, regardless of whether I’m an antagonist or protagonist. When choosing scripts, I’m mindful of selecting only the ones that offer relatable roles that are unique in some way.

With the conversation on gender equality and feminism on the rise, how important is it for female actors to choose their roles carefully and avoid playing the damsel in distress?

I believe we have two kinds of women in our society: type one is the brave, educated and independent woman, while type two is dependent on others for her livelihood, is underconfident and submissive. I’ve done many projects where I got to play type one, for example, “Rani Nokrani,” “Tera Yahan Koi Nahi,” and “Seerat.” I feel such characters are aspirational and give women a role model to look up to. I will always look forward to portraying characters that can inspire my female audience.

Having said that, I’ve depicted type two in multiple projects as well. The intention behind that is not to set misleading standards, but to drive attention towards a need for women to be autonomous. I hope to encourage them to liberate themselves, while also making their voices heard. It’s important to make drama serials realistic in order to educate our masses.

“I struggled a lot for my big break, but the long wait was definitely worth it”

You’ve starred in many projects with ensemble casts. Is being overshadowed ever a concern?

Allah has been very kind; I’ve never had to worry about being overshadowed. I think if you’re putting in your hundred percent, such issues are never a concern. I have faith in my skills and work really hard, so know it’ll bear fruit.

Tell us about your experience working alongside Saboor Aly in “Gul-o-Gulzar.”

It’s always great doing a project with a good team and cast—even better when you get to work with a friend. It was a comfortable experience over all.

How did you get your big break in the industry? Is a career in TV something you always wanted to pursue?

I always wanted to be part of the entertainment industry and to appear on TV; it was my childhood dream. I struggled a lot for my big break, but the long wait was definitely worth it.

Can we expect to see you in films in the near future?

You never know. I guess you’ll have to wait and find out.

What is Kinza Hashmi like at home? Tell us about your childhood and family.

Kinza Hashmi is as ordinary as anyone else. I live a normal life and am a simple person. My childhood was uncomplicated and is a chapter filled with cherished memories.

When at home, I like to spend time with my family and close friends. I enjoy peaceful gatherings; I’m the happiest when my father reads books to me and my mother cooks scrumptious meals for us.

SHORT & SWEET

What was the last photo you took?

Food prepared by me

What was the last lie you told?

A friend very kindly delivered a home cooked meal to my place, but I hadn’t tasted it when she called to ask how I liked it. I had to lie and tell her it was delicious. I hope she isn’t reading this.

Last impulsive buy?

I’m always impulsive when it comes to shopping, especially with clothes and shoes.

Your personal style in three words?

Stylish, graceful, elegant.

A habit you have that annoys your family?

I don’t receive calls on time.

Favourite costar?

Azekah Daniel

Best friend within the industry?

Vasia Fatima

Theater, film or TV?

TV

Alternate career choice?

Singing

Favourite dialogue from a project of yours? 

“Aik tum hi tou ho jisay meri parwah thi. Bohat dil dukhaya mene tumhara, dekho khush mein bhi nai hoon, muhabbat k liye tarap rahi hoon. Mujhy saza do Arham, dil tornay ki saza.”

Rushna, last episode of “Ishq Tamasha”

(You’re the only one who ever cared for me. I hurt you; look, I’m not happy either and am longing for love. Punish me Arham, punish me for breaking your heart)

Photography: Jaffer Hasan

Styling: The Emergency Room

Hair & Makeup: Adnan Ansari

Wardrobe: Siddhartha Bansal, Farah Sanjana & Ridhi Sanjana at Vesimi

 

Stuck in a style rut? Let the experts give you a lesson in creating head-turning lawn looks. This fortnight, Saira Rizwan puts together some sumptuous looks from their Saira Rizwan Lawn 20 x Ittehad collection on the gorgeous Sanam Saeed

Wardrobe: Saira Rizwan Lawn 20 X Ittehad

Production: Centaur One

Talent: Sanam Saeed

Photography: Abdullah Haris

Hair & Makeup: Qasim Liaqat, Shoaib Khan

Jewellery: Rema Luxe, Zarq

Shoes: Shoe Planet

 

To say that the last two weeks have been a rollercoaster ride will be a profound understatement. Coronavirus or COVID19 has drastically changed our lives, leading us to grapple with our changed reality. While many continue to argue that the virus isn’t nearly as fatal as other diseases we’ve battled in the past (such as Ebola), it’s still being compared to the deadly Spanish Flu Outbreak of 1918. The sheer rapidity with which Corona spreads, the fact that symptoms aren’t always visible and underprepared healthcare facilities around the world are what make this novel strain a formidable foe of humanity. Before I go any further, I’d like to thank the healthcare workers who’re tirelessly fighting this pandemic. True heroes certainly don’t wear capes!

