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There’s a high chance that your Instagram feed was recently filled up with women in saris. No, it wasn’t coincidence. It was the result of a viral video, online trolls and a campaign to champion sisterhood and body positivity. The #sariforallsizes is a social media effort by three ladies that encourages women to proudly wear saris, especially if they’ve been previously judged or bullied for doing so. The sari garment is a staple in South Asian women’s wardrobes and has a history that can be traced back to the roots of our civilisation on this Subcontinent. Yet, society continues to ridicule women who don’t fit the mould of a ‘perfect body’ if they choose to don this garb. Here, the women behind the campaign give us a brief look into why owning your sari with confidence is akin to a fashion revolution. Sabah Bano Malik (RJ and journalist) speaks about the start of the campaign, online trolls and her own relationship with her body; Baemisaal (artist and body positivity advocate) lays down a call to action, explaining fatphobia’s role in restricting women’s fashion choices; and Mina Malik-Hussain (writer and TV show host) comments on being part of the campaign.
May all of you who feel judged for wearing saris reclaim your confidence!

SABAH BANO MALIK ON SARIS AND TROLLS

How did the #sariforallsizes campaign begin?

After I faced some backlash on a video I did for a fashion brand where I wore a sari, with some commenters saying a bigger body like mine did not belong in one, Mina Malik-Hussain reached out and invited me and Baemisaal to come talk on her show about bodies and body shaming. Naturally, we wore saris. It was then Baemisaal who brought up the idea of starting this hashtag to encourage more people to join in as an act of solidarity against the shaming I had been dealing with. Very badass of her.

A sari is generally a very versatile garment; why do you think it receives this much hate when put on different body types?

I think anybody with any body who exhibits confidence, especially if that body is outside of the parameters of what is seen as acceptable or attractive, generates hate. If we see where hate comes most from, it’s social media. There people usually photos of themselves when they feel confident about themselves. But if you have fat rolls or dark skin or you’re flat-chested, and continue to exude confidence, it’s a siren call for bullies who want to tear you down. Bullies and trolls feel encouraged to do this because of mainstream media, widespread fatphobia, diet culture, and in particular Pakistani culture (could go so far as to say sub-continental), where bigger bodies are viewed almost as vulgar. Larger bodies mean larger hips, larger breasts, and therefore hypersexualised and villainised. People want you to put it all away.

Why do you choose to engage with online trolls, rather than look the other way?

I have been fat my entire life, so I have built a level of confidence around dealing with such commentary, but I know a lot of people, if not majority of people, who have not. I believe people who comment hatefully on the internet need to be called out and answer for what they said, they need to explain themselves and what I have found in my time engaging with them with pure curiosity and in some cases sympathy (though I won’t lie it can be a performance on my end) is they cannot handle it; they end up getting defensive or taking back what they said themselves. They don’t expect someone to stand up for themselves. I personally find these people sort of sad and pathetic. Truthfully, if what makes you feel powerful is to diminish a person’s light then you’re not someone whom I could ever respect let alone whose opinion should hold value. My hope is that women, even young kids or teens, reading my comments back or watching my instastory take downs may feel a little less alone. Or they understand the points I’m making hold value. At least I hope that happens.

 What has been the impact of this campaign?

I have gotten the chance to speak to so many women about their experiences with hearing awful things about their body from the people meant to love and nurture them, from their partners, from the world, and commiserate, laugh together and also make steps towards forgiving ourselves for letting this stuff get to us and finding ways to cope for when it comes next. Also for almost two weeks Twitter and IG feed for me was filled with gorgeous, beaming, glorious women just enjoying feeling good about their bodies and about their choice to rock a sari and I loved that.

 Do you think brands are veering towards genuine diversity or is it still surface?

I think some brands are definitely trying, but there is a very long way to go. We need to start thinking about how our fashion brands can build a relationship with customers by having their customers reflected in their imagery. That means more than one plus-sized model or one dark-skinned model here and there, but a constant evolution of their campaigns when it comes to inclusion and diversity in casting.

BAEMISAAL’S CALL TO ACTION

A while ago Sabah Bano Malik did a digital collaboration with a brand on styling a sari for them. In her viral video, she was praised by many, but also scrutinised for owning and flaunting her beautiful body and style. Later we went on to Mina’s show “The Coffee Table” to talk about Bigger Bodies, Fat Shaming and Fat discourse, while wearing saris together in solidarity for Sabah’s video, simultaneously supporting the fact that bigger bodies should not be excluded in any part of society, in this case: fashion.

The sari then, since Sabah wore it, represented something more to us, which was a barrier given to us and many other bigger women especially growing up. We were shamed constantly for wearing them or even wanting to wear them and we still are.

I’ve been shamed for wearing a sari since forever. I used to see my aunts and mom wear them (they’re all straight sized, considered “slender-medium”). I didn’t fit the category and so was always made to feel bad for my rolls, tummy, chest, arms, legs, hips, etc.

This is when we decided that no more. No matter what you look like, whether you’re short, tall, fat, slim, differently abled, dark or whatever other flaw you perceive in yourself, you deserve to feel powerful and strong.

So join us and support other women. Motivate them to feel good rather than tearing them down.

No more exclusion! Here’s to #sarisforallsizes

I am so proud to wear a sari. I look beautiful. My stomach looks beautiful. My arms look beautiful. I never see women like me flaunting themselves here but thanks to #SarisForAllSizes, I saw so many of my sisters far and wide embrace themselves. And my God I can’t wait to see the rest of you in your saris.