Despite working around the clock themselves, they urge the general public to assist them by simply doing one thing: staying at home. As threatening as the virus may be, all it requires are the following basic actions to reduce the spread — or at least get it to a level that’s manageable for healthcare institutions. These are:

  1. Social distancing: even when at home, remain at least a couple of metres apart from others; if you must go out (while abiding curfew rules), ensure you’re not in close physical proximity to anyone.
  2. Wash your hands: this can’t be said enough; wash your hands for at least 20 seconds, especially before and after eating or drinking and intermittently throughout the day. Hand sanitisers also help.
  3. Don’t touch your face: the virus can enter your body through your mouth and nose.
  4. Protection when out: masks, gloves, sanitisers and social distancing.
  5. Isolate: if you feel symptoms, immediately quarantine yourself and stay away from family members; contact your doctor and see if a test is required.

All of this seems rather simple; however, people have had issues adjusting. Sometimes, a disease with seemingly basic precautions isn’t taken seriously by people. But I hope that by the time you read this, we’ll have made considerable efforts to #flattenthecurve. I exhort you to go online and look up this concept. In short, social distancing is an immense help in lowering the infection rate to a point that medical professionals can respond effectively.

Those who have adhered to all protocols, especially those who had the foresight to do so on their own before governmental intervention, must now be feeling symptoms of another nuisance: cabin fever. Being cooped up in one place for extended periods of time can make anyone start questioning their sanity. Anxiety, panic, irritability, ennui and a sense of doom — all or a combination of these can start to plague your mind. Since they say, a healthy mind can cope with a lot that’s thrown its way, I’ve compiled a list of things, based on my readings of several articles over the last couple of weeks that will hopefully help make your isolation bearable. These are all the things that I’ve personally been doing since my self-imposed isolation almost three weeks ago.

  1. Adopt a routine: in the new normal, your routine doesn’t have to be the same. You’re most likely working from home, which saves up a lot of commute time. You also get the opportunity to work in an environment that you can create yourself. However, do stick to a schedule, even if it doesn’t match your usual one. This allows some form of normalcy to remain in your life.
  2. Be creative: start painting, sing songs, dance around, write — anything and everything that allows you to express yourself.
  3. Stay fit: make sure staying at home doesn’t stop you from physically moving. While staying in a vegetative state might be appealing, do get up and move around a bit. It could be a full-blown workout, a yoga session, or just a walk outside (social distance is a must and keep the time limited, abiding by local laws). For mental exercises, read a book!
  4. Feel everything: there’s no right or wrong way to feel about this situation. Most of us have never experienced such distress before (hey, at least now the world can sympathise with the plight of Kashmiris and Palestinians). Get in touch with a therapist if you can or keep a journal. Just don’t feel guilty for feeling how you feel.
  5. Talk: reach out to your friends over social media and plan video calls. Talk to others, talk to your family. Don’t mentally and emotionally isolate yourself.
  6. Stay off the internet: don’t stay on the internet for too long. It’s a depressing place — now more than usual. Get your necessary information and then stay off blogs citing the end of the world (unless you’re into that). Otherwise, avoid the negativity. Cute animal videos are fine.

This is what I’m doing, except the last one. I’ve been on Twitter and Instagram a bit too much and hoping to cut back on the negative clickbait. Everything else I’m following on a daily basis and at the time of writing, it’s really helped. Nevertheless, as I stated, there’s no right or wrong way to navigate through this. As long as work obligations are met, you’re free to figure out your own response. Sleep all day, eat whatever you want — just do all it takes to be mentally and emotionally stable during this time. I’m cognisant of the fact that this is more challenging for some than others, especially those with pre-existing mental health issues or who live in abusive households. For those free of these concerns, do check up on your friends. Together — but physically apart — we’ll get through this.

Stay safe and #washyourhands

We’ve all been entranced by her melodic voice and have fallen in love with her bubbly personality. However, this fortnight Mehek Raza Rizvi speaks to the dynamic Aima Baig to know more about her passions, her plans for the future and life outside the limelight

How do you feel about the constant comparison made between you and Ariana Grande, particularly after your look at the opening ceremony of PSL 2020?

It doesn’t faze me at all. I love Ariana Grande; she’s immensely talented and has great style, so why would I mind the comparison? I don’t take the memes too seriously (although, I have to admit, some of them are quite funny), if they make people laugh, so be it. The only part that’s sad is people refusing to see me as human. There’s nothing out of the ordinary in being inspired by others, it’s natural.

A little birdie tells us you may have an interest in acting. Can we expect to see you in a movie or drama serial soon?

Tell me more about this birdie first! I’ve been offered some great opportunities from eminent production houses, but want to focus on growing more as a musician for now—this is more “me.” However, acting is something I definitely enjoy. I’ve done a lot of theatre during my undergrad in Film and Television. You never know what the future holds.

You’ve been very involved with Shaukat Khanum Memorial Cancer Hospital and Research Centre (SKMCH&RC). Tell us about your work and why you feel so close to the cause.

Shaukat Khanum’s mission is very close to my heart; I don’t consider it to be work, I do it out of choice and take it very seriously. My own mother was a cancer patient and I’ve seen her endure chemo therapies, hair loss and surgeries for six long years. I’m happy that she’s in a better place now; knowing her suffering has come to an end gives me peace, but at the same time, I’m well aware of what it feels like to lose someone special to cancer.

I can relate to families who go through this process and the feeling cannot be put in words. Shaukat Khanum helped me heal by introducing me to so many survivors, including infants. I feel privileged to be a part of this organistaion and am thankful to all its contributions.

“The only part that’s sad is people refusing to see me as human. There’s nothing out of the ordinary in being inspired by others, it’s natural”

Your Father had a love for music, but was unable to pursue it professionally. Do you think that made your piqued your interest in the field?

My father had his own band in Dubai back in the day. He was definitely passionate about music, but my grandfather, a mechanical engineer himself, wanted his son to prioritise his education. He didn’t encourage his child’s musical aspirations and so, my father submitted.

I’ve witnessed my father’s talent throughout my childhood. He played different instruments and sang beautifully to me. I found him to be very inspirational and think I inherited my love for music from him. At just seven years of age, I knew I had it in me to pursue this professionally.

“I’ve been offered some great opportunities from eminent production houses, but want to focus on growing more as a musician for now—this is more ‘me’ ”

Tell us about your relationship with Shahbaz Shigri. Is marriage on the cards?

Shahbaz and I are best friends. We have shared interests; we love watching movies, hanging out with our friends and jamming together—he’s incredibly talented which makes it more fun. We’re both Pisces and vibe really well. He makes me feel very comfortable and at ease.

As for marriage, it’s something I want to think about in the future, but as of now, it’s not on the cards.

What’s Aima Baig like at home?

You need to spend a few days with me to know that. I’d like to warn you though, I have a tendency to influence people with my idleness—I do absolutely nothing when at home and you may end up doing the same!

My favourite thing to do at home is availing every opportunity I get to catch up on lost sleep. I’m constantly on the go otherwise, so feel this is the only thing lacking in my life. When I’m up though, I love spending quality time with family, jamming with my brother, watching movies, writing and playing games. I’m a gamer, that’s for sure.

“Knowing her suffering has come to an end gives me peace, but at the same time, I’m well aware of what it feels like to lose someone special to cancer” — Aima on her mother’s struggle with cancer

What are the pros and cons of having your family so involved in your work?

That’s a great question. The pros outweigh the cons. Everything’s based on trust. I can rely on family; if I’m ever feeling lazy, they remind me of the importance of hard work and how blessed. They push me to do better and keep me going. The only con is having no barriers; these are people you’ve grown up with, live with and so, they know you inside out.

Tell us about your future projects.

There are so many exciting things in the pipeline. I’m working on new songs—my own and some collaborations with other artists. This whole year is jam-packed, which overwhelms me at times, but I feel grateful.

SHORT & SWEET

What irks you most about social media?

Inconsiderate comments

Biggest pet peeve?

People munching loudly on their food or talking in a high-pitched voice.

Your biggest strengths?

My family and the people I love.

 Favourite ‘90s jam?

I was born in 1995. Music from the ‘90s reminds me of my childhood, but there’s no one particular song I can pick as a favourite.

Your personal style in three words?

Comfortable, tomboyish and casual

Last impulsive buy?

A pair of diamond rings.

Most prized possession?

My cats, especially Max.