A sari to me is a woman’s defiance and a woman’s ownership of her body. One can be modest, or flaunt it. It’s up to them. And NO woman should be broken down or made to feel guilt or shame for what she looks like and how she chooses to use what she has. This is not a place of hate.

I will no longer worry about whether I look older than my age, or that my stomach hangs out or my chin or back don’t fit the mold you’ve created so horribly for me to fit in. I refuse.

To all my sisters and brothers who wear saris, this is for you and only you. I love you. You look phenomenal and so powerful.

Protect each other. Protect yourselves and please be kind (unless someone’s begging you to unleash your beast, in which case, let ’em have it!). Do not rain on other people’s parade if they’re not hurting you. Let people be.

MINA MALIK-HUSSAIN ON #SARISFORALLSIZES

“As a woman who doesn’t have a perceptibly bigger body, I’m also not the size many brands cater to either, which is frustrating and baffling. I’ve been body-shamed, although in no way comparable with the sustained criticism and judgement my bigger-bodied friends have endured. I see my role in this wonderful hashtag (and one day, movement?) as one of an ally, and I hope to support and amplify the brilliant, courageous work my queens are doing in whichever way they want or need.”

 

 

 

 

Farhan Saeed stole hearts with his singing and then through some memorable roles on television. This fortnight he chats with Mehek Raza Rizvi about his upcoming projects, fame, family and more

 

You’ve won over your fans both as a singer and an actor, but what would you say is closer to your heart? 

To me being a singer and an actor are both essential forms of entertainment. At the bottom of my heart, I’m an entertainer in every way. Singing is my passion and acting is my craft, so choosing between the two isn’t an option for me. Each of these is a medium of art that I use to express the passion and emotions in me. Through my work I try to connect to my fans on a level that is far deeper. Whether it’s a live performance or an acting project, I believe I take each up in a way that reflects my creativity and dedication. Singing and acting are equally close to me because I tend to put my heart in each of them.

We’re anxiously awaiting the release of ‘Tich Button’. Tell us a little about your role and the equation all co-stars had on set.

‘Tich Button’ is entertainment for the entire family, as it captures the essence of a lively Punjabi-centric household. However, at this point I can’t reveal much about my role. What I can say is that through it we aim to give the audience a full impact of emotions, from some action-packed drama to sweet romance.

Connecting with all my co-actors on set was a great experience. Working with Iman Ali, Feroze Khan and Sonya Hussyn was very refreshing as our chemistry on set coincided in the best way possible. Furthermore, there are many well-known senior actors in it that I finally got the opportunity to work with. I firmly believe that this was one of the main reasons that ‘Tich Button’ was such a joy to work on. The amount of wisdom and support they showed us on set actually guided us through the entire process of making the film.

To sum it up, it’s a labour of our love and hard work. I really hope that people will enjoy watching it as much as we relished making it. 

You’ve worked with Qasim Ali Mureed in the past and he’s a close friend of yours. How different was this project from the others?

Qasim and I have worked together on numerous singing and acting projects over the years. Working with someone who knows you well both in front of the camera and behind it is gratifying in its own way. I strongly feel that it’s much easier to work on the craft of a character smoothly when two minds think alike. The best part about working with him is that he’s familiar with my strengths and weaknesses and understands me well.

Now that ‘Prem Gali’ has ended, are there any new drama serials in the pipeline?

Yes, I do have a couple of new projects lined up that I’m currently working on. One of them is a web series that we’re shooting these days and I also have some new songs in the works that’re going to come your way real soon.

Both your parents are doctors; what inspired you to pursue a career in music and acting? 

I truly believe that music was (and is) my destiny. Despite belonging to a background of doctors, music always held significant value in my life. It’s been an integral part of our household since I was quite young. I remember my entire family would sit together and enjoy jamming sessions on our favourite melodies. Seeing the true calling in me, my father told me that I just needed to be sincere to whatever I chose to do and do justice to it. Here I am today, doing something that’s very close to my heart and I hope I’ve done justice to it so far.

Out of all the characters you’ve portrayed, which one do you think is closest to your personality and how? 

Every character that I do more or less has some shades of me. I feel whenever you choose to do a character, there’s always a part of yourself that reflects in it. This is the main reason that attracts you to a particular role. Be it my character in ‘Udaari’ or ‘Suno Chanda’, each of them has a sense of being quintessentially me. Each character is special to me and I try to infuse what I am into every one of them. If I really have to choose, then maybe the closest character twould be Arsal from ‘Suno Chanda’.

Before saying yes to a script or character, how mindful are you of the impact it will have on your audience? 

I always try to analyse all the connotations that my characters are going to project onto the audiences. Whether it’s a light-hearted character or a headstrong one, I ensure that I give thought to how the audience, and especially my fans, will interpret it. It’s quite important to me that whatever character I choose delivers a message for people to learn from.

What would you say have been your biggest learnings as a public figure so far? 

One of my biggest learnings from this profession has been that gratitude is the right attitude. I’ve also learnt that as long as you’re patient and strive to work hard, things work out just fine. Being thankful to God, your friends, family and fans in all circumstances is the only way that you can move forward; many doors open if you’re true to yourself. However, I also feel that being a public figure in today’s day and age is not at all easy. With the social media era, the level of negativity has somewhat amplified to a point that it’s hard to stay focused and persistent.

You’ve spoken about memories from your childhood. Tell us more about those years.

Well I’ve been lucky enough to experience a childhood that has to be one of the best, with a constant balance of family gatherings, cousins, musical evenings, festivities and cricket. I truly lived every moment of it with my loved ones. We were blessed to have parents that supported us in every way. If I could sum up my childhood in one word, then that would have to be: beautiful.

What is Farhan Saeed like at home? 