What was the last lie you told?

I can’t really say, but there must be one.

One habit you have that annoys your family?

The fact that they barely get to see me.

Do you have a nick name?

So many: Amy, Emma, Amo and sometimes Baig. Not really a fan of these names though.

 A decision you regret?

Some songs I’ve agreed to sing. I never really wanted to, but went ahead with them anyway.

Your favourite quote from a movie?

“I’ll be back” from “The Terminator”

Words: Mehek Raza Rizvi

Photography: Adil Ishaq at Guddu Shani

Hair & makeup: Mansoor Khan at Guddu Shani

Videography: Furqan Bhatti at Guddu Shani

Art Direction & production: Guddu Shani

Coordination: Murrad Rahim at Guddu Shani

Styling: Mehek Raza Rizvi & Areesha Chaudhry

Stuck in a style rut? Let the experts give you a lesson in creating head-turning spring and summer outfits. This fortnight, So Kamal puts together seven looks on Mushk Kaleem to inspire your imagination

Wardrobe : So Kamal

Photography : Alee Hassan

Hair & makeup : Fatima Nasir

Model : Mushk Kaleem

Jewelry : ZELO & Jewelicious

 

Featuring regal designs from Saira Shakira’s bridal couture, photographer Zahra Sarfraz captures the beautiful Tehreem Gohar in her distinctive style through her lens. Browse through our pages for this unique equestrian inspired shoot

Photography : Zahra Sarfraz at Centaur One

Model : Tehreem Gohar

Wardrobe: Saira Shakira

Makeup : Sameera Shaheen Malik

Hair : Nazia Tehmour

Coordination : Centaur One

 

Stuck in a style rut? Let the experts give you a lesson in creating head-turning spring outfits. This fortnight, Maha Rehan puts together eight looks on Atikah Gardezi to inspire your imagination

Flower Power
Minting It
Ivory Dreams
Pretty in Pink
Summer Whites
Break the Ice
Pastel Spell
All in the Details

 

Model: Atikah Gardezi

Photography: Rehan Khan

Wardrobe: Farida Hasan

Art direction & styling: Maha Rehan

Hair & makeup: Azee Jee (Azeem)

The very filmy and endearing heroine, Hira Mani, has stolen everyone’s hearts with her effortless charm and ingenuousness, all while breaking stereotypes, being an exceptional mother of two and a homemaker. Mehek Raza Rizvi chats with her to find out how she makes it look so easy

Hira, I’d like to start off by congratulating you for the success of “Meray Paas Tum Ho.” Despite being introduced much later in the drama serial, you won hearts with your convincing performance. How does receiving so much love feel like? 

I’ve received a lot of love and it feels great. Over the past four years, I’ve worked incredibly hard to prove my mettle and when your audience appreciates that, there’s no better feeling. However, success comes with responsibility and I take that very seriously. I want to use my fame well and break the stereotype of a “heroine,” according to which actresses have a limited shelf life. I also hope to demonstrate that good conduct and humility are the keys to real triumph.

“I want to prove it’s possible to enjoy the best of both worlds, so other women can find the inspiration and strength to not give up on their dreams”

You started your career after getting married and saw the most success after the births of your children. Not only does this break stereotypes within the industry, but also provides inspiration for working mothers. How do you manage work-life balance? 

There’s a common misconception in our culture that women can’t have successful careers after they get married, particularly in the media. I’ve seen so many girls delaying their weddings, claiming it would affect their work, but personally, I never understood this theory.

I’m perhaps one of the few actresses to have started my career after becoming a mother and I don’t think that’s ever come in the way of my work or the upbringing of my children. I want to prove it’s possible to enjoy the best of both worlds, so other women can find the inspiration and strength to not give up on their dreams. If you’re passionate, there’s nothing you can’t do.

Of course, it helps to have a supportive family, especially the men. My husband, Mani, my sons, Muzammil and Ibrahim and my father have always encouraged me and I couldn’t have accomplished anything without them. I would urge all men to let the women in their lives aim for the stars and fulfill their dreams.

As far as work-life balance is concerned, I don’t take credit for anything, Allah helps me. I’m blessed with His support and a great family.

What do you look for in an ideal script? 

No script can come to life if the team working on it isn’t dedicated. No matter how good the writer is, the end product depends profoundly on those involved; from the director, to the cast, the DOP and even the help ironing clothes on set. It’s very important for me to work with people who I’m comfortable with and know are passionate about the project.

For example, when I signed “Yaqeen Ka Safar,” I knew Farhat Ishtiaq had done a great job with the script, but also realised it would be executed well because Shahzad Kashmiri was directing it—just like Danish Nawaz made “Sun Yara” a huge success.

Honestly, when Humayun Saeed called me to discuss “Meray Paas Tum Ho” I didn’t even hear the script. I was out of money, with just twenty thousand rupees in my bank account, so immediately said yes. I just heard “Nadeem Baig” and was game. In our field, payments are delayed all the time, so this project saved me at a crucial point.

Have you ever found it hard to detach yourself from an intense/ complex role you’ve played?

Not at all. I’m not a method actor and don’t let the roles I portray take over me as an individual. When I go on set, I read my lines, discuss them with my director to understand their point of view and get into character. Once the scene is over, I’m immediately back to my normal self.

“I found him to be very real; he was himself, even on screen. He seemed like a very genuine person and that appealed to me because I felt I could relate to him. I saw a lot of similarities between the two of us” — on her husband Mani

We hear you’ve dabbled a bit in fashion design. Can we expect a business venture in the future? 

Most of my friends have degrees in fashion, which is why I also developed a curiosity towards the field. When I was getting married, my interest grew as I started working on my own clothes.

You never know what the future holds. My son, Muzammil, sketches really well and keeps designing interesting stuff for me. Ibrahim also takes interest in what I should wear at events, so who knows, maybe my little army will push me to start a business with them.

“When Humayun Saeed called me to discuss “Meray Paas Tum Ho” I didn’t even hear the script. I was out of money, with just twenty thousand rupees in my bank account, so immediately said yes”

Tell us about your upcoming projects. 

Right now I’m looking forward to a beautiful drama serial called “Kashf,” directed by Danish Nawaz. It’s very close to my heart and I hope will people love it. I’ll give you an exclusive interview to talk more about it soon!

You’ve mentioned you were a fan before meeting your husband Mani. How were you two introduced for the first time? Could you have imagined you’d end up marrying him? 

Mani was a friend of a friend. The day I saw him for the first time on TV, he became the reason why I switched from Indian drama serials to Pakistani ones.  This was some fourteen/fifteen years ago.

I found him to be very real; he was himself, even on screen. He seemed like a very genuine person and that appealed to me because I felt I could relate to him. I saw a lot of similarities between the two of us.

When you start admiring someone at a young age, it’s very natural to start looking up to them and try to emulate the way they do things. This is why every time someone tells me my performances are natural and real, I credit it to Mani. I was that crazy fan who followed his work and life very closely.

I’m a huge believer in the law of attraction; every time I’ve envisioned or wanted something badly and worked hard for it, I’ve gotten it. I was a complete tomboy and never one of those girls who would follow actors and become die-hard fans; but because of Mani things changed completely. Since then, I always knew he would be an important part of my life. So yes, I did believe we would end up together.

What was your childhood like?

I grew up around elder cousins, so felt grown up as I constantly tried copying them. I would do my hair like them; tie it up in a bun or a long braid. I never dressed like a child and since I was tall as well, I didn’t quite look my age.

When I was in school, I was known as the life of the party. Even at home, family would always surround me and I was always the one solving other people’s issues.

I was very filmy and absolutely obsessed with music. I’d say not much has changed in that department. Anytime I hear a sad song that touches my heart, I automatically get stuck in a zone where I’m blue and upset with Mani for no reason, so I can really enjoy the essence of the song. Music has definitely been a huge part of my life.

“I’m Muzammil and Ibrahim’s ami, Mani’s wife and my father’s daughter”

What is Hira Mani like at home? 

To everyone reading this, I want to tell you, at home, Hira Mani is exactly like your mother. I’m very domesticated, extremely particular about cleanliness and discipline. I don’t like house chores like cooking lunch/dinner, washing dishes and laundry being delayed. Everything should be done by mid-afternoon.

I keep a close eye on my kids’ schedule, even if I’m at a shoot. From their tuitions and football sessions to the clothes they’ll wear, I have everything lined up. I’m always on high alert, taking care of what needs to be served for dinner, who we need to go see, who we need to invite over etc. Once, I have some time to myself (which is rare), I like to sit in my room and listen to music.

In my personal life, I’m as normal as any other woman. My life revolves around my family – I’m Muzammil and Ibrahim’s ami, Mani’s wife and my father’s daughter.