A mix of everything: I’m an artist, a musician, an actor, a dancer, and anything else that I want to be when I’m at home. I believe I’m a simple man and mostly enjoy my time with my family, close friends and some good food. On the whole, a little ordinary and a little fun-that’s what Farhan is at home.

Photography: Rehan Khan

Wardrobe: Fitted

HMU: Ateeq at Toni & Guy

Stylin: Arbaqan Changezi

Art Direction: Maha Rehan

PR: MINT PR and Image Consultancy

The Nikkah ceremony of GT’s very own editor, Mehek Raza Rizvi, daugther of Begum and Justice (R) Syed Shabbar Raza Rizvi, with Irtaza Syed Nawazish, son of Begum and Syed Tahir Nawazish was held last month. The intimate affair was full of love and warmth.

 

 

 

Gt Magazine 1-15-2021

On her biggest career high, overcoming her weaknesses and love for fashion

What inspired you to take up modelling professionally?

I’ve always had a keen interest in fashion and loved being in front of the camera, so I’d say it all started from there. It’s also a blessing that my friends and family have always encouraged me to pursue my passion.

What do you feel are your strengths and weaknesses as a model?

My strengths are my versatility, creativity, flexibility, focus and the ability to take initiative. It’s important to stand up, speak up, be bold and unafraid of judgments.

My weakness would probably be being too detail-oriented.

Biggest career high so far?

I’ve been featured in the song “O Kehndi Na Na” by Navv Inder, who previously sang the popular “Wakhra Swag”. This gave me recognition not only in Pakistan, but India as well.

Do you have a fitness and beauty regimen?

I do yoga and pilates religiously. I also like to eat healthy and stick to organic food products.

How would you describe your personal style?

Quirky and fabulous.

What do you think about the competition in your industry and the relationships models have with each other?

I’m not here to compete with anyone. The other models have their own style and I want them to shine too.

What do you consider to be the toughest aspect of your job and how do you overcome it?

The toughest job is perhaps having to shoot in the heat and the fact that you need to look glamorous at all times, regardless of how you feel. I keep reminding myself that I’m strong and I can do it; nothing can break me!

Where do you hope to see yourself in the next five years?

Come on, I can’t even see far enough into the future to know what’s for dinner tonight!

Words: Mehek Raza Rizvi | Photography: Altamash Urooj
Wardrobe: Euphoria | Makeup: Deepika Dehshta
Hair: Dani | Location Courtesy: Mahesh Tourani

 

Saira Shakira’s Chikan Kari collection celebrates spring/summer through its soft hues and sophisticated designs.
Choose from a range of options for the perfect wardrobe

Wardrobe: Saira Shakira
PR & Coordination: Centaur One
Model: Amna Babar
Photography: Alee Hassan
MUA: Sonia Nazir
Jewellery: Meraki, Zelo & Jawahir by Amna

Zuka Books launched ‘The Burning Champa’, a collection of poems by Zahra Hameed focusing on body positivity and mental heatlh. The event had readings by Usman Raza Jamil.

 

 

Fashion model Yasmeen Hashmi’s spring wedding to Karachi-based lawyer Hasaan Shah was an intimate and elegant affair that also flouted tradition in favour of individuality. Hassan Tahir Latif speaks to her about modern bridal looks, planning a wedding during Covid and more

Talk us through your mood board for the wedding.

I’ve always enjoyed looking at pictures of weddings from our grandparents’ time; the intimacy and festivity infused in them informed my mood board. The small weddings in drawing rooms, in personal gardens, with close loved ones all around—that’s what I wanted. And colour; lots and lots of colour.

Considering that you’ve been part of some memorable bridal campaigns, how did you ensure that your own wedding looks stood out?

I’ve worked with brands that have a strong aesthetic and that’s helped me define my own. Having this understanding of my style, of what looks good on me and what I can pull off really allowed me to comfortably go for what I wanted, knowing full well that that confidence would alone be enought to make me stand out. I even went for my fittings on my own, as I wanted it to just be a one-on-one conversation with the designers, and I guess they appreciated that as well. They all knew that I like to experiment with cuts and silhouettes and that I can pull off unconventional looks. With all this in mind, I wasn’t worried about my bridal looks not standing out.

Weddings are stressful for most brides. Was it the same for you? How did you cope with it all?

Being a very chilled out person in general helped me a lot. I made sure everything was organised and delegated to the right people. Once all the orders had been placed and tasks appointed, I didn’t need to worry. The designers knew me, so that end was sorted. Similarly, I went for Carbon Events by Sara Chapra for the décor, as she knew my style. She suggested ‘Walking on Sunshine’ as my theme and I fell in love with it instantly. To reduce stress, my advice is to know yourself and to know who understands you the best. Once you delegate tasks to them, the stress dissipates.

What were your rituals before the wedding? Did you change up your skincare regimen, for example?

To be honest, I’m not very into rituals. I tried the whole ubtan thing, but I felt too uncomfortable. In terms of skincare, I didn’t change anything at all and didn’t go for any treatments.

I believe to look pretty all you need to be is confident—a lesson learnt through my modelling campaigns. I don’t recommend anyone to change their skincare routines or get treatments right before the big day. It’s best to incorporate new products a few months in advance. Even for my bridal looks, I went for skincare and makeup products that I knew worked on me. In fact, I didn’t even go for a facial; I went for it afterwards to detox my skin from all the products during the wedding days.

Your reception look as a modern bride was refreshing. What was the thought process behind it?