SHORT & SWEET

Who do you consider to be your closest friends within the industry? 

I think they’re still the same as Mani’s

Pick your favourite project between “Meray Paas Tum Ho,” “Ghalati” and “Aangan.” 

Ghalati

“To everyone reading this, I want to tell you, at home, Hira Mani is exactly like your mother”

What do you feel are the key elements behind a good drama serial? 

A strong team and a respectful environment

An actor or actress you would want to share screen space with next? 

No one specifically. Anyone who is passionate about their work.

What’s the last photo you took? 

A picture of Muzammil and Mani at a dinner, while they were joking around

Do you have a nickname?

My parents called me “Hero” at home. Little did they know I’d become a heroine instead!

What was the last lie you told?

Despite having no interest in films, since I’m asked constantly asked when I’ll be doing one, I said in 2020

Your biggest achievement in the last decade?

“Do Bol”

 

Words: Mehek Raza Rizvi

Photography: Jaffer Hasan

Hair & Makeup: Adnan Ansari

Wardrobe: Mariyam D Rizwan, House of Masaba — Vesimi

Styling: Emergency Room

Beirut-based couturier Georges Chakra has created a niche for himself in the fashion business with the likes of Helen Mirren, Jane Fonda and Jennifer Lopez spotted in his designs. Hailing from a country where freedom has suffered, he launched his new line at the Petit Palais in Paris, conveying a political message to safeguard liberty in Lebanon. Find out more about Chakra and his vision in this exclusive interview with Haider Rifaat

You’ve been in the fashion business for over three decades. What’s the key to your success?

Passion—my team and I love creating haute couture. I like surprising people each season, without repeating any of my designs, even if an idea has proven successful already. My work is detailed; I’m not sure if that’s a good quality to factor in so often, but I try to deliver perfection. I’m never satisfied with what I do, which pushes me to do better.

Fashion capitals of the world—New York, Paris and London—drive mainstream consumers to their markets. As a designer from Beirut, do you not find yourself lagging behind?

I don’t think most designers who showcase their lines originate from these major cities only. The world has become a melting pot of cultures and I haven’t found myself lagging behind. Many designers from the Middle East, including myself, contribute creatively to the world with our collections. Lebanon may not have its own fashion week, but our designers have certainly held their own in the international market.

Have you considered moving to these cities to compete with the best in fashion?

In 2001, we opened a showroom in Triangle d’Or, Paris, to entertain our clientele and have a strong base during fashion weeks. My head office is in Beirut and will remain there indefinitely. With a network of people and our teams in Los Angeles, New York and Paris, we’re able to create an extensive system that can handle anything.

Why should consumers choose Georges Chakra?

We create pieces that are timeless and can be passed down with ease. This has happened several times. Our consumers appreciate originality, experimental fabrics and our one-on-one relationship with them.

You recently debuted your exquisite collection at the Petit Palais, campaigning for freedom in Lebanon. Why did you choose such an occasion to relay a political message?

Fashion has always acted as a barometer of attitudes in society, reflecting moods and thoughts, expressed through the length of hemlines and cuts. Following the recent revolutionary movement in Beirut, I wanted to portray to the world Lebanon’s frantic energy, its youth’s desire for freedom and the complex reality we were living.

Walk us through your S/S 2020 collection. What have you done differently this time?

My inspiration for the 2020 collection is Lebanon. It has my heart. Couture is art and art is the core component of its surroundings. The country’s ongoing situation is exactly how I see my brand. We’re constantly evolving and incorporating fresh ideas, so my vision for this year took off from here. I can proudly say that my efforts have proven successful again.

After the show, my team and atelier walked for the first time on the Parisian ramp to symbolise unity. We gave each guest a white organza rose as an embodiment of support for peace in Lebanon. I collaborated with renowned jeweller and good friend Fawaz Gruosi on a necklace. The sales we generate from it will be donated to Beirut‘s Children Cancer Hospital and the scholastic scholarships of St. Vincent de Paul School. All these measures are a part of the positive change we wish to see.

Artistic expression is essential in your line of work. What encourages you to create garments that are a reflection of who you are?

The generic answer would be culture, but I wouldn’t say it’s my only source of encouragement. I think the hardest battle for me is to draw inspiration from my surroundings and to condense ideas that can translate well into a couture collection.

Is fashion a stigmatised profession for men in Lebanon?

It was, but the trend has changed now. Success stories of Lebanese designers have become more common in the past decade. Fashion in my home country has garnered immense recognition around the world. The induction of fashion design programmes at many Lebanese universities has also helped the cause. Despite these efforts, the government should support our industry and the private investors involved.

Have you encountered any mishaps during fashion weeks? If so, how did you bounce back?

Sometimes, yes, but things work out in the end. We’ve had issues backstage that required us to swap the sequence of models.  We’ve also had to have a few of them removed before shows. I suppose the most shocking moment for us was when a habilleuse (dresser) had dressed our model unsuitably. The clients responded surprisingly well and we ended up re-creating and selling the garment as it was.

Which other Lebanese designer do you like and find underrated?

I admire the work of our new generation. They have a long way to go, but as clients we should believe in their talent and support them despite limited resources, execution techniques and socio-economic challenges in the market.

The first time I heard of your work was through the Oscar-nominated film, “The Devil Wears Prada.” Tell us of a memorable moment you shared on set with the cast and crew?

The film producers emailed us, asking for our S/S 2005 collection in a movie starring Meryl Streep. However, we never knew that our gowns would make it to the final cut. When we saw our label alongside Valentino and Azzaro in the fashion sequence of the film, we were over the moon! Woody Allen’s “Café Society” and “Gossip Girl” also featured our brand.

Professionally, who do you cite as your source of strength?

My business partner, Jocelyne Abdel Malak, who has been by my side through thick and thin and my daughter Jennifer. She joined our team a few years ago as an Assistant Creative Director and is heading our ready-to-wear line. Above all, my ateliers who make the impossible possible and translate my challenging ideas and designs into beautiful garments.

There’s just something about the ‘50s that captivates our imagination, even after all these decades. In this editorial, the talented lens of Mohsin Khawar transports us to a quintessential American diner from the days gone by, when preppy fashion reigned supreme

Photography & concept: Mohsin Khawar

Art direction, props & styling: Aysha Mohsin

Model: Fareeha Sheikh

Hair & makeup: Sonia Nazir

Wardrobe: Nine Lines

Location: Big Moe’s Diner

 

 

 

 

 

Award-winning couturier, Sania Maskatiya, has multiple accolades to her name. From making a mark in the Pakistani fashion industry with her sought-after, feminine and contemporary aesthetic, to gaining international acclaim, she’s one of the finest fashion designers we have. In this exclusive interview with Haider Rifaat, she discusses her journey

How would you define your relationship with fashion?

I launched my brand with my brother Umair Tabani, who made Sania Maskatiya a reality. We were lucky to translate our passion into full-time careers with the support of our parents.

My sister, Sarah Tabani, is a stylist and she assists us in all of our showcases and shoots. The success of our label is a direct result of our love and dedication towards it. Our business is an integral part of our lives now.

What keeps you motivated to continue growing your brand?

Turning my ideas into reality and bringing them out for the world to see has kept me afloat. My clients’ feedback motivates me every day to work harder.

“We received an overwhelming response from the international community and seeing the potential for growth, we may consider operating abroad”

How has western style inspired Pakistani fashion?

Western style has had a positive impact on our local industry. Our fashion has gone a step ahead with the perfect fusion of western and eastern wear. It’s brought something unique to the table.

How was Sania Studio conceived?

Sania Studio is the sister brand of Sania Maskatiya. The concept emerged when we decided to execute a dedicated western line with our signature prints and embroideries.

What was your experience like showcasing Sania Studio at New York Fashion Week?

I wanted to represent Pakistan in a positive manner and promote our brand’s aesthetics. We received an overwhelming response from the international community and seeing the potential for growth, we may consider operating abroad.

The process of translating my creativity and imagination into a collection shown to a foreign crowd was challenging and surreal. It was a great experience and we’re excited to return to NYFW soon.

“I launched my brand with my brother Umair Tabani, who made Sania Maskatiya a reality”

Why didn’t you consider Pakistani models to walk the ramp for your show at NYFW?

All international and local fashion sprees have their own modelling agencies assigned to the designers for auditioning. We had no option in choosing Pakistani models to take charge of the ramp at NYFW.

What are some tips to keep in mind when styling western wear?

Minimalism is on trend these days. Don’t overdo anything, that’s the rule.

What makes an ideal winter ensemble?

It can be anything my clients feel warm and comfortable in. We launch our winter festive collection each year in jewel tones and warm fabrics. Shawls and jackets are also hip this season.

What’s new for Sania Maskatiya?