I’m glad you think so. I’m a modern girl at heart, so it was a no-brainer. Don’t get me wrong, I love traditions, but they’re not for me. I knew I was never going to be a bride with a dupatta on her head, at least not for my main day. I believe a lot of the traditions are there for other people and they were incorporated in some of the other events of my wedding. But, the main bridal look was going to be quintessentially me. Faraz Manan understood that and that’s why he started off with the emerald colour actually. The initial outfit he showed me wasn’t too far off from the final look. Anyone who knows me knows that I’d always wanted to be a Faraz Manan bride. However, it was important that it be a comfortable look, with no fuss on embroidery or heavy detailing. A backless outfit with minimal embellishments on the pants was perfect—for the wedding lunch and the party afterwards.

We fell in love with your bridal shoot. How did you come to the decision of choosing Fatima Tariq for your portraits?

Fatima’s work is gorgeous and I’ve been obsessed with it. However, the portraits were a gift from my cousin Farishteh; once she told me about that, I knew I had to get Fatima to cover the rest of the event as well. The way she creates moods and captures moments is truly magical. Both my husband and I are ecstatic at how the shots turned out.

They always call it the bride’s big day. But, did Hasaan have specific wishes for the events or did he leave it all up to you? How did you balance what you both wanted?

As I said, I’m a chill person and don’t generally freak out, especially when I know everything’s been sorted. Hasaan, on the other hand, is a lawyer who works all day; he wasn’t able to see a lot of the backend work and got a bit antsy towards the end. But he was also very trusting of me and that helped a lot. His main thing was that he wanted his friends to have fun, but he was also concerned about Covid. So, I decided to stagger the guest list at my wedding lunch; the elders came for lunch and once they left, we had a black-tie sundowner. I wanted to throw him the best party of his life. It was intimate, it was manageable and it was a lot of fun.

Both of you look adorable together. Tell us more about you two. What’s the story?

Hasaan and I go way back. Although we were in different schools, we both knew of each other through our friends. However, when we got back from college and saw each other again, it was love at first sight. He’s always been the person I kept going back to and couldn’t get him out of my head. He’s the funniest person in the room, he’s humble, he’s kind, he doesn’t gossip, he’s not uptight—I automatically gravitated towards him and the positive aura that surrounds him. When his family found out I was single, they sent me a proposal and now we’re excited to spend the rest of our lives together.

Were there any big day mishaps that you can share with us?

No mishaps at all! One funny incident, though, was how my youngest brother’s Gen-Z friends took over from DJ Shakir at the sundowner and played their rave music. We are still laughing at the image of a bunch of teens in sunglasses on the dance floor. But ultimately, it was endearing.

You decided not to have a mehndi. Any particular reason for that, or is that something that you’re personally not interested in?

I’m not a mehndi person at all. Even in non-Covid circumstances, I wouldn’t have had one. I run away from dance practices and I didn’t want to put my friends, who all work, through that. At the end of the day, it was about having a good time and that’s what we had.

What was your experience as a bride during Covid-19? Would you have done your wedding differently if there was no pandemic?

Quite fun actually. I enjoyed the intimacy of it and, as I said, would’ve done it that way regardless. The smaller affair allowed Hasaan and I to hang out individually with all our friends and loved ones, without the pomp and circumstance of a bigger, traditional event. At all the events leading up to the wedding, we had everyone whom we love present and were able to interact with them. It’s also quite affordable, so I do recommend everyone look into smaller weddings, even after Covid.

Any tips for other brides who’re preparing for their big day during the ongoing Covid-19 crisis?

Divide your guest list. That’s what we did at most of our events. The elders would come for lunch or dinner, enjoy some music and leave. Then our friends would join us. We didn’t want too many people in closed spaces and this really helped with that. Strategic guest list making should be your biggest priority if you’re planning on getting married during this time.

What would’ve been your ideal destination wedding, if you could’ve had it anywhere in the world?

Oh that’s easy! Hunza or Skardu if in Pakistan (I’m in love with our northern areas) and Lake Lugano in Italy if anywhere abroad. The Lake Lugano and Como region is my favourite place in the world; I went to college there and a wedding event in that area would’ve been the stuff of dreams.

Now that the wedding is over, what are your plans for the honeymoon?

We’re going on a safari trip to southern Africa. I’m looking forward to visiting Botswana, Tanzania, Kenya and Zimbabwe. The wide open spaces and the wildlife are going to be amazing. But, both Hasaan and I are city people as well and enjoy good nightlife. So, we’ll be sure to spend some time in Cape Town as well and explore a bit more of South Africa.

 

 

 

 

 

This fortnight we speak to this talented young photographer about her creative journey

Tell us about your introduction to photography.

I don’t remember it in particular, but as far as I can recall, I used to take self portraits in grade 10. Then I started photographing people, since I love exploring new places and meeting new people.

Who are your biggest influences?

There are so many. But I absolutely love Natasha Zubair, because her work ethic is amazing. Apart from her, my sister has been my rock since day one and I’m quite proud of her journey as an artist; it really inspires me.

What is the creative process like when you’re preparing for a project?

A story is very important to me, so I always create an inspirational mood board and share it with my client or model and see if it matches with their vibe.

How do you balance work with your education?

As a medical student it’s kind of hard, but I try my best. Recently, I’ve had to skip some exciting projects, but I guess that’s part of life.

What’s been your favourite photograph or project so far?

A fashion shoot that I did for for Hira Ali. I love it when designers give you creative freedom and trust you with your perspective.

What equipment do you use?

I use a Nikon D750 with a 35mm lens.

How would you describe your photography style?

I love doing portraits and fashion photography. Sometimes I do wedding shoots too, but only if my clients understand my art and perspective. So, my style is mostly comprised of candid, colourful portraits with a play on light and shadow.