For now there is a lot happening. We’re in constant search for new luxury prêt, semi-formal and formal designs. We’re gearing up for the upcoming fashion season, especially our showcase at NYFW 2020.

Does your brand offer reasonable price points?

We have something for everyone in store from high-end couture to affordable fashion.

“We’re gearing up for the upcoming fashion season, especially our showcase at NYFW 2020”

What do you feel sets your brand apart?

Our brand caters to luxury prêt and bridal couture. My work consists of quality fabrics, tailoring and unique design that reflect in all my pieces.

Apart from fashion design, what else are you passionate about?

My love for art has brought me here today, so anything related to it catches my interest. Travelling provides me the right kind of exposure, as I’m able to draw inspiration from new places.

Meet Natasha Noorani and Zahra Paracha, forces behind the Lahore Music Meet (LLM), an annual, two-day extravaganza, featuring live performances, masterclasses and interactive talks with some of the country’s finest musicians. Continuing with LMM’s tradition of nurturing the local music landscape, this talented duo is gearing up for the fifth edition, scheduled to take place at Alhamra Art Center in Lahore. Mehek Raza Rizvi finds out more

What do you hope to achieve with LMM?

LMM exists as a space for the ever-evolving music industry to get together, celebrate their talent, share their stories and connect with Lahore’s growing audience. The idea is to create cohesion in our music ecosystem.

Apart from the live music, the audience at LMM gets an opportunity to witness interactive sessions with musicians. How important is establishing a culture of musical awareness to the essence of the event?

Interactive sessions are crucial to the LLM experience. Most of us have grown up without an opportunity to understand the musical process and while this may be changing, the progress is slow. There are multiple styles and techniques well-suited to potential artists; if they get to see and hear something that sparks an idea or interest, it would be a huge win for us.

Many believe the genres celebrated at LMM are western and therefore not relevant to our culture. How do you respond to that criticism?

Sure, genres can be defined by geography, but if musicians stayed within those limitations, the world would miss out on a lot of great music. People who enjoy different genres at LMM have already made them a part of their daily playlists. Most of these, now termed, ‘world genres’ are easily applicable everywhere they’re heard. It’s what makes them popular, desirable and easy to spread. Having said that, LMM also strives to create a growing interaction with indigenous South Asian genres of which there are innumerable subsets and breakdowns. Like we say, there is room for everyone.

Being musicians yourselves, do you feel LMM provides valuable exposure for rising talent?

We’d like to believe having a platform to perform and sharing the stage with artists you admire should give any up-and-coming musician a great sense of accomplishment.  Our hope is that this opportunity translates into confidence and motivation for them to carry on the hard work.

Recently, Pakistan has seen a lot of ukulele/acoustic guitar wielding underground indie rock bands. Rap and EDM have begun to find their footing. What western genre would you like to see Pakistanis take on next?

It’s all growing so naturally and organically, honestly, we wish for more of everything.

The more the better, the farther it reaches and the more people it moves, the better. We’d also like to witness the preservation of our indigenous styles and instrumentation; that’s something we’d love to contribute to.

There seems to be a certain mindset present in the country that looks down upon music and art. How can LMM counter that narrative?

The only effective way to counter such narratives is to create space for another. We’re not here to tell someone that their mentality is flawed, we just want to create an alternative for anyone who’s looking for one. Giving people the freedom of choice is the strongest statement to make.

Now that LMM has established itself as an important cultural phenomenon, what’re people’s expectations of the event? Do you feel the pressure of meeting expectations year after year?

We hope and try to keep growing every year, but with that come growing expenses and sadly, not so much growth in sponsorships. Keeping LMM free for all is an essential feature of what makes the festival the phenomenon you say it is. We really hope we can continue to keep it that way. The curation and musical line up is another aspect we’re very particular about; everything we put out needs to be well researched so our audience can enjoy themselves.

The maestros at Guddu Shani pull off yet another captivating editorial for our readers. Browse through to see art come to life.

Photography and concept: M Ali Abbas ( @maliabbasofficial) at Guddu Shani

Shot For: Guddu Shani (@guddushani)

Talent: Bakhtawar Anjum (@bakhtawar_bk)

Wardrobe: Mahpara Khan (@mahparakhan)

Makeup: M Mansoor Khan at Guddu Shani (@ma.nsoorkhan)

Styling: Usaf Ahmed at GudduShani (@usafahmed)

Post producer: Ali Butt at GudduShani (@crtvthink)

 

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