What’s a piece of advice you always keep in mind?

Keep going. Never give up. NEVER! And the only person you should compare yourself with is who you were yesterday. You are your biggest competition.

 

9Lines, staying close to its ethos and pop quirk roots, puts forward the first ever unstitched lawn collection, as “9LINES SS21”

The collection focuses on driving towards a modern update to the usual lawn, by adding a signature 9Lines quirky narrative. The collection is inspired by infusing art in fashion for an off-the-wall update. Prebooking on 12th March online > www.9lines.store

Wardrobe : 9Lines
Photography : MHM
Hair & Makeup (female models) : Qasim Liaqat
Hair & Makeup (male models) : Turab Haider
Art Direction & Styling : 9solutions
Models : Abeer Asad, Abeer Rizvi, Alicia Khan
Eesha Asad, Manal Saleem, Khushhal Khan
Qamar Khawaja, Suleman Hussain & Zarrar Khan

 

 

 

 

 

 

London-based model Sadaf Khan has walked for Pakistani fashion designers across the globe. Here, she speaks to GT about her career and more

What inspired you to take up modelling as a profession?

I always had a keen interest in fashion and isn’t it amazing when you get paid to look good?

What I love about modelling is that you have a good sense of style, adaptability, a positive attitude, excellent stamina, communication skills and the ability to look good at all times.

Tell us about your first modelling job?

My first job was in London for Virgin Airlines. It was such a big shoot, and I was so nervous, but thankfully I did great in the end and everyone loved me.

What’s your experience been like working with Pakistani fashion designers? Do you have any favourites?

It’s been very good. I love Pakistani fashion and have done many shows around the world, where I’ve walked for all the top Pakistani designers. All of them are lovely, but Umar Sayeed and Rana Noman are my favourites.

What’s the one thing you enjoy most about your job and what’s the one thing you dislike the most?

I love walking the ramp and I’ve missed it a lot during the pandemic. I can’t think about anything I dislike, as I always try to find the best in everything.

What’re some things you wish you knew before you started your career?

The way people judge and criticise you in this career.

How would you describe your personal style?

I’m really into skirts and anything high waisted—that’s my thing.

Do you have a specific beauty and exercise regimen?

I do wear a lot of makeup, so it’s very important to look after the skin. I cleanse a lot using an oil cleanser (I love the Elemis range, as my skin is dry and it really helps), followed by a rose toner and thick moisturiser. I always use sunscreen before going out. Masks are really important for me too, so I apply them twice a week to get that glow. I try to drink a lot of water and never miss out on my vitamins.

Exercise for me is important not only for my physical health, but also for my mental well-being. It releases endorphins that keep you feeling happy and energetic. I’m quite addicted to reformers and I combine it with cardio three days a week.

What’s been the best advice you’ve received?

Be kind and treat people as you would like to be treated. Everyone loves to feel special; everyone loves to be noticed. So, if you care for people and treat them as the special people that they are, then they’ll love you for it. If you help enough people get what they want, then you’ll get what you want.

Photography: Altmash Urooj
Wardrobe: Euphoria
Makeup: Deepika Deshta
Hair: Dani
Location Courtesy: Mahesh Tourani

 

 

 

Fresh, young talent always has a place in our pages. In this issue, we speak to upcoming actor Bilal Dar about his auditions and trying to break into the industry

Tell our readers about your background in acting.

I had my first audition in 2017 in the US about a play on partition, which turned into my first acting gig. It was such a memorable experience and I learned so much about my history. It really solidified my interest to pursue acting professionally. I also did a few short films in the US, after which I decided to take a break from acting.

How would you compare your experience acting in the US with your experience acting in Pakistan?

Acting in the US is pretty straightforward. You have auditions which’re posted online or through casting websites for everyone to see and try out for. I saw acting roles online and went in for the auditions. Acting in Pakistan is somewhat trickier to navigate. You need to be connected to the right circles and networks to even know about the auditions. It definitely requires more networking. Acting in both countries is fun, but comes with its cultural challenges.

Where do you hope to see yourself in the next five years?

I’m moving to Los Angeles this year to pursue acting in the US. I’m excited as this has been my dream ever since I started acting. I hope in the next few years I’ll be a professional actor working with some of my favorite directors and actors there.

Which actors inspire you and why?

Leonardo DiCaprio, Jake Gyllenhaal, Joaquin Phoenix are some of my favourite actors. They’re some of the most versatile and empathetic actors. Acting is all about empathy for the characters and their stories and these actors have delivered some of the strongest performances in my opinion.

Tell us about your upcoming short film and music video.

I’m currently working on a short film titled ‘Rukhs’ set in 1970s post-partition Pakistan. The story revolves around three characters and how they navigate love in the strict, religious society under Zia’s regime. This film has been guaranteed screening at the UK Asian Film Festival’s 23rd year (London, Edinburgh, Birmingham, Leicester), the University of Cambridge, King’s College London and will be sent into multiple festivals across the globe. Khoosat films is collaborating for post-production and the film production is funded from a commission by the UK Asian Film Festival.

Photography: Ahmed Kaleem

 

Trends come and go, but a traditional bridal remains timeless. Captured by the lens of Rehan Khan, fan-favourite Sumbul Iqbal dons the regal trousseaus of Diva’ni Pakistan in a magical shoot

Talent: Sumbul Iqbal Khan
Wardrobe: Diva’ni Pakistan
Photography: Rehan Khan
Art Direction : Maha Rehan
Hair and makeup: Qasim Liaqat
Jewelery: Grace Jewellers

 

 

 

The 12th anniversary of the Dawood Foundation’s LadiesFund Award was held at Sindh Governor House to award 12 female front-line workers, who risked their lives to save others during the ongoing  COVID-19 pandemic. We are indebted to all frontline workers.

 

Ayesha Omar is many things: an actress, a style icon, an activist and an artist. This fortnight she speaks to Mehek Raza Rizvi about fame, fortune and family

It wouldn’t be wrong to say you’re one of Pakistan’s most coveted style stars. Do you feel that’s helped you in your profession? Or on the contrary, have you ever feared that might take away from people taking you seriously as an actress?  

Thank you so much for your kind words. I was always a tomboy growing up and not really concerned about what I was wearing. My wardrobe was simple and functional; I never followed fashion icons or magazines. In fact, even when I first joined the industry, I wasn’t too fussed about my style statement. It’s only in the last six to seven years that I’ve started to have fun with fashion, by figuring out what my preferences are.

I’m an artist; I’ve studied painting, so I use my outfits as a sense of creative expression. Keeping that in mind, yes, I’d say fashion does give me a medium to translate my artistic sensibilities into a tangible form. It allows me to express what I’m trying to say without actually having to say it. It also helps me bring the characters I portray to life, because I style them myself.

“I’m an artist; I’ve studied painting, so I use my outfits as a sense of creative expression”
—on her style

On the other hand, though, it’s true that sometimes when a lot of stress is put on how an actor is dressing, it can take away from them being taken seriously for their craft. I wouldn’t say this is a fear of mine, but I want to be remembered as a hardworking actor, host and activist, not just a style icon. There’s way too much focus on external appearances, which also becomes a point of comparison between contemporaries. An actor’s sense of style does matter to some extent as it’s part of one’s image, but it should be a secondary concern.

You mentioned in one of your interviews that your accident was a defining moment in your life. How did it change your perspective? 

Sometimes in life you experience something that alters your perspective on things completely—my accident did that for me. When you witness death so closely and see your whole life flash in front of you, it makes you rethink a lot of things and reassess your priorities. I’ve definitely started valuing life more, particularly the little things in life, like small acts of kindness. I feel I’ve now become a lot more empathetic to the struggles of other people and have realised the importance of being there for people in their time of need. More importantly, I’ve understood how to be there and when to give space to someone coping with pain.

This experience also gave me a lot of clarity regarding who my real friends are. It was a real eye opener in that sense. Above all, I felt a deep sense of gratitude as my connection with my creator and my belief in His divine plan became much stronger.

“I’m very fortunate to have grown up with my friends who’re my sisters and have really compensated for the lack of support from relatives”
—on friends like family

The fame and influence celebrities enjoy puts immense responsibility on them to use it wisely. Do you ever feel burdened by the constant spotlight?

Yes, of course I do, as do all other public figures. There’s this constant pressure of behaving the way people want you to. The criticism we receive isn’t limited to just our work, but extends to personal preferences as well: from what we eat, to our relationships, our choice of clothing, etc. One’s life does change once you’re in the public eye; anonymity allows you to live your life the way you want, but you don’t have that privilege as a public figure.

Despite being human, there’s very less room to make mistakes, because people are extremely unforgiving and sometimes it can take a toll on you. Having said that, I also enjoy the responsibility and feel very thankful that I have a voice that enables me to talk about issues that concern me. There are so many people, young people in particular, that look up to us for direction and also various occasions where we get to be representatives of our country. It’s a duty I take seriously and feel immense gratitude for.

One of the reasons we love you the most is for being outspoken and never being afraid to stand up for issues close to your heart. How do you deal with the inevitable backlash though? Especially on social media. 

You’re very kind. It does take a lot to be that way because many things aren’t received well. In the end, you just have to stay true to yourself regardless of any backlash. As long as your intentions are right and you aren’t hurting anyone, you should stand by what you believe in. Eventually people understand your point of view as well.

It’s true that you do need thick skin to survive the negativity. Social media in particular can be such a dark place, but then there’s also light and love. Where there are haters, there are also people who show support and faith in you.

Have you experienced any prejudice as a woman in your line of work?

When I first joined the industry, I was fresh out of college—very young, trusting and friendly. I dressed a certain way, because I grew up in a progressive household. I studied with boys in college and went to a school where there was freedom of decision-making and confidence building, so I was forward-thinking as well I guess. All of this led to a lot of preconceived notions and prejudice against me.

People thought that because I was new so they could say and do whatever they wanted. I feel I was judged for my pleasant nature and the way I dressed; I was stereotyped. I’ve faced both, sexual and verbal harassment. Nothing has come easy to me and I’ve had to learn things the hard way. I’ve had to build a hard exterior and keep people at a distance to be able to be taken seriously.

Also, because I moved away from Lahore and didn’t have family in Karachi, I didn’t have any backing or anyone to protect me. Knowing this, multiple people have been unfair and unprofessional with me—with full knowledge of me being the sole breadwinner for my family. I’ve had to face delayed payments many times; many of them still owe me money.

People who’re close to me know that things haven’t been so smooth for me and I’ve worked very hard to get where I am. I’m extremely committed and professional and have developed strong a work ethic. Despite that, people have so many assumptions about me and there’ve definitely been times when I had to prove them wrong.

With the conversation on gender equality and feminism on the rise, how important is it for female actors to choose their roles carefully and avoid playing the damsel in distress?

I find conversations about gender equality and feminism heartening. In an environment where so much is being said and done to protect and empower women, it’s extremely important for female actors to choose their projects wisely. The stereotypes created by society are validated by our content, so we must make sure we aren’t responsible for carrying such ideas forward, as this affects the women in our society on a daily basis.

The media plays a very crucial role in influencing people’s minds. Female actors should avoid opting for characters that’re detrimental to the role of women in society and that glorify injustices against them, whether it’s enabling domestic abuse, rape culture or victim shaming. This is the reason why you see me in such limited projects; I don’t agree with plots where you see women surrendering to their circumstances.

“When you witness death so closely and see your whole life flash in front of you, it makes you rethink a lot of things and reassess your priorities. I’ve definitely started valuing life more, particularly the little things in life, like small acts of kindness”
—on her brush with death

Out of all the characters you’ve portrayed, which one do you relate to most and why?

It’s always tough to choose, as there’re lots of them with different shades to their personalities. But if I had to pick, it would be my character in the serial “Kaisa Yeh Junoon.” I played the lead role, who was a very strong and principled girl who grew up to be a determined, solid individual with a lot of integrity and self-respect. She was also studying to be an artist, so I really related to her. We shot this project in London, Mumbai and Karachi, so we travelled to three different cities and I worked really hard on it.

What is Ayesha Omar like at home? Tell us about your childhood and family?

I was born in Karachi, but after my father passed away when I was only a year and a half old, my mother, brother and I moved to Lahore. My mother was a young widow, who’d only been married a few years. She had no emotional or financial support from the rest of our family, so she raised us singlehandedly. I saw her working very hard to provide us with an education; she started teaching at a school, gave tuitions and also drove a school van that she bought with the help of a friend.  My mother did everything she could to make ends meet; she’s sacrificed her life for us, but of course there was a lot of financial insecurity and anxiety related to that. It was very hard for me, as a child, to see my mother going through this. But, today I feel that I get my sense of independence and strength from her. I’m very self-sufficient, just like her.

My brother and I went to an expensive school that we may never have been able to afford without our merit scholarships. But this also meant that we had to work very hard on our grades. We were studying with rich kids but couldn’t afford to be spoilt the way they were. My mother also encouraged us to participate in extra-curricular activities, so I was very active in the school choir, theatre group and art workshops. Growing up surrounded with such cultural experiences makes me who I am today.

Despite the difficulties, I feel my childhood was full of love and warmth from my six best friends and their families. Of course, sometimes I did complain to God when I saw all other kids had two parents, but I’m very fortunate to have grown up with my friends who’re my sisters and have really compensated for the lack of support from relatives.

After graduating from college, I started supporting my family and became the sole breadwinner and have been since then. My brother is doing his PHD in Denmark right now, so he still has a few years to go. It makes me really happy to see him doing what he’s doing and also to see my mother enjoying retired life and taking care of herself. The three of us have always been very very close. I hope my mother is proud of me today.

“Female actors should avoid opting for characters that’re detrimental to the role of women in society and that glorify injustices against them, whether it’s enabling domestic abuse, rape culture or victim shaming”  —on choosing roles wisely

At home, I’m very domesticated. When I moved to Karachi, I shared an apartment with flat mates and continued doing so for thirteen years. It’s only been a year and a half since I started renting my own apartment. I never thought I’d be able to live alone, but I’m honestly loving it! I love doing up my space and creating this zen haven for myself that I love coming back to. I enjoy hosting and feeding people as well. I’ve surrounded myself with a lot of plants, since nature calms me and I try to stay clean as much as I can with my eating habits. I’m gearing towards a more holistic lifestyle and staying away from artificial and synthetic products—that applies to people as well. I’m beginning to realise that more and more every day and try to be around wholesome, positive energy only.

SHORT & SWEET

Pakistani actresses whose style you admire? 

Meesha Shafi, Kiran Malik and Mahira Khan

Favourite co-stars?

Hina Dilpazeer, Sanam Saeed, Saba Hameed, Sawera Nadeem, Azfar Rahman, Adnan Siddiqui, Ali Rahman, Mikaal, Ahsan Khan—there are so many!                            

Theater, film or TV? 

Film, theatre and TV—in that order

Your biggest strength? 

My resilience, self-sufficiency and ability to balance things

And weakness?

Being unable to say no

Favorite ‘90s jam?

Michael Jackson and The Cranberries all the way!

What was the last lie you told?

I lied to someone about working today when I actually just wanted to be by myself

Last impulsive buy?

A pair of shoes

One habit of yours that annoys your family?

My sleeping pattern

Do you have a nickname?

Some of my friends call me Jacks, while others call me AO

A decision you really regret?

There’re quite a few work decisions I regret, along with some personal decisions

Favourite movie quote?

“May the force be with you”
—Star Wars

“After all, tomorrow is another day”

—Gone with the Wind

“You make me want to be a better man”

—As Good as it Gets

Photography:  Najam Mahmood
Wardrobe: Saira Shakira
Coordination: Centaur One
Jewellery: The Jewel Company
Styling: Arbaqan Changezi
Hair & Makeup: Sonia Nazir

Sarah Anjum launched the biggest art house of Pakistan, Revivers Galleria, on Main Boulevard Gulberg. The event was attended by art enthusiasts and social personalites alike.

 

 

 

 

A new year means time for a wardrobe update. Who cares if we’re still stuck at home for most of this winter? A good outfit needs to excuse. Captured by one of our favourites, Rehan Khan, this fortnight’s editorial brings you the choiciest selection from Forecasts latest drop

Photography: R e h a n K h a n
Models: F a r e e h a S h e i k h & S a c h a l A f z a l
Wardrobe: F o r e c a s t
Hair & Makeup: A z e e
Styling & Art Direction: M a h a R e h a n

 

 

“I see Tara as the actual victim, failed by those around her”

Popular actress Armeena Khan, after a brief hiatus, has returned to television screens with her new drama serial “Mohabbatain Chahatain,” essaying the villainous role of Tara, opposite Hira Mani and Junaid Khan. Armeena speaks to Haider Rifaat about her character and what motivated her to return on set

Why did you choose “Mohabbatain Chahatain” to be your return to television? Was the script conducive to this decision? 

I took some time off for many reasons. I’ve been working consistently for a number of years and an actor only has so many roles and projects within them. I was burning out. This was compounded by the torpid scripts on offer that are now the mainstay of the Pakistani drama industry. Once you’ve played one daughter-in-law victim, you’ve pretty much played them all.

Finally, the work-life balance of an actor is incredibly difficult to maintain and you must understand that I don’t come from a showbiz family, so I struggle with all the peripheral aspects that come with being in the limelight. It’s important for me to take time out.

But just as the need to step away is strong, the desire to be back on-screen is strong as well. I do love being in front of the camera and living the many characters without any inhibitions. I was looking for something new and “Mohabbatain Chahatain” felt like it had enough ‘bite,’ because I’m playing a villain; so I took the chance and plunged. Let’s see what the audience makes of it now.

Give our readers some insight into Tara’s character. 

I’ve come across many troubled individuals in my life. In fact, I volunteered around such people in my late teens. To understand my character better, I concocted a whole backstory around her. I don’t think people are born evil (the whole nature versus nurture debate). I subscribe to the school of thought that people are conditioned according to their environment and are shaped by their circumstances.

I don’t see Tara as an aggressor, although she’s the cause of the conflict in the story. I see her as the actual victim, failed by those around her. No one was ever there to defend her or take her side. I really sympathised with her on some aspects and felt that anyone with mental health issues would ‘react abnormally’ in a similar situation.

She’s a representation of all those stigmatised, ridiculed and practically abandoned by society and their families. In Pakistan, mental health is not given the care and attention that is required, and the character I play is paying for this negligence. You’ll see what I mean, if my scenes survive the editing table, that there’s a bit of Tara in all of us.

By the looks of the premiere episode, you seem to be quite a troublemaker in the series. How true is our assessment?

This woman is not a conventional troublemaker as appears at first sight. In episode one, the stage is set. She’s clearly the villain, but she’s neglected in her marriage. To make things worse, her husband is undermining her behind her back to his friends. He then divorces her in front of their close friends. That is enough to drive anyone into the worst place mentally. To an intelligent viewer, the cause and effect are clear, but I still maintain it’s because the system fails her and people who’re like her.

Why should our readers watch this drama serial?

We’re going through perhaps a once-in-a-lifetime global health crisis and I know it’s affecting people’s mental health, so if you’re an intelligent viewer and want to explore how mental health affects people and those around them, then this will interest you. Also, if you’re bored of seeing poor victims of circumstance or mono-dimensional cartoon villains, then this is for you. It’s a different story from what’s out there currently and I hope I manage to elicit some compassion from the audience for my character.

 You mentioned how you were consumed by work completely. How did it feel like to be on set 24/7? 

It’s a pressure cooker and is symptomatic of a wider problem in Pakistan and the way business is conducted in this part of the world. When you’re sleep deprived, over-worked and tired, performances become compromised. Outcomes are left to chance, people fail to take responsibility and there’s a void in which work happens. I could go on, but I’ll save this discussion for another day. Whether your experience will be pleasant or not is highly dependent on the team around you.

You recently wrapped another project in Turkey. Tell us some more.

I recently co-produced a project called “Snapshot.” We collaborated with Turkish actors and crew. I hope to reveal details concerning this when the product is near completion, but Sharaz Ali (my co-producer and director) is very excited, as this is from the same team that previously took us to the Cannes Film Festival.

Do you regret any of your past projects? 

No—I don’t have any regrets. I was meant to do those projects and leave those not in my destiny. I’m exactly where I am decreed to be. I believe in abundance and we all get what is our due in life.

You’ve been travelling back and forth during a pandemic. How is it like out there?

Initially, when COVID-19 was new, we saw countries looking at each other and imitating best practice protocols so they could project a semblance of control. But now I can see that lockdown fatigue has set in around the world and different countries are reverting to habit.

In the U.K. and Western Europe, they have adopted a very risk-averse approach, because they do not want huge numbers of their aged population to die. In Pakistan, the indiscipline has set in and people are not taking the pandemic seriously, because well, I suppose the loss of life isn’t as serious as it seems.

What I’m sensing, however, is that what’s to come in 2021 and after, especially in terms of the economy and people’s mental health, is that a lot of people are going to lose their jobs and there’ll be a huge debt piling up from relief programs around the globe. All of this would have to be paid back, so there’re some more shocks to come.

What new perspective have you gained in life since COVID-19 began? 

Everything is temporary and none of us are coming out of this life alive, so why take things so seriously? Let it all go.

SHORT & SWEET

What do you want our readers to know about you? 

I’m intuitive and will latch on to most things.

Your go-to fall look? 

If it’s fuzzy and comfortable, that’s my look.

Colour of the season, according to you? 

All earthy colours.

A personality trait you wish to work on? 

I’m a perfectionist and unfortunately in my industry, you have to compromise otherwise you’re disappointed.

What do you have that your contemporaries don’t? 

My sensibilities that derive from a mixture of the West and Pakistan. I can add a layer to my acting, which wouldn’t be possible otherwise.

Where does your heart lie? Pakistan or the U.K.?

My heart’s with my family. It’ll go where they’ll go, be it Timbuktu.

 

